The multilingual university website (MUW) genre ecology

This article analyzes the content of Spanish university websites and the processes involved in translating them, with the aim of identifying the challenges internationalisation poses for these institutions and the technical, organisational, and translation-related solutions that have been adopted for managing their multilingual content, particularly in the case of universities in autonomous communities with two official languages. It examines the communicative situation of the multilingual university website (MUW) genre by applying textual genre analysis, with special emphasis on translation and localisation processes. The empirical study of the macrostructures, multilingual content, and strategies used by each university to translate its website is articulated through the notion of a genre ecology, as a complex conglomerate of genres based on distributed cognition and shared authorship. The analysis shows that the processes involved in creating multilingual content require adopting comprehensive translation and localisation strategies, establishing sole decision-makers for translation management and quality control, and providing the necessary resources to ensure the multifunctionality, dynamicity, interactivity, and adaptability we have identified in monolingual university websites. Finally, we offer suggestions for improving the creation, management and control of multilingual content, and define the profiles of the specialized translators required for this type of institutional website.

Connecting Genres and Languages in Online Scholarly Communication: An Analysis of Research Group Blogs

Blogs provide an open space for scholars to share information, communicate about their research, and reach a diversified audience. Posts in academic blogs are usually hybrid texts where various genres are connected and recontextualized; yet little research has examined how these genres function together to support scholars’ activity. The purpose of this article is to analyze how the affordances of new media enable the integration of different genres and different languages in research group blogs written by multilingual scholars and to explore how various genres are coordinated in these blogs to accomplish specific tasks. The study reported in this article shows that the functionalities of the digital medium allow research groups to incorporate myriad genres into their genre ecology and interconnect these genres in opportunistic ways to accomplish complex objectives: specifically, to publicize the group’s research and activities, make the work of the group members available to the disciplinary community, strengthen social links within their community and connect with the interested public, and raise social awareness. Findings from this study provide insights into the ways in which scholars write networked, multimedia, multigenre texts to support the group’s social and work activity.

Fashion Film and Genre Ecology

We analyse the challenges and changing character, production and consumption of the emerging genre fashion lm through a genre as ecology approach. This approach accounts for the complexity of various rhetorical practices used within the creative industries, such as fashion. We find that digital mediation compels genre innovation in networked cultures in the mediation of fashion. We examine three fashion films to ascertain how they function as cultural production within web- and mobile-based communication and networked articulations. These need to be understood as part of distributed, polyvocal and multimodally mediated digital branding and advertising strategies that have largely not been addressed as genre by media and communication studies. Genre ecology is proposed as an addition to typological and developmental models of (media) genre innovation.

Creating Discursive Order at the End of Life

This article investigates an emerging practice in palliative care: dignity therapy. Dignity therapy is a psychotherapeutic intervention that its proponents assert has clinically significant positive impacts on dying patients. Dignity therapy consists of a physician asking a patient a set of questions about his or her life and returning to the patient with a transcript of the interview. After describing the origins of dignity therapy, the authors use a rhetorical genre studies framework to explore what the dignity interview is doing, how it shapes patients’ responses, and how patients improvise within the dignity interview’s genre ecology. Based on a discourse analysis of the interview protocol and 12 dignity interview transcripts (legacy documents) gathered in two palliative care settings in Canadian hospitals, the findings suggest that these patients appear to be using the material and genre resources (especially eulogistic strategies) associated with dignity therapy to create discursive order out of their life events. This process of genre negotiation may help to explain the positive psychotherapeutic results of dignity therapy.