DESCRIPTION OF WASTE PRINT AL-QUR’AN

The Graphics Industry is an industry that designs, develops, makes, and introduces products that contain or are related to sentences and or images to realize information, ideas and feelings. The product is used for the purposes of learning, entertainment, motivating, commercial, and so on. The graphics industry in Indonesia continues to experience improvement by continuing to make improvements both in producing quality graphic products with the times without reducing the essence of the graphics itself, namely the media for delivering printed information to be presented to the public and in processing waste. The graphics production process is divided into three stages, namely preprint, print and post print. PT. Gramedia Printing Cikarang Plant, as one of the major graphics companies in Indonesia, feels the need to create a working line and system, including providing special services that are separate from other print production flows so that the product prints are perfect, namely printing services for the Al-Qur'an manuscripts. . In the flow of the printing of the Al-Qur'an manuscripts, the treatment is not arbitrary, even up to the handling of the waste. Writing this final project aims to determine whether the application of waste processing resulting from the printing of the Al-Quran is in accordance with Islamic principles and rules of occupational safety and health.Keywords—Waste, Occupational Safety and health, Printing of Al-qur’an

ОСОБЛИВОСТІ ЖУРНАЛЬНОЇ ГРАФІКИ П. КОВЖУНА ТА Е. КОЗАКА В ПОПУЛЯРНИХ САТИРИЧНИХ ВИДАННЯХ ЛЬВОВА 1920–1930-х рр.

Purpose. Investigate the national component and stylistic features of satirical graphics of P. Kovzhun and E. Kozak in popular Lviv humorous magazines of the interwar period. Methodology. The applied art analysis makes it possible to investigate, identify, compare and describe the features of satirical graphics and artistic design of Lviv humorous publications of the interwar period. Comparative and historical methods help to trace the work of leading artists in Lviv satirical periodicals of 20–30s years of XX century. Results.Stylistic features of satirical graphics by P. Kovzhun and E. Kozak in Lviv humorous magazines of 20–30s years of the XX century are determined. It is noted that the artistic style of these artists was influenced by Western European art trends, such as: modernism, expressionism, cubism, futurism. In their graphics, cartoonists use similar tools to achieve a greater effect – grotesque, allegory, zoomorphism. It is traced that each of these artists had his own individual style of satirical illustration, which was supported by national motives. The article draws parallels between German and Lviv satirical magazine graphics on the example of the magazine "Simplicissimus". It was found out that P. Kovzhun and E. Kozak, as leading artists of humorous publications, in addition to highly artistic illustrations, made high-quality graphic design for the magazines «Maski», «Zyz», «Komar». The artistic design of the covers and technical features of these publications are analyzed. Most satirical magazines had a symmetrical hierarchical composition of the title page with a limited polychrome palette. The logo-name on the cover of the magazine was harmoniously perceived together with the title illustration. The cover was made in color, usually in two colors, magazine covers were monochrome. The semantic load of visual satirical material in humorous editions of the interwar period is established. Scientific novelty. The satirical graphics with an emphasis on the national component of the leading illustrators P. Kovzhun and E. Kozak in Lviv humorous magazines of 20–30s years of the XX century is investigated and compared. The peculiarities of the design of the covers of popular Lviv satirical editions of the interwar twentieth century, such as «Maski», «Zyz», «Komar» are determined. Practical significance. Given data on satirical graphics in Lviv magazines of the 20–30s of the XX century and their artistic design will help in understanding the traditions of Ukrainian Galician satirical illustration and magazine design.

ArcStereoNet: A New ArcGIS® Toolbox for Projection and Analysis of Meso- and Micro-Structural Data

ArcStereoNet is a new ArcGIS® based toolbox for stereographic projections that we implement here using Python 2.7 programming language. The reason to develop another stereographic projection package arises from the recent use of Python as an exclusive programming language within the ArcGIS® environment. This permits a more flexible approach for the development of tools with very intuitive GUIs, and also allows the user to take full advantage of all potential GIS mapping processes. The core of this new projections toolbox is based on the capability to easily apply and compare most of the commonly used statistical methods for cluster and girdle analysis of structural data. In addition to the well-known Fisher, K-means, and Bingham data elaborations, a completely new algorithm for cluster analysis and mean vector extraction (Mean Extractor from Azimuthal Data), was developed, thereby allowing a more reliable interpretation of any possible structural data distribution. Furthermore, as in any other GIS platform, users can always precisely correlate each single projected data point with the corresponding geographical/locality position, thereby merging or subdividing groups of structural stations with a simple selection procedure. ArcStereoNet also creates rose diagrams, which may be applied not only to fault/joint planes orientation data, but also for the analysis of 2D microstructural fabric parameters. These include geometrical datasets derived from the minimum bounding approach as applied to vectorized grains in thin sections. Finally, several customization settings ensure high-quality graphic outputs of plots, that also allow easy vector graphics post-processing.

Civilização Barbárie em Conan, de Robert Howard - Vol. II

The book discusses the representations of civilization and barbarism considering the narratives of Conan Cycles by Robert Ervin Howard. The adventures of the character Conan the Barbarian were produced between 1932 and 1936. There are twenty-one literary and fictional texts that are part of a specific genre called “Sword and Witchcraft”. Such literary genre approaches fabulous worlds cha racterized by the presence of the superna tural, where fantastic characters venture into action and fantasy plots. Conan’s adventures were published in the so-cal led pulp magazines (or pulp fictions), low-quality graphic magazines — usually processed from paper pulp — that were very popular in the US between the 1920s and 1950s. Despite Howard placed his great famous character in the “Sword and Witchcraft” genre, he drew philosophical aspects in his plots, insofar as the central theme of these narratives is linked to the opposition between civilization and barbarism. Conan usually represents a violent, bloodthirsty, and crude human conduct, but honest and honorable in the face of the corrupt and greedy actions of civilized men, so an expression of barbarism would be somewhat necessary in his creator eyes, especially in the face of a Civilizational crisis. In addition, Conan and other characters have traces of the so-called western frontier men: the men who would represent the Ame rican trailblazers, so much worshiped by the creator of the character, largely because their rusticities were considered to be the basis for the formation of the country. Howard, a Texan native, was very concerned about the historical context of the economic and social crisis of the twentieth century, and more specifically, the Great Depression of the 1930s. Conan, therefore, expresses some aspects of a more rustic and truthful conduct, closer to the idealized manners of the men who made the West and the US, meaning that the narratives of the Conan Cycles are part of so-called fron tier literature. This is not just a study of civilization and barbarism, but it is also about the conception of the US border in Robert Howard’s own historical context

Techniques for the Documentation, Registration and Analyses of Rock-Cut Tombs

The Archeology of Death, a line emerged within the processualist theoretical position, meant great advances in issues related to the study of the funeral ancient practices, mainly through anthropological studies. However, we do not always have deposits or primary contexts, usually we find the graves looted, pillaged or modified since ancient times. In this sense, this work intends to constitute a methodological example of approach to the knowledge of the funerary sphere of a society through the application of new technologies for those cases in which we do not have any type of information referred to both the biological subjects and the grave goods that accompanied them. The study case chosen is the necropolis of Cala Morell (Ciutadella), a set of several hypogea or artificial caves with different structural characteristics that seem to be framed in the middle of the first millennium BCE but whose exact chronology we cannot determine with accuracy due to the constant plundering and reuses to which the necropolis was exposed. The goals of our research try to determine if there are socioeconomic differences within the same necropolis, if we can talk about a certain structural pattern and if the results obtained can be extrapolated to the rest of the Menorcan necropolis. The technical methodology used in this research consists in developing a quality graphic documentation using photogrammetric models, the management of a database that includes the structural characteristics of each one of the funeral units treated and, finally, the statistical analysis to infer spatial or socioeconomic issues.

CONCEPTUAL AND PLOT-STYLISTIC FEATURES OF GRAPHIC SOLUTION OF MODERN UKRAINIAN ABCS

The article analyzes modern Ukrainian alphabets of leading publishing houses. The focus is on artistic decision making, the general concept of the abbey. The emphasis is placed on the importance of abecting in the teaching of the child. It is noted that with the development of modern technology appear interactive digital books, whose purpose is to help in teaching children. Due to this, ordinary, paper developing books have to withstand high competition, and one of the most important ways to defend their niche in the market is an interesting and original concept and high quality graphic, illustrative presentation of the material.

Reconstruction and modernization of factory "Hartija Kocani", Macedonia

This work presents the reconstruction and modernization of Factory HARTIJA Kocani, for production of high quality graphic paper. Part one analyses the goal of modernization and the approach to its realization. Part two describes the pre-reconstruction state and points to the trouble spots and technical shortcomings of the paper machine. Part three shows the state of technology after the modernization. Here, the companies that took part in realization of project are presented and the quality of their engagement is graded. The final part gives the evaluation of usefulness of the reconstruction and modernization. The evaluation is given for reaching projected capacity and quality, as well as for financial efficiency of the investment, i.e. the price of the execution of the project assignment.