creativity task
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2021 ◽  
pp. 002221942110103
Author(s):  
Florina Erbeli ◽  
Peng Peng ◽  
Marianne Rice

Research on the question of creative benefit accompanying dyslexia has produced conflicting findings. In this meta-analysis, we determined summary effects of mean and variance differences in creativity between groups with and without dyslexia. Twenty studies were included ( n = 770 individuals with dyslexia, n = 1,671 controls). A random-effects robust variance estimation (RVE) analysis indicated no mean ( g = −0.02, p = .84) or variance differences ( g = −0.0004, p = .99) in creativity between groups. The mean summary effect was moderated by age, gender, and creativity domain. Compared with adolescents, adults with dyslexia showed an advantage over nondyslexic adults in creativity. In addition, a higher proportion of males in the dyslexia group was associated with poorer performance compared with the controls. Finally, the dyslexia group showed a significant performance disadvantage in verbal versus figural creativity. Regarding variance differences, they varied across age and creativity domains. Compared with adults, adolescents showed smaller variability in the dyslexia group. If the creativity task measured verbal versus figural or combined creativity, then the dyslexia group exhibited smaller variability. Altogether, our results suggest that individuals with dyslexia as a group are no more creative or show greater variability in creativity than peers without dyslexia.


2019 ◽  
Vol 20 (2) ◽  
pp. 275-306
Author(s):  
Konrad Rudnicki ◽  
Carolyn Declerck ◽  
Charlotte De Backer ◽  
Mario Berth

Abstract What determines if the first interaction between strangers will be a pleasant experience? We conducted an experiment to investigate the extent to which the perceived quality of an interaction is influenced by conversation content and context, and we document the physiological changes that are likely to play a role in establishing rapport. Females who did not know each other met in pairs and conducted a gossip- or creativity task, either face-to-face or online. The conversation content had no effect on the quality of online interactions. However in the face-to-face condition gossip was associated with better interaction quality. Tonic electrodermal activity steadily declined throughout the interaction, while phasic electrodermal activity first peaked and then returned to baseline. Neither were related to perceived interaction quality. Heart rate variability (HRV) dropped at first but then remained stable. A smaller drop in HRV drop corresponded to higher ratings of rapport and liking. Together these results suggest that gossip can improve the quality of a face-to-face interaction between strangers, and support the conjecture that parasympathetic activity is a marker of human openness to social engagement.


2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Marcella Pereira Barbosa de Aquino ◽  
Juan Verdejo-Román ◽  
Miguel Pérez-García ◽  
Purificación Pérez-García

Abstract The ability to compose creative musical ideas depends on the cooperation of brain mechanisms involved in multiple processes, including controlled creative cognition, which is a type of creativity that has so far been poorly researched. Therefore, the objective of this study was to examine the brain evoked activations by using fMRI, in both musicians and non-musicians, during a general task of controlled musical creativity and its relationship with general creativity. Results revealed that during a rhythmic improvisation task, musicians show greater activation of the motor supplementary area, the anterior cingulate cortex, the dorsolateral prefrontal cortex, and the insula, along with greater deactivation of the default mode network in comparison with non-musicians. For the group of musicians, we also found a positive correlation between the time improvising and the activation of the supplementary motor area, whilst in the non-musicians group improvisation time correlated with the activation of the insula. The results found for the musicians support the notion that the supplementary motor area plays a role in the representation and execution of musical behaviour, while the results in non-musicians reveal the role of the insula in the processing of novel musical information.


2019 ◽  
Author(s):  
Marie J. C. Forgeard ◽  
Lizbeth Benson
Keyword(s):  

2018 ◽  
Vol 41 (1) ◽  
pp. 22-33
Author(s):  
Mark Leikin ◽  
Esther Tovli

The present study aims to examine the relationship between developmental language deficit and children’s creative ability. For this purpose, we compared the performance of preschool children with Specific Language Impairment (SLI) on general and mathematic creativity tests with that of typically developing children. The findings demonstrated that children with SLI performed almost identically on the general creativity task, compared with older preschoolers, and did generally better than children from the younger age group. However, on the mathematic creativity task, they did significantly better statistically than the younger children and worse than children from the older control groups. Thus, the results showed that creativity as a specific cognitive ability seems to develop in children with SLI in the same way as in their typically developing peers but at a slower rate. In addition, our findings demonstrate some degree of dissociation between the cognitive and linguistic abilities of children with SLI.


2017 ◽  
Vol 5 (7) ◽  
pp. 151-158
Author(s):  
Jyoti Sharma

The paper presents an empirical study done in Indian classrooms to understand the effect of mathematics learning experiences on the development of mathematics creativity. The study was designed in two stages, at stage I, it was planned to find out scope, practice and promotion of creative thinking in mathematics classroom; teachers’ own engagements with creative mathematical task and teachers’ attitude towards mathematics creativity. Stage II was designed to find out responses of students and teachers in mathematics creativity task. Responses of students were analyzed on the basis of three criteria: Originality, Mathematical Descriptors and Approach. The analysis of the study highlighted the conditioning of minds while learning, teaching and doing mathematics. It brings to our attention the more serious issues about how mathematics is presented and taught to the students.


2017 ◽  
Vol 42 (4) ◽  
pp. 5-27 ◽  
Author(s):  
Elise King ◽  
Mericyn Daunis ◽  
Claudina Tami ◽  
Michael K. Scullin

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