Colagem autoral: estudo da sua aplicação como identidade visual

Este artigo apresenta a parte prática do trabalho de conclusão de curso que tem como objetivo entender a forma com que uma colagem autoral se torna uma identidade visual. A parte prática demonstrou o processo de aplicação de uma estética autoral em uma identidade visual de uma campanha fictícia de produto comercial da marca de tênis Nike. A metodologia projetual híbrida se utilizou da junção de dois métodos: o de Bruno Munari e os Métodos Extensíveis de Design (XDM) de André Neves, este último foi escolhido como forma de sustentar o desenvolvimento das peças com o apoio do digital. Como resultado foram desenvolvidas peças gráficas e digitais para a divulgação da linha, dentre elas posts para site de redes sociais, banner, hotsite e mídia offline.

Regioselective Monobromination of Phenols with KBr and ZnAl–BrO3−–Layered Double Hydroxides

The regioselective mono-bromination of phenols has been successfully developed with KBr and ZnAl–BrO3−–layered double hydroxides (abbreviated as ZnAl–BrO3−–LDHs) as brominating reagents. The para site is much favorable and the ortho site takes the priority if para site is occupied. This reaction featured with excellent regioselectivity, cheap brominating reagents, mild reaction condition, high atom economy, broad substrate scope, and provided an efficient method to synthesize bromophenols.

Pathological changes with the enteropathy caused by difillobotriosis in dogs

Pathomorphological research of dogs intes-tine allowed us to describe in more detail all encountered cases of pathological manifesta-tion and effect of broad tapeworm on differ-ent tissue structures and their frag-ments.Enteropathies are polymorphous and are introduced with different etiological fac-tors. Intestine helminthiases have heavy share of ethiofactors.Microscopic signs of intestinal lesion of dogs during diphylloboth-riasis were characterized with obvious changes in mucosa and submucosa and their damage pathological changes in a smooth muscle layer were rarely noted.Serous coat and all its structural fragments complied with the norm and didn't have pathological. Extensive zones of damage from mehanical injury were not noted,there were areas of gut wall changes with damage and intestinal villi destruction and epithelial membrane destruc-tion possibly caused by morphological and physiological structural features of the para-site. Characteristic pathological signs were symptomatic desquamation of tessellated epithelium.Extensive damage of serous coat tracedin all the microslides prepared for his-tologic study.All these changes can be a pos-sible reason of development of reduction of nutrient intake.Such kind of research as pathological process encourages more de-tailed identifying of clinical status during diphyllobothriasis and its not characteristic or specific manifestations and will be the additional criteria of high-impact therapeu-tics or its evidence.

‘I fear I shall begin to grow in love with my dear self’: The Parasite and His ‘Mirror Stage’

In Act 3 scene 1, we see Mosca’s narcissism for the first time. In the language of Lacan, narcissism is inseparable from the concept of ‘mirror image’, which is how a subject gains his (mis)recognition. This chapter analyses the parasite’s joy and the connection between the ‘mirror image’ and comedy, examining the parasite’s role and how his self-indulgence constitutes an integral part in the study of Volpone. Even though the parasite may think that he is different from the dwarf, the androgyne and the eunuch, he may just be another Volpone’s bastard. Drawing references to the Marx Brothers’ Duck Soup, this chapter examines how comedy plays upon the logic of the ‘para-site’. Finally, it compares the use of the ‘mirror stage’ in comedy and tragedy by making a brief discussion of Hamlet.

Theatricality in Ethnography at the World Trade Organization. The Para-Site as Experimental Form

Contemporary anthropological research requires innovation in method that can take the measure of consequential reflection by many subjects on knowledge production within their own domains and anticipate how a research project might connect productively with various discursive communities and networks given the increasing complexity of ethnographic scale and context. One such innovation, the para-site, addresses these challenges by enlisting reflexive subjects as epistemic partners in orchestrated interactions situated alongside ongoing fieldwork activities. Our experiment set the para-site in the “Green Room” of the World Trade Organization and employed linguistic anthropology to facilitate exchanges at the level of our ethnography′s guiding concepts.