The Dragon Lady of Gotham: Feminine Power, the Mythical East, and Talia al Ghul

In “The Dragon Lady of Gotham: Feminine Power, the Mythical East, and Talia al Ghul,” Tosha Taylor considers the gender and race politics of Batman’s most complex enemy and ally. The chapter explores patterns of Orientalist fantasy in the character’s actions and appearance. Working from the initial Orientalist inspiration for Talia’s villainous family as related by the character’s creators, Taylor posits that Talia’s chief function in the D.C. universe has been to embody the stereotype of the “Dragon Lady,” an exotic temptress capable of unconscionable acts of betrayal. The chapter examines Talia’s forty-year struggle between villainess and heroine and argues that her agency depends on her conformity to Western myths about Arabic and East Asian woman. The study concludes with consideration of whether Talia might at times serve as metatexual indictment of Western heterosexist fantasy, craftily appropriating stereotypical images of Orientalism in order to manipulate heterosexual male characters.

A Uyghur Muslim in Qianlong's Court: The Meanings of the Fragrant Concubine

In tokyo's fashionable roppongi crossing, just down the street from the Almond Cafe where urbanites converge to meet their dates, a sign over a Chinese restaurant bears two Chinese characters: Kō Hi (Xiang Fei).The establishment's menu and business cards display a portrait of a beautiful East Asian woman in Manchu dress; her expression is enigmatic. The restaurant's advertising describes a Chinese emperor's consort renowned for her miraculous fragrance, and promises equally aromatic culinary delights.