Love as a criterion for valuating experiences of Montessori class graduates

<p>Montessori claimed that love is a key concept that cannot be defined, but nevertheless treated it as central to life and education and therefore wrote a lot about its nature. Studies conducted by the Italian researcher facilitated finding the source of love, which is the child Consequently, the didactic system she developed is focused on the child Feelings and emotions are a kind of ability to reflect, an element of a wider system of information processing. Attributing emotional value to specific events is a specific process of creating meanings For research purposes, the knowledge was obtained that allowed to determine a profile of 24 feelings for school experiences as well as general and ideal feelings of Montessori class graduates, expressed as valuations. It was established whether the school as well as general and ideal experiences have a positive, negative or ambivalent value for the respondents</p>

G. B. CAVIGLIA AND THE BEGINNING OF THE ARCHAEOLOGICAL STUDY OF ROCK-CUT TOMBS OF THE EASTERN ESCARPMENT OF GIZA

The paper continues a series of publications dealing with early explorers who contributed to the study of the eastern escarpment of the Giza Necropolis. Its protagonist is the Italian antiquarian Giovanni Battista Caviglia, the author of the first documented archaeological works in rock-cut tombs on the territory of the modern-day Russian concession at the pyramids. The paper argues that the Italian researcher had access to many burial complexes both in the southern and in the northern parts of the necropolis area currently studied by specialists from the Institute of Oriental Studies of the Russian Academy of Sciences. Contemporary reports demonstrate that Caviglia not only excavated ancient tombs, but also lived in one of the rock-cut complexes and used rock-cut chapels as storerooms for his finds. In 1835, the British officer Howard Vyse, who hired Caviglia for his excavations at Giza, built a large camp at the eastern escarpment of the necropolis. The author locates the camp in front of the tombs of Perinendju, Tjenty I, Tjenty II, and Khufuhotep and examines its fate: After the end of British excavations in 1837, the camp was converted into the first hotel at the foot of the pyramids. Narrative and visual materials presented in works of explorers of the first half of the 19th century correspond neatly with the material culture artifacts retrieved in Giza during contemporary Russian excavations. Despite the disappearance of the camp built by Vyse, the occupation layer preserved in the rock-cut tombs contains numerous finds and complexes that can be dated to the 18th–19th centuries. A thorough study of the activities and field practices of early explorers in the age of antiquarianism contributes to the better understanding of the general stratigraphy of the Giza Necropolis and works toward more accurate interpretation of the archaeological evidence obtained by contemporary specialists at the foot of the pyramids.

GAMING DISORDER SCALE – ITALIAN VERSION - GAMING DISORDER test

The Gaming Disorder Test (GDT)VERY PRELIMINARY RESEARCHThis is a preliminary research on the Italian translation of the test concerning the severity of video game dependence in the Italian context. The research was carried out on n = 900 people. The data can be freely consulted for any Italian researcher who wants to write a paper and publish this research (I only request to be inserted as a co-author). The search is free! Unfortunately, I do not have an adequate team to draft the paper adequately.Questa è una ricerca preliminare sulla traduzione italiana del test riguardante la gravità della dipendenza da videogico nel contesto Italiano. La ricerca è stata effettuata su n=900 persone. I dati sono liberamente consultabili per qualsiasi ricercatore Italiano voglia redigere un paper e pubblicare questa ricerca (richiedo solamente di essere inserito come co-autore). La ricerca è libera! Purtroppo non possiedo un team adeguato per redigidere il paper in maniera adeguata.

"Goffred – Gerusalemme Liberata" XII 59–68. Un'analisi stilistica

"Goffred – Gerusalemme Liberata" XII 59–68. Interpretacja stylistycznaArtykuł skupia się na ściśle stylistycznej analizie epizodu śmierci Kloryndy z Jerozolimywyzwolonej w tłumaczeniu Piotra Kochanowskiego.Riccardo Picchio w 1977 r. opublikował nowatorski artykuł z punktu widzenia metodologicznego,pozostawiając na boku rozpowszechnione aż dotąd podejście do interpretacji polskiejwersji tego poematu, a mianowicie podejście za mocno uwarunkowane stosunkiem pomiędzydwoma tekstami, Tassa i Kochanowskiego. Włoski badacz postarał się przedstawićw nowym świetle arcydzieło polskiego poety: zamiast podkreślić domniemane usterki jegotłumaczenia, Picchio udowodnił, że bardzo często Kochanowski nie przełożył Tassa wedługnaszych oczekiwań nie z tego powodu, że nie umiał dorównać Tassowskiemu mistrzostwu,a raczej dlatego, że miał inne zamiary co do ogólnej koncepcji swojego poematu.Także w przypadku epizodu śmierci Kloryndy okazuje się, że poeta unikał najwyraźniejszychcech stylistycznych tekstu Tassa (ciągła i prawie obsesyjna obecność krwi oraz seksualnośćbohaterki), aby przedstawić czytelnikom raczej grę Losu/Szczęścia z postaciami, przedewszystkim z Tankredem, który walczy, nie będąc tego świadom, ze swoją ukochaną i w końcują zabija.Słowa kluczowe: Piotr Kochanowski, Tasso, Gerusalemme Liberata, Goffred, Klorynda,Tankred, stylistyka "Goffred – Gerusalemme Liberata" XII 59–68. A stylistical interpretationand some methodological observationsAbstractThe article focuses on the strictly stylistic analysis of the episode of Clorinda’s death inGerusalemme Liberata translated by Piotr Kochanowski.In 1977 Riccardo Picchio published an article that was innovative from the methodologicalpoint of view, leaving behind the prevalent approach to interpretation of Polish version ofthe poem, i.e. an approach too strongly conditioned by the relationship between two texts –Tasso’s and Kochanowski’s. Italian researcher attempted at presenting the masterpiece of thePolish poet in a new light: instead of highlighting the alleged faults of the translation, Picchioproved that Kochanowski did not translate Tasso according to our expectations most oftennot because he could not achieve Tasso’s perfection, but rather because he had a differentplan for a general concept of his poem.In the case of the episode of Clorinda’s death it turns out that the poet avoided the mostdistinct stylistic features of Tasso’s text (constant and almost obsessive presence of blood and the sexuality of the character). It was done to present to the readers the way Fate/Luckplays with the characters, most notably with Tancredi who, unknown to him, fights with hislove and finally kills her.Keywords: Piotr Kochanowski, Tasso, Gerusalemme Liberata, Goffred, Clorinda, Tancredi, stylistic