The Struggle with Disease Taxonomy in Han Kang’s The Vegetarian

The root cause of the suffering of Yeong-hye denies all clear-cut medical nomenclatures in Han Kang’s novel The Vegetarian. This paper discusses how heath institutions (in the context of the text) negate the aspects of cultural oppression, sexual trauma and power-play (referring to Michel Foucault) within the family structure while formulating a categorical taxonomy of a disease. In a constant struggle with anorexia, vegetal metamorphosis and parallel dream sequences, the cause-effect relationships in the illness of Yeong-hye and her sister In-hye defers end-significations with plurality. Bringing in Susan Bordo, the hierarchy of gender in the control over food choices is discussed in the light of etiology of Yeong-hye’s disease, its “whatness”, and how medical institutions define her clinical condition.

O ciałach, które się stają. Feminizm materialny w literaturze dla dzieci i młodzieży

W artykule recenzyjnym omówiono monografię Twenty-First-Century Feminisms in Children’s and Adolescent Literature [Feminizmy XXI wieku w literaturze dziecięcej i młodzieżowej] (2018) autorstwa Roberty Seelinger Trites. Jego celem jest nakreślenie znaczenia tzw. zwrotu materialnego w teorii feministycznej dla badań nad płcią społeczno-kulturową w literaturze dla młodych odbiorców. Artykuł rozpoczyna się od przybliżenia sylwetki Trites i jej poprzednich prac. W kolejnej części przedstawione zostają różne sposoby teoretycznego ujmowania ciała w myśli feministycznej. Przywołanie stanowisk zajmowanych przez Susan Bordo, Judith Butler czy Elizabeth Grosz pomaga stworzyć odpowiednie tło dla podstawowych założeń feminizmu materialnego i teorii Karen Barad. Sproblematyzowanie kwestii ucieleśnionej podmiotowości kobiecej pozwala zarazem wykazać, w jaki sposób zastosowanie przez Trites feminizmu materialnego do badań nad literaturą dziecięcą i młodzieżową wyznacza nowe kierunki analizy i interpretacji. W dalszej części artykułu zostają omówione poszczególne rozdziały książki, w których Trites włącza do dyskusji perspektywy kluczowe dla współczesnych feminizmów, w tym m.in. teorię krytyczną rasy, ekokrytykę, teorię queer oraz studia nad niepełnosprawnością.

Feminine famishment: Graphic medicine and anorexia nervosa

Socio-cultural rigidities regarding the shape and size of a woman’s body have not only created an urgency to refashion themselves according to a range of set standards but also generated an infiltrating sense of body dissatisfaction and poor self-esteem leading to eating disorders. Interestingly, through an adept utilisation of the formal strengths of the medium of comics, many graphic medical anorexia narratives offer insightful elucidations on the question of how the female body is not merely a biological construction, but a biocultural construction too. In this context, by drawing theoretical postulates from Susan Bordo, David Morris and other theoreticians of varying importance, and by close reading Lesley Fairfield’s Tyranny and Katie Green’s Lighter than My Shadow, this article considers anorexia as the bodily manifestation of a cultural malady by analysing how cultural attitudes regarding body can be potential triggers of eating disorders in girls. Furthermore, this article also investigates why comics is the appropriate medium to provide a nuanced representation of the corporeal complications and socio-cultural intricacies of anorexia.

Thinking Birth Differently

This feminist narrative inquiry discusses the experiences of two women in a metropolitan city in the Midsouth of the United States who each intended to have a drug- and intervention-free childbirth for the birth of their first child. This data came from a larger study that included narratives from six participants. Using Alecia Y. Jackson and Lisa A. Mazzei's concept of “plugging in,” we read and analyzed the data through three feminist theorists: Sara Ahmed, Gayatri Chakravorty Spivak, and Susan Bordo. This allowed us to push the limits of intelligibility of women and their narratives, challenging the dominant, medicalized discourses prevalent in the current cultural context of the United States.

Becoming Mario: performance and persona adaptation in Mario Casas’s career

This chapter looks at the body of work of one of Spain’s most ubiquitous young stars. Analysing Mario Casas’s on-and offscreen performances of masculinity and the role that his star persona plays in his filmography, it argues that the actor’s career has revolved around his carefully sculpted physique and behaviour—and that Casas is indicative of a new generation of young male stars in Spain. As ‘The Great Hope of Spanish Cinema’, Casas comes to represent a shift in public perceptions of manhood and is evocative of a new type of manufactured, cinematic masculinity. With ties to the work of Susan Bordo and Richard Dyer, this chapter underscores the importance of physicality to Casas’s performance of masculinity, as made evident in his iconic roles in films such as Tres metros sobre el cielo/Three Steps Above Heaven (Fernando González Molina, 2010) and Tengo ganas de ti/I Want You (Fernando González Molina, 2012).

Menopause and Methodological Doubt

Menopause and methodological doubt be gins by making a tongue-in- cheek comparison between Descartes' methodological doubt and the self- doubt that can arise around menopause. A hermeneutic approach is taken in which Cartesian dualism and its implications for the way women are viewed in society are examined, both through the experiences of women undergoing menopause and through the commentary of several contributors in Feminist Interpretations of Réné Descartes by Susan Bordo (1999). This examination is located inside the story of the paper, which was written over the duration of a university hermeneutics course, and reflects the author's evolving understanding of hermeneutic interpretation within qualitative research.

Becoming-Rhythm: A Rhizomatics of the Girl

I appropriate Deleuze and Guattari's concept of the refrain for a feminist analysis of the girl because it offers more insight into the ways girls construct themselves as performative networks than the death-by-culture or at-risk model preferred by such feminists as Jean Kilbourne, Carol Gilligan, and even Susan Bordo. I proffer that it costs women everything to practise a politics of difference that is by definition reactionary, a reaction to the cultural refusal of leaky gendered bodies that must be overcome. Girl is mapped through such alternations as powerful aggregates of the tremulous, roaming emissions of monstrous particles most desired and desirous.

O feminismo desconstruindo e re-construindo o conhecimento

Neste artigo, relaciono sinteticamente alguns exemplos de situações enfrentadas pelas mulheres que observei durante a realização de pesquisa na área da saúde para enfatizar a necessidade do diálogo do conhecimento e das práticas de saúde com o feminismo. Em seguida, abordo alguns aspectos do diálogo da epistemologia com o feminismo, destacando a posição de Gaston Bachelard, de um lado, e de Dorothy Smith, Alison Jaggar, Susan Bordo, Gayle Rubin e Teresita de Barbieri, do outro. Por último sintetizo aquilo que considero como as grandes rupturas epistemológicas promovidas pelo feminismo, referindo-me à linguagem e ao trabalho.