interactive playback
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Author(s):  
Meet Arora ◽  
Kritika ◽  
Ayush Kushwaha ◽  
Aman Parnami

2020 ◽  
Author(s):  
D. Riedner ◽  
I. Adam

AbstractBirdsong consists of syllables that are separated by silent intervals. Previous work in zebra finches showed that syllables correspond to the smallest motor production units (Cynx, 1990; Franz and Goller, 2002) by inducing song stops using strobe light. In this study, we interrupted the song of six Bengalese finches experimentally with the bird’s own song as auditory stimulus using an interactive playback approach. Five of the tested males interrupted their ongoing vocalizations within syllables (16 instances of induced interrupted syllables) in response to the playback. Additionally, we observed 9 spontaneous interruptions in our control recordings. This study establishes that birds can interrupt ongoing syllables within extremely short latencies in response to an auditory stimulus, and that auditory stimuli interrupt syllables more effectively than visual stimuli. Even if syllables are the functionally stable production units, the ability to disrupt those units differs between species and individuals, indicating various degrees of vocal control.


2018 ◽  
Vol 145 ◽  
pp. 51-57 ◽  
Author(s):  
Pauline Ducouret ◽  
Amélie N. Dreiss ◽  
Charlène Gémard ◽  
Xavier Falourd ◽  
Alexandre Roulin

2015 ◽  
Vol 11 (7) ◽  
pp. 20150403 ◽  
Author(s):  
Stephanie L. King

Over the years, playback experiments have helped further our understanding of the wonderful world of animal communication. They have provided fundamental insights into animal behaviour and the function of communicative signals in numerous taxa. As important as these experiments are, however, there is strong evidence to suggest that the information conveyed in a signal may only have value when presented interactively. By their very nature, signalling exchanges are interactive and therefore, an interactive playback design is a powerful tool for examining the function of such exchanges. While researchers working on frog and songbird vocal interactions have long championed interactive playback, it remains surprisingly underused across other taxa. The interactive playback approach is not limited to studies of acoustic signalling, but can be applied to other sensory modalities, including visual, chemical and electrical communication. Here, I discuss interactive playback as a potent yet underused technique in the field of animal behaviour. I present a concise review of studies that have used interactive playback thus far, describe how it can be applied, and discuss its limitations and challenges. My hope is that this review will result in more scientists applying this innovative technique to their own study subjects, as a means of furthering our understanding of the function of signalling interactions in animal communication systems.


Ethology ◽  
2011 ◽  
Vol 117 (12) ◽  
pp. 1120-1127 ◽  
Author(s):  
Karla Rivera-Cáceres ◽  
Constantino Macías Garcia ◽  
Esmeralda Quirós-Guerrero ◽  
Alejandro A. Ríos-Chelén

2010 ◽  
Vol 277 (1700) ◽  
pp. 3685-3692 ◽  
Author(s):  
Mathieu Amy ◽  
Philipp Sprau ◽  
Piet de Goede ◽  
Marc Naguib

Individuals often differ consistently in behaviour across time and contexts, and such consistent behavioural differences are commonly described as personality. Personality can play a central role in social behaviour both in dyadic interactions and in social networks. We investigated whether explorative behaviour, as proxy of personality of territorial male great tits ( Parus major ), predicts their own and their neighbours' territorial responses towards simulated intruders. Several weeks prior to playback, subjects were taken from the wild to test their exploratory behaviour in a standard context in the laboratory. Exploratory behaviour provides a proxy of personality along a slow–fast explorer continuum. Upon release, males were radio-tracked and subsequently exposed to interactive playback simulating a more or a less aggressive territorial intruder (by either overlapping or alternating broadcast songs with the subjects' songs). At the same time, we radio-tracked a neighbour of the playback subject. Male vocal responses during playback and spatial movements after playback varied according to male explorative behaviour and playback treatment. Males with lower exploration scores approached the loudspeaker less, and sang more songs, shorter songs and songs with slower element rates than did males with higher exploration scores. Moreover, neighbour responses were related to the explorative behaviour of the subject receiving the playback but not to their own explorative behaviour. Our overall findings reveal for the first time how personality traits affect resource defence within a communication network providing new insights on the cause of variation in resource defence behaviour.


2009 ◽  
Vol 195 (8) ◽  
pp. 783-789 ◽  
Author(s):  
Cory T. Miller ◽  
Kaylin Beck ◽  
Brooke Meade ◽  
Xiaoqin Wang

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