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Author(s):  
A. Ostapenko

The article shows I. P. Lvov, сhairman of the Department for pedagogy of Chernihiv Pedagogical Institute. I. P. Lvov worked as the Head of the Department of Pedagogy from 1952 to 1958. He developed didactic materials on pedagogy, logic and psychology. The curriculum for the second semester was analyzed, where the main tasks were students' educational work, advanced training of teachers and realization of рublic works under the teachers. At the faculty meeting, the lecturers approved the Individual work plans of the members of the department, monitoring the lectures and pedagogical lessons from the point of view of scientific and methodological execution, control over the work of a laboratory assistant, review and approval of the work plan of pedagogical practice of students. I. P. Lviv had intended to purchase a separate room for conducting psychological experiments. Unfortunately, the intention failed for unknown reasons. He controlled the quality of lectures and seminars on pedagogy, lectures on psychology, and reported on the visit by the directorate of the institute and individual members of the chair they reviewed. In 1952, a pedagogical circle was formed at the department of pedagogy. I. P. Lviv was group leader of the circle at one of the meetings read a report "Modern problems of restructuring the science of psychology in the academician I. P. Pavlov". I. P. Lviv appreciated the work of the laboratory assistant of the department of G. P. Svirid, pointing to her faithful discharge of her duties: providing students with educational and recommended literature. The content of the documents of I. P. Lvov on an administrative post was analyzed and he was found that he made some comments in the report at the meeting of the pedagogy department of the Chernihiv Pedagogical Institute, as well as at the meeting of the Institute council concerning the issues that were in the report "On the condition of pedagogical science and eliminating its backlog" on the resolution of I. A. Kairov. In 1955 I. P. Lvov was the head of the commission on State examinations of the correspondence department of the Russian language and literature of the Chernihiv Pedagogical Institute. Analysis of students' answers in pedagogy, according to I. P. Lvov, showed that most were positive answers, but some students had satisfactory grades, they did not possess good material in pedagogy.


2002 ◽  
Vol 48 ◽  
pp. 233-249
Author(s):  
J. Michael Creeth ◽  
Leon Vallet ◽  
Winifred M. Watkins

Ralph Ambrose Kekwick was born on 11 November 1908 at Leytonstone, Essex. Records of the Kekwick family go back to 1750, when they were living near Warrington in the parish of Daresbury. They were then Quakers and were involved in the local dye industry. In about 1800 they started to move south, and Ralph's grandfather, John Kekwick (1815–82), lived first in Abingdon and then, after the death of his first wife, moved to Bromley-by-Bow, where he worked as a corn factor. A second marriage outside the sect made him unacceptable to the Society of Friends and thus broke the family association with the Quakers. John Kekwick had two daughters and six sons by his second wife; of these, Ralph's father, Oliver A. Kekwick (1865–1939), was the youngest but one. He eventually became a managing clerk in a firm of ships' chandlers in Albert Docks, London. Ralph's maternal great-grandfather, James Price (1820–1900) had an administrative post at the Guildhall, London, and was responsible for the organization of the Lord Mayor's procession and banquets at the Guildhall. His eldest son, James Price (1840–1911), Ralph's grandfather, followed his father into employment at the Guildhall. James Price had three daughters and a son; Ralph's mother, Mary E. Price (1868–1958) was his eldest child. At the age of 13 she became a pupil-teacher at Bromley St Leonard's Church school, Bromley-by-Bow, where she had been a scholar. She was compelled to give up teaching when she married in 1898, in accordance with the regulations then in force, but she was called back to teach in Leyton during World War I at a boys' elementary school and, although Essex reinstated their ‘no married women’ rule after the war, London County Council had less strict regulations and she continued to teach until she reached retirement age. Ralph was the youngest of her three children; she had an elder boy, Leslie Oliver (1899–1975) and a girl, Phyllis Mary (1902–78); with her strong character and interest in education she was a considerable formative influence in Ralph's early life and had taught him to read before he started school. Ralph attended infants' and elementary schools in Leytonstone and then in 1919 gained a scholarship to Leyton County High School for boys. He remembered two outstanding masters, W.F. Woolner-Bird, who taught mathematics, and W.E. (later Sir Emrys) Williams, who aroused his interest in English literature. Ralph enjoyed his schooldays and was keen on all forms of sport. His elder brother, Leslie, lived at home while studying for a degree in chemistry at University College London (UCL), and it was his accounts of the experiments that they were doing that excited Ralph and firmly set him on a course towards a career in science. .In 1925, aged 16, Ralph passed the School Certificate with a sufficient number of subjects and distinctions to make him immediately eligible for university entrance. His father was in poor health at the time and it was decided that Ralph should go up to university rather than stay on at school for two more years to take the Higher School Certificate.


2000 ◽  
Vol 93 (3) ◽  
pp. 111-113

Dame Deidre Hine, who takes office as President of the Royal Society of Medicine this autumn, qualified at the Welsh National School of Medicine in 1961. After junior hospital posts and a period in general practice she obtained the dph and was appointed to a combined clinical and administrative post in community child health with the Glamorgan County Council. In 1974 she became a specialist in community medicine (child health) to the South Glamorgan Health Authority. In 1980 she took up the post of senior lecturer in the Department of Geriatric Medicine in her former medical school (now the University of Wales College of Medicine), combining this with continued work as a specialist in community medicine. In 1993 she was appointed to the post of Deputy Chief Medical Officer in the Welsh Office. Five years later she left the Civil Service to become director of the Welsh Breast Cancer Screening Service. In 1990 she returned to the Welsh Office as Chief Medical Officer, a post from which she retired in 1997. Some of her thoughts on the National Health Service will be known to JRSM readers from her Jephcott Lecture last year (July 1999 JRSM, pp. 332-338). In August last year she was appointed to chair the Commission for Health Improvement (CHI). She is interviewed here by Robin Fox.


1993 ◽  
Vol 107 (1) ◽  
pp. 34-58 ◽  
Author(s):  
Ilja M. Veldman

AbstractIn the latter half of the 16th century a conspicuously large number of Netherlandisch artists emigrated to Cologne. The majority came from the south Netherlands after 1567, forced to leave for political and religious reasons during Alva's reign of terror. Worsening economical conditions were another reason. Cologne offered good prospects for immigrants. Most of the Dutch artists who settled there were engravers, designers and publishers of prints, professions which were much in demand. Skilled native artists were rare in Cologne, and the wealthy, art-loving patricians and prosperous burghers were eager customers. From a different point of view, though, Cologne was not the ideal place for refugees. The city was a bastion of Catholicism, and the Netherlandish emigrants were only tolerated on condition that they showed no signs of their Protestant faith. Protestants were regularly arrested and expelled. Only Lutherans were treated with a modicum of lenience; although they, too, were forbidden to practise their religion, they were eligible for citizenship. After the fall of Antwerp in 1585, when a fresh stream of emigrants descended on Cologne, things became even more difficult for non-Catholics, many of whom were forced to leave the city around 1600. Adriaan de Weert (d. ca. 1590) went to Cologne in about 1567. Despite being a Lutheran (in 1579 he was arrested during a sermon), he joined the Cologne guild of painters and was granted citizenship in 1577. De Weert's work is best known from prints after his designs engraved by his close friend Dirck Volkertsz. Coornhert (fig. 2). Coornhert, who had fled from Haarlem to the Rhineland in 1568, also invented subjects for the two friends' prints, and moreover inspired a few moral-philosophical prints after De Weert which were probably engraved by Hendrick Goltzius (figs. 3 and 4). Their prints reflect a personal, unorthodox and anti-clerical view of religion (fig. 2), and are unlikely to have been published in Catholic Cologne. Isaac Duchemin, who like De Weert came from Brussels, made prints of De Weert's more conventional designs (figs. 1 and 6). A later Duchemin print after his own design (1612; fig. 15) shows a horde of ignorant donkeys practising the arts, lampooning the situation of the arts and sciences in Cologne in a period when the last dissident artists and scientists had died or been expelled and the heyday of culture was over. Frans Hogenberg, who was banished by Alva in 1568 and sought admission to Cologne in 1570, was another active Lutheran. During the aforementioned gathering in 1579 he, too, was arrested, but let off with a fine. Hogenberg may originally have had Calvinist sympathies; a print made while he was still in Antwerp (fig. 7) depicts Predestination. He joined the Cologne painters' guild, and was a highly productive engraver and publisher until his death in 1590. Notably his town views and history prints of contemporary war activities and other political events (figs. 8 and 9) were held in high esteem. Crispijn dc Passe the Elder opted for his baptist faith after the fall of Antwerp (1585) and was compelled to leave the city. After a brief sojourn in Aachen in 1589 he moved that same year to Cologne, where he published and engraved a large number of prints. Some were his own designs (fig. i 3), but more often those of Maartcn de Vos, his wife's uncle (figs. 11-12). Despite his friendship with such well-known Protestants as Carel Utenhoven and Matthias Quad, De Passe seems to have been careful to keep out of trouble. His prints catered to the taste of a conservative, Catholic elite, and he endeavoured to gain the favour of prominent citizens of Cologne by dedicating prints to them (fig. 14). However, the city grew increasingly intolerant of the Protestant immigrants. During a campaign to flush them out, especially the baptists, De Passe was registered in 1610 and along with all the other baptists had to leave the city in 1611. He settled in Utrecht, where his prints were published from 1612 on. Catholic Dutch artists also emigrated to Cologne. The public's hostile attitude towards Willem van Tetrode's work (his recently completed high altar in Delft was destroyed in the iconoclasm of 1573) induced the sculptor to seek commissions from Cologne patricians a successful venture, as it turned out. The Catholic painter Geldorp Gortzius of Louvain became Cologne's favourite portraitist (fig. 10). He lived there from 1579 until his death in 1619), holding an administrative post and living in financial circumstances which he would never have enjoyed in the south Netherlands, where there was fierce competition among the many painters.


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