PSYCHOLOGICAL CONFLICT OF THE MAIN CHARACTER REFLECTED IN LADY BIRD MOVIE

This research was useful for knowing the personality of the main character in the film. The researchers used the film Lady Bird as the object of research because this film was very interesting and told the story of a teenager who had very strong ambitions. This film was written by Greta Gerwig in 2017. The researcher used the psychoanalytic theory by Sigmund Freud. The study aimed to analyze the psychological conflict between ego, id and super ego trough the attitude and utterances of the main character. The method was qualitative descriptive. In result, researchers found 6 aspects of the id that are directly related to the main character, 2 aspects of the ego and 2 aspects of the superego. Therefore, the researcher concludes that in the main character in this film, she was more controlled by his id, where she was a form of personality that a person carried when she was born. The Id on Ladybird showed how she fulfilled a wish she deserved and felt that she enjoyed it more without realizing it.

Features of the drama and the concept of the Four Seas Interludes from the opera "Peter Grimes" by B. Britten

Рассматриваются оркестровые интерлюдии из оперы «Питер Граймс» Б. Бриттена. Цель - на основе анализа интерлюдий выявить композиционные и драматургические принципы цикла. Методология работы определяется традициями музыкознания в области исследования, главным из которых является метод музыкального анализа. В результате сделан вывод о том, что Четыре морские интерлюдии можно рассматривать как единый цикл, близкий по форме программной симфонии, отражающей внутренний психологический конфликт главного героя оперы. Практическая ценность работы заключается в возможности использования результатов исследования в курсах учебных дисциплин: зарубежная история музыки, драматургия музыкального произведения, анализ музыкальных форм. This work examines the orchestral interludes from the opera "Peter Grimes" by B. Britten. The purpose of this article is to identify the compositional and dramatic principles of the cycle based on the analysis of interludes. The methodology of the work is determined by the traditions of musicology in the field of research, the main of which is the method of musical analysis. As a result, it is concluded that the Four Seas Interludes can be considered as a single cycle, similar in form to the program symphony, reflecting the internal psychological conflict of the main character of the opera. The practical value of the work lies in the possibility of using the results of the research in the courses of academic disciplines: foreign history of music, drama of a musical composition, analysis of musical forms.

ANALISIS ASPEK KEJIWAAN TOKOH UTAMA NOVEL HATI SUHITA KARYA KHILMA ANIS (TINJAUAN PSIKOLOGI SASTRA

Literary work tries to describe human life, not only in relation to other humans, but also in relation to itself through the relationship of inner events. One form of literary work is novel. The birth of the novel is the creative result of the author in processing a story about life complete with various conflicts in it. Because this research is intended as a study of literary psychology to achieve the psychological aspects of the main character in the novel Hati Suhita by Khilma Anis, what will be put forward is the structure of the story which is closely related to the psychological exposure of the main character. The story structure is the characters and characterizations. As well as the story setting. Qualitative method. Namely, research procedures that produce qualitative descriptive data in the form of written or spoken words from people and observed behavior. How as much data as possible will be able to become the subject of research depends on the use of research techniques. While the approach is a literary assessment perspective. The approach is the scope of literary research. The form, content, and nature of literature as the subject of study. Until now, it seems that in literary research there is often confusion between the use of the terms method, technique and approach. As a result, there are overlapping areas of literary research. The method should involve the operational means of research. The method requires research steps that are worth following. The research results found by the researcher were in the form of the character of the main character and psychological conflicts in Khilma Anis' novel Hati Suhita. Suhita's character is good, tawadhu, smart. Al Birruni is firm, easy to change. Rengganis beautiful, smart. Aruna is good, cheerful. Kang Dharma is calm, mature. And the psychological conflict of Suhita's character is sad. Al Birruni didn't have the heart, Rengganis knew himself, Aruna was sad, and Kang Dharma was calm. In connection with conducting the research, the writer suggests that: first, literary reviewers are advised to examine more deeply the implicit and explicit values in Khilma Anis' novel Hati Suhita, because then we as readers can understand the author's message and his work in totality.

‘It’s like being in a war with an invisible enemy’: A document analysis of bereavement due to COVID-19 in UK newspapers

The COVID-19 pandemic has been followed intensely by the global news media, with deaths and bereavement a major focus. The media reflect and reinforce cultural conventions and sense-making, offering a lens which shapes personal experiences and attitudes. How COVID-19 bereavement is reported therefore has important societal implications. We aimed to explore the reportage and portrayal of COVID-19 related bereavement in the top seven most-read British online newspapers during two week-long periods in March and April 2020. We conducted a qualitative document analysis of all articles that described grief or bereavement after a death from COVID-19. Analysis of 55 articles was informed by critical discourse analysis and Terror Management Theory, which describes a psychological conflict arising between the realisation that death is inevitable and largely unpredictable and the human need for self-preservation. We identified three main narratives: (1) fear of an uncontrollable, unknown new virus and its uncertain consequences—associated with sensationalist language and a sense of helplessness and confusion; (2) managing uncertainty and fear via prediction of the future and calls for behaviour change, associated with use of war metaphors; and (3) mourning and loss narratives that paid respect to the deceased and gave voice to grief, associated with euphemistic or glorifying language (‘passed away’, ‘heroes’). Accounts of death and grief were largely homogenous, with bereavement due to COVID-19 presented as a series of tragedies, and there was limited practical advice about what to do if a loved one became seriously ill or died. Reporting reflected the tension between focusing on existential threat and the need to retreat from or attempt to control that threat. While the impact of this reporting on the public is unknown, a more nuanced approach is recommended to better support those bereaved by COVID-19.

Konflik Psikologis Tokoh Terry dalam Novel Janji Pelangi Karya Fahrul Khakim

This research is based on the psychological conflict caused by an accident experienced by Terry's character that causes trauma. This is reflected in Fahrul Khakim's novel Janji Pelangi. The purpose of this study was to describe the type of trauma, the trauma response, and the personality structure of Terry's character, ego, and superego. The method in this research is qualitative with the type of text analysis research studied through literary psychology. The data collection technique is done by reading, listening, and taking notes. The results of this study include three things, first is the type of trauma, there are 8 data divided into four types, namely situational trauma due to accidents, developmental trauma due to peer rejection, intrapsychic trauma due to anxiety, and existential trauma due to accidents. not important. Second, there are 44 trauma response data which are divided into four responses, namely emotional responses that show shame, turmoil, and panic. Furthermore, cognitive responses that indicate inability to think, troublesome, and nightmares. Then, the behavioral response shows closure, and appetite decreases. Then the physiological response is indicated as a pale, sad, and thin face. Third, there are 56 data, each of which is as follows, Id has sub aspects which include life instinct, death instinct, and anxiety. Furthermore, the ego has sub-aspects of repression, projection, and regression. Then, the superego embraces morality and the pursuit of perfection. Keywords: psychological conflict, novel, Terry's character Abstrak: Penelitian ini didasari oleh konflik psikologis karena peristiwa kecelakaan yang dialami Tokoh Terry sehingga menyebabkan trauma. Kasus tersebut tercermin dalam sebuah novel yang berjudul Janji Pelangi karya Fahrul Khakim. Tujuan dari penelitian ini adalah untuk mendeskripsikan tipe trauma, respon trauma, dan struktur kepribadian id, ego, dan superego tokoh Terry. Metode dalam penelitian ini adalah kualitatif dengan jenis penelitian analisis teks yang dikaji melalui psikologi sastra. Teknik pengumpulan data dilakukan dengan cara membaca, menyimak, dan mencatat. Hasil penelitian ini meliputi tiga hal, pertama adalah tipe trauma ada 8 data yang terbagi atas empat tipe, yaitu trauma situasional karena kecelakaan, trauma perkembangan karena penolakan teman sebaya, trauma intrapsikis karena kecemasan, dan trauma eksistensial karena kekurangberartian. Kedua, respons trauma ada 44 data yang terbagi menjadi empat respons, yaitu respons emosional yang berindikator malu, bergejolak, dan panik. Selanjutnya, respons kognitif yang berindikator berpikir tak sanggup, merepotkan, dan mimpi buruk. Kemudian, respons perilaku berindikator mengurung diri, dan nafsu makan menurun. Lalu, respons fisiologis berindikator pucat pasi, wajah pilu, dan kurus. Ketiga, terdapat 56 data yang masing-masing sebagai berikut, Id memiliki subaspek yang meliputi naluri kehidupan, naluri kematian, dan kecemasan. Berikutnya, ego mempunyai sub aspek represi, projeksi, dan regresi. Kemudian, superego meliputi moralitas dan mengejar kesempurnaan. Kata kunci: konflik psikologis, novel, tokoh Terry

The Concomitant Subversion of the Gender Binary through the Assertion of Transgender Identity: A Study of Manobi Bandyopadhyay’s A Gift of Goddess Lakshmi

In their attempt at gender identity assertion, the transgendered simultaneously subvert the gender binary norm. The reclamation of one’s gender identity aids the transgender individual to correct the biological mishap that results in a female psyche trapped in a male body and vice versa. The intense psychological conflict and the horrific transphobic violence from family and society, often drives the transgendered to suicide. Lisa R Miller and Eric Anthony Grollman in “The Social Costs of Gender Non-Conformity for Transgender Adults: Implications for Discrimination and Health” claim that the 2008 NTDS (the National Transgender Discrimination Survey) proves that frequent stigmatization and assault often drives the identity minorities towards substance abuse, alcoholism and/or suicide (Sociological, 826). However, the accomplishment of gender identity transforms the hitherto diffident individual to express oneself fully and articulate his/her personality in its entirety. Manobi Bandyopadyay’s A Gift of Goddess Lakshmicharts her struggle to become the woman in her mind in the face of ridicule and harassment from the academic circle. Her determination and persistence to assert herself paved her way to become the first transgender principal in India. Therefore it may be assumed that the subversion of normative dichotomy of gender results in the establishment of the transgendered’s true gender, which assists in the expression of one’s personality.

Development and Testing of Psychological Conflict Resolution Strategies for Assertive Robots to Resolve Human–Robot Goal Conflict

As service robots become increasingly autonomous and follow their own task-related goals, human-robot conflicts seem inevitable, especially in shared spaces. Goal conflicts can arise from simple trajectory planning to complex task prioritization. For successful human-robot goal-conflict resolution, humans and robots need to negotiate their goals and priorities. For this, the robot might be equipped with effective conflict resolution strategies to be assertive and effective but similarly accepted by the user. In this paper, conflict resolution strategies for service robots (public cleaning robot, home assistant robot) are developed by transferring psychological concepts (e.g., negotiation, cooperation) to HRI. Altogether, fifteen strategies were grouped by the expected affective outcome (positive, neutral, negative). In two online experiments, the acceptability of and compliance with these conflict resolution strategies were tested with humanoid and mechanic robots in two application contexts (public: n1 = 61; private: n2 = 93). To obtain a comparative value, the strategies were also applied by a human. As additional outcomes trust, fear, arousal, and valence, as well as perceived politeness of the agent were assessed. The positive/neutral strategies were found to be more acceptable and effective than negative strategies. Some negative strategies (i.e., threat, command) even led to reactance and fear. Some strategies were only positively evaluated and effective for certain agents (human or robot) or only acceptable in one of the two application contexts (i.e., approach, empathy). Influences on strategy acceptance and compliance in the public context could be found: acceptance was predicted by politeness and trust. Compliance was predicted by interpersonal power. Taken together, psychological conflict resolution strategies can be applied in HRI to enhance robot task effectiveness. If applied robot-specifically and context-sensitively they are accepted by the user. The contribution of this paper is twofold: conflict resolution strategies based on Human Factors and Social Psychology are introduced and empirically evaluated in two online studies for two application contexts. Influencing factors and requirements for the acceptance and effectiveness of robot assertiveness are discussed.