Audio Watermarking Art of Hiding Copyright Information for Piracy Control

Background & Objective: Revolution in digital multimedia is a boon to music industries, music creators for decades as digital music can be created, stored replicated and transferred easily and efficiently. But digitalization of multimedia becomes a curse when the multimedia content is illegally and freely distributed, shared across the network online or offline. Countering the illegal copying and distribution of digital media is the driving force behind the evolution of copyright protection and digital watermarking techniques. Methods: This paper presents the problem of piracy and the overview of the evolution of different digital audio watermarking techniques in time, transformed and compression domains to counter the problem of music piracy. The limitations of the audio watermarking techniques and the future scope for improvement are also presented. Results & Conclusion: This paper summarizes the evolution of audio watermarking techniques and reviews the existing watermarking techniques applied on audios. The limitations of the audio watermarking techniques and the future scope for improvement are also proposed. Additionally, the preliminaries for audio and brief of the properties which are exploited for watermarking of audio are presented.

Securing speech signals by watermarking binary images in the wavelet domain

<span>Digital watermarking is the process of embedding particular information into other signal data in such a way that the quality of the original data is maintained and secured. Watermarking can be performed on images, videos, texts, or audio to protect them from copyright violation. Among all of these types of watermarking, audio watermarking techniques are gaining more interest and becoming more challenging because the quality of such signals is highly affected by the watermarked code. This paper introduces some efficient approaches that have capability to maintain the signals’ quality and preserves the important features of the audio signals. Moreover, the proposed digital audio watermarking approaches are performed in the transform domain. These approaches are gaining more attention due to their robustness or resistance to the attackers. These transform domains include discrete cosine transform (DCT), short-term Fourier transform (STFT), and digital wavelet transform (DWT). Furthermore, the most digital wavelet transforms were found to be applicable for speech watermarking are the Haar and the Daubechies-4. </span>

Development of Algorithm for Audio Watermarking Embedding and Decoding using Patchwork Method under Attacks

To protect digital multimedia content from unauthorized reproduction, digital audio watermarking played crucial role. Audio watermarking for the patchwork method has a relatively good level of perception quality.The challengesbetween security, robustness, and imperceptibility is contemporary area of researchand remains relevant issues. This paper introduces discrete cosine transforms (DCT)-based audio watermarking process using the patchwork method for conventional and advanced signal processing attacks. In the first stage of the watermarking audio signal is divided into an equal number of segments and its sub-segments, and then its coefficients are computed. After eliminating high-frequency related coefficients, remaining coefficients are used to form frame pairs of equal length. Watermarks are embedded in a frame using specific criteria and secured data key.The adjustments are made in such a way that the identification ofWatermarked pairs of DCT frames is done in the decoding process by applying the selection criteria used during the embedding process. From watermarked frames, watermark data is extracted by using a secure data key. The proposed audio watermarking algorithm is implemented and tested under conventional and advance signal processing attacks for robustness, imperceptibility, security, and data payload.