Patel … and Not Patel

My relationship with Tara Arts began in 1989, with the production of Danton's Death. Jatinder had made it very clear that none of the assembled actors would know the roles they were to play until at least the third week of rehearsal. Unsure about this process, I scanned the list of Büchner's characters full of doubt. Then, in the certainty that none of them was called Patel, I decided to put whatever reputation I had amassed during my previous twelve years as an actor in Jatinder's hands. Patel is a fine name, but I had played four characters called Patel in the last twelve months, and was just about to play another. And I was feeling claustrophobic. In the end, Jatinder cast me as Robespierre opposite the splendid Muraly Menon from Trivandrum in South India, who played Danton. Since then I have played various characters of both genders for Jatinder and Tara, and I have visited countries and continents where I have worked with performers whose skill and knowledge have humbled me.

Disruptions in Representation: Anne Bogart's Creative Encounter with East Asian Performance Traditions

The avant-garde theatre director Anne Bogart has made her name in the U.S. theatre community through her deconstructions of modern classics such as the musical South Pacific (1984), Cinderella/Cendrillon (1988) after Massenet's opera, Büchner's Danton's Death (1986), Gorki's Summerfolk (1989), William Inge's Picnic (1992), as well as through her idiosyncratic and original dance/theatre ‘compositions’ developed collabortively with her company, the Saratoga International Theater Institute (SITI). Prominent among such compositions have been 1951 (1986) on art and politics during the McCarthy era, No Plays, No Poetry (1988) on Brecht's theoretical writings, American Vaudeville (1991), and The Medium (1993) on the writings of the Canadian media philosopher Marshall McLuhan. Bogart has been acclaimed for her astute directing of the work by contemporary playwrights, such as Paula Vogel, Charles Mee Jr. and Eduardo Machado.