Yi He Yuan (Summer Palace Parkı) Koruma Çalışmalarının Peyzaj Tasarımı Açısından Değerlendirilmesi

Saray bahçelerinin M.Ö. 3.yüzyıla uzanmakta olup, biçimsel düzene sahip olan bahçeler zamanının ihtişam ve saltanatının önemli bir hale gelmiş ve saray bahçelerinin olgunlaşması organizasyonları belli dönemleri yansıtmıştır. Bu, Pekin'deki Yi He Yuan'ın kullanım tarihi, planlamasının uygulanması, Çin parkının tasarımında değerlendirilmesi ve tasarımın tasarımı ile ve bahçelerinin tasarımlarının tasarımına yönelik bir çalışmadır. Çevrede bulunanların satın aldığı Parki Yuan (Yaz Sarayı)'nın – yeşil alan çizelgeleri, açıklamaların açıklanması ve araştırma mimarlığı ile Çin Park ve bahçe tasarım araştırmalarının araştırmalarının hedeflenmesi amaçlanmaktadır.

Neermahal — the Jem of Tripura

The publication tells a story about a visit to the summer palace of the last rulers of the Tripura princely state, which is now a remarkable place of interest at the Tripura state in northeastern India. The palace is located on the island in the middle of the Rudrasagar Lake and can only be reached by boat. The current state of the palace is described as an object of cultural and historical heritage, and of a lake, classified as a nature conservation object of international importance. The opinions of experts on the measures to preserve the ecological balance in this part of the state of Tripura are given.

French books of Empress Elizabeth Petrovna, or “bibliothèque de cabinet” of Regent Anna Leopoldovna?

In 1745, some six hundred volumes of French books were transferred from the Summer Palace, in St. Petersburg, to the Academy of Sciences, and in 1750 returned to the court. Here, we show that three inventories of these books have been preserved to this day, two of which contain an indication that they had belonged to Anna Leopoldovna (in 1740-41, regent during the reign of her underage son, Emperor Ioann Antonovich), and were later donated by Empress Elizabeth Petrovna to Ivan Ivanovitch Shuvalov. Thus, the books described in these catalogs are not the library of Elizabeth Petrovna, as was previously assumed, but that of Anna Leopoldovna.

‘From Those Flames No Light’

The Second Opium War concluded in 1860 with Anglo-French forces looting and sacking the Summer Palace at Yuanmingyuan. Commentators such as Victor Hugo delighted that these incidents occurred under the leadership of Lord Elgin, whose father instigated the Parthenon Sculptures controversy. Memoirists and journalists show that the Summer Palace incident was divisive: looting posed a threat to military discipline, and the wanton destruction occasioned a debate over whether Britain was civilized or barbaric. To some, the melancholy victory evoked the Aeneid. Inevitably debates over repatriation of Summer Palace treasures have invoked discussion of the Parthenon Sculptures. Yet commentators like artist Ai WeiWei show that sculptures that the Chinese Communist Party made emblematic of National Humiliation are not really Chinese and were probably not removed by Europeans. Chinese efforts to retrieve the sculptures demonstrate that modern China, like Victorian Britain, reaches to the cultural past for stability amidst bewildering change.