feminist performance theory
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Modern Drama ◽  
2021 ◽  
Vol 64 (3) ◽  
pp. 378-380
Author(s):  
Karen Jaime

Patricia Herrera fills a void in scholarship on the Nuyorican Poets Café. Her focus on women performers ( performeras) and their writing and performance challenges these artists’ marginalization and erasure, while the Nuyorican feminist aesthetic she proposes, as situated within intersectional feminism, underscores the work’s critical intervention in feminist performance theory.


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