Disrupting Deficit Discourses about Hmong Culture

Dominant discourses persistently portray Hmong Americans as stuck in time and tied to Hmong cultural traditions. This article suggests dominant discourses about the oppression of Hmong culture are mechanisms of White supremacy. It examines research with Hmong Americans on gender and sexuality to disrupt deficit discourses about Hmong culture. It provides recommendations for teachers to counteract dominant discourses that instantiate the values, worldviews, culture and structures of White supremacy.

Perspectives of Queer Hmong Youth

This article highlights some of the tensions that exist for Hmong people who identify as lesbian, gay, bisexual, transgender, and queer (LGBTQ). It uncovers differences and similarities found between the experiences of queer Hmong youth and the larger population of queer youth living in the United States. Despite the perception that a traditional Hmong culture holds no place for queer Hmong Americans, individuals are finding spaces for acceptance and slowly moving the larger Hmong community to a place of understanding and tolerance. A vital part of this movement was Shades of Yellow (SOY), an organization that supported queer Hmong from its inception in 2005 until the group disbanded in June 2017. The life stories of three of its members inform this study, offering a more nuanced look at the experiences of queer Hmong youth living in the Midwest.

Hmong Textiles, Symmetries, Perception and Culture

As part of this Special Issue, this paper attempts to add to a reflexive discussion and confront the simplistic understanding of why humans construct symmetries. This paper examines Hmong textiles called paj ntaub. The Hmong became a transnational people due to happenstance and the Vietnam War. Despite great trials and tribulations, the Hmong people and their art and culture survived. They express themselves and their identity through oral traditions and cultural practices, one of which is their textiles. The old textile styles, known as paj ntaub, are non-representational symmetric designs. The research for this paper was done in Laos. Grounded research, textual analysis and participant observation were the methods used. Though their textiles are a salient part of Hmong culture, little work has been done on the ontology of paj ntaub. This paper proposes a novel perspective to examining the paj ntaub by using anthropological symmetry, the gestalt theory on perception, and ethnographic analysis of the culture, meanings, and choices in design embedded in the textiles, as well as the process of making of the paj ntaub. This work proposes that the paj ntaub is not merely an expression of identity but a holistic expression in Hmong culture and reflects their relationship to their world.

“Happy to Be Born Hmong”

Members of the Hmong ethnic minority group in Vietnam are making up for shortcomings in state broadcasts by accessing transnational media principally via three new music technologies: video compact discs, cell phones with MP3 playback capability, and the Internet. The musical media supplied via these recently introduced technologies are permitting an unprecedented intensification of cultural interactions with Hmong in other parts of the world. Despite numbering over one million people, the Hmong minority group in Vietnam have been largely ignored by music scholars until recently. This article examines how the Hmong are accessing these musical technologies and considers the impact that the resulting interactions are having on Hmong culture in Vietnam.