“Merely to see and touch it”: On Service, McCrae, and Literary Tourism in Canada

Long dismissed as a “critical error” ( Booth 2016 ) and still capable of inciting “embarrassment palpable” ( Watson 2006 ) among scholars otherwise happy to emphasize the material contexts that inform the circulation of texts, literary tourism has recently become the focus of serious academic inquiry. Recent work has begun to disaggregate the various forms of literary tourist sites ( Fawcett and Cormack 2001 ), but continues to have a methodological gap surrounding the specifically literary aspects of the practice itself, and—with the notable exception of Green Gables (Squire 1992; Devereux 2001 )—has left Canada predictably unexamined. This essay begins with a brief introduction to literary tourism in Canada before moving into a comparative analysis of two National Historic Sites associated with Canadian literary authors: the Robert Service cabin in Dawson City, Yukon, and the John McCrae House in Guelph, Ontario. The sites offer a compelling comparison as the former homes of two of the best-known Canadian poets of the early twentieth century whose works have become popularly synonymous with two of Canada’s most heavily mythologized eras. The enduring popularity of poems like “The Cremation of Sam McGee” reflect not only Service’s central role in mythologizing Canada’s north but also a strategic “cultural commoditization” of the area’s gold rush heritage ( Jarvenpa 1994 ; Grace 2001 ), while McCrae’s “In Flanders Fields” retains its status not only as the “most popular poem” of the First World War in Canada and beyond ( Fussell 2000 ), but as also as a primary example of the ideological function of Great War literature within Canada ( Holmes 2005 ; Gordon 2014 ). Although the two author houses may initially appear a study in contrasts, I draw on recent work in literary tourist studies to argue they are linked in their function as “materialized fictions” ( Hendrix 2008 ), or concrete interpretative frames that aim to offer tangible evidence of the Canadian myths their former inhabitants helped to fashion.

Countering “Arctification”: Dawson City’s “Sourtoe Cocktail”

Purpose The purpose of this paper is to focus on the Sourtoe Cocktail, a custom in Dawson City, Canada’s Yukon, in which participants drink a shot of alcohol with a dehydrated human toe in it. Springing from a local legend, the thrill-inducing Sourtoe Cocktail has attracted the attention of tourists. The paper reveals insights from this particular case study in order to discuss potential future tourism trends within the Arctic, especially in regard to the development of a sustainable tourism industry. Additionally, it illustrates how local communities can avoid negative effects of “Arctification.” Design/methodology/approach The case study is deconstructed through Dean MacCannell’s (1976) framework of sight sacralization. The Sourtoe Cocktail is analyzed based on the five stages of the framework, which helps to reveal the various elements at play at the local level. The framework specifically highlights linkages between society and the Sourtoe Cocktail as a product in order to understand how it became a tourist attraction. Findings The use of MacCannell’s sight sacralization framework reveals the intricate relationship of the Sourtoe Cocktail to both the Arctic and the local folklore of the Klondike Gold Rush. In addition, it is argued that the activity can serve as an example of avoiding “Arctification” processes for northern communities. Originality/value The originality of the study lies in the application of the sight sacralization framework to an ordinary object – a toe – instead of an object of inherent historical, aesthetic or cultural value. The paper proposes a complementary study to the recommendations provided in the Arctic Tourism in Times of Change: Seasonality report (2019) for the development of sustainable Arctic societies.

Bill Morrison

This is the first extensive interview with the “Orpheus of nitrate,” Bill Morrison, whose forte is finding interesting imagery, often imagery with obvious film decay, in celluloid film archives, then fashioning this material into works of his own. Morrison has explored American archives—most often, the paper print collection in the Library of Congress and the Moving Image Research Collections housed at the University of South Carolina, which archive the outtakes of the newsreels Fox Movietone produced for theatrical exhibition between 1928 and 1963; and recently, a collection of early silent films unearthed in the permafrost in Dawson City, Canada. Morrison is particularly drawn to moments when obvious film decay seems related to the content or implications of the imagery that remains uncorrupted. Morrison’s breakthrough feature, Decasia (2002), like nearly all his subsequent works, was produced in collaboration with accomplished composer/musicians from around the world. Morrison’s films are to be understood as image-music experiences.

Serum metabolomics of Alaskan sled dogs during endurance racing

Long distance racing sled dogs are fed diets high in fat since lipid metabolism has long been thought to be the major substrate utilised during endurance racing. However, recent studies suggests that sled dogs are equally, if not more, dependent on carbohydrate metabolism. Considering the metabolic disparity regarding the energetics of endurance exercise, our study aimed to explore the serum metabolomic profiles of sled dogs running a 1,609 km (1000 mile) race. We hypothesised that there would be amino acid depletion due to gluconeogenesis and alteration in the citric acid cycle (CAC) based on the limited carbohydrate diet they consume. Serum was obtained from 6 Alaskan sled dogs approximately 24 h prior to the race (Whitehorse), at the midrace checkpoint (Dawson City), and again at the finish (Fairbanks). Serum was analysed using liquid chromatography-mass spectrometry for over 200 metabolites involved in amino acid, lipid, and carbohydrate metabolism with MetaboAnalyst Software 3.0. Major metabolic changes observed were decreased free fatty acids and enhanced acyl-carnitine derivatives during the race compared to baseline. Serum depletion of nearly all amino acids except for branched chain amino acids and phenylalanine was observed suggesting extensive protein catabolism. Many of the CAC intermediates were variable with increases in abnormal end glycation products. These results highlight that sled dogs display general amino acid depletion for pyruvate, acetyl CoA and CAC pathway intermediates with increased carnitine bound lipid metabolites, suggesting rate limiting beta-oxidation during endurance exercise, particularly at mid race. Further metabolomic studies to assess the influence of exercise and nutritional regimens are warranted to better understand substrate utilisation in working dogs.

Conclusion

Cinema is a record of the Anthropocene, and not just because it has recorded the changing planet. Celluloid is already embedded in the geological record. Bill Morrison’s film Dawson City: Frozen Time tells the story of how nitrate films were buried in the Yukon permafrost and unearthed decades later. Considered hazardous material, the nitrate film reels are also our cultural heritage. We can read the film as a lamentation that humanity and its culture are impermanent and its archives in jeopardy. But when we consider that so many films have been dumped, burned, and buried, we may be struck with the melancholic possibility that humanity and its culture will never disappear from the earth. In time, the human artifacts on the planet and the traces of humanity’s artificial life worlds will be the nature upon which future life forms create their worlds and rituals of hospitality.

Pre-onset auroral signatures and subsequent development of substorm auroras: a development of ionospheric loop currents at the onset latitudes

Substorm auroras observed on 17 January 1994 were localized within the field of view of an all-sky imager installed at Dawson City (DWS, 65.7° ILAT). In association with the enhancement of the anti-sunward convection in the polar cap and the ion flux enhancement in 1–6 keV at geosynchronous altitudes, a wave-like structure propagating equatorward to the onset latitudes with a high wave number in azimuth (m ~ 76, T ~ 120 s) was observed 30 min prior to the activation in the equatorward latitudes. The activation of the auroras in the equatorward latitudes and the subsequent poleward expansion lasted for approximately 6 min until a diffuse aurora formed. The auroras in the last 6 min were isolated and localized within the field of view of DWS, from 400 km west to 400 km east, and accompanied the magnetic pulse at the optical station. The magnetic pulse is interpreted by the propagating ionospheric current loop with a size comparable to the isolated auroras (~ 1000 km). We conclude that the wave-like structures in the pre-onset interval relate to the intrusion of the plasma-sheet plasmas from the tail by the convection. The plasmas from the tail eventually developed the ionospheric loop currents at the onset latitudes, in association with the triggering of the bead-like rippling of auroras and subsequent breaking out from the onset latitudes.