SOCIAL MATRIX AND CONSTRUCTION OF GENDER IDENTITY IN NATHANIEL HAWTHORN’S THE SCARLET LETTER

Purpose of the study: The Scarlet Letter by Nathaniel Hawthorn, already explored from different perspectives by many researchers, has relevance to the social matrix that how gender identity is constructed in the text. In order to explore this perspective, the study deals with the character of Hester Prynne as how she is deconstructing normative gender. Methodology: For this purpose, the theory of ‘Imitation and Gender Insubordination’ presented by Butler (1993) has been applied. Secondly, the study tries to answer the gender identity of Hester Prynne by using Freudian ‘Identification of gender.’ Lastly, the work is concerned with Hester Prynne’s avoiding the danger of being leper and castaway. The last analysis owes itself to the Freudian understanding of psychoanalysis. Main Findings: The findings show that gender is purely volatile and oscillating and is usually being constructed by feminist narratives, social appropriations, inborn congenital schema, and sexual orientations. Butler’s arguments get augmented in this study through the analysis of a few characters, particularly Hester Prynne’s, and it has indicated that through the application of Butler’s arguments on gender stance that gender is performative and hence, it has no real or inborn value/definitions. Therefore, it is inferred that gender is performative and is socially constructed. Application of this study: This study has implications in literature in general, gender studies, and related fields in particular. Novelty/Originality of this study: Though Nathaniel Hawthorn’s The Scarlet Letter had been written long before that has been explored from different perspectives, the present research is original and new in the sense that it brings social matrix and discusses gender issues in it both from the social and psychological interpretations.

Revising The Scarlet Letter: Race and Motherhood in In the Blood and Little Fires Everywhere

Nathaniel Hawthorne’s The Scarlet Letter has generated numerous adaptations. Its depiction of race has made it a problematic ‘master text’, however, especially since it was published in the same year as the US Fugitive Slave Act. This essay examines three recent adaptations across a variety of media that focus on the relationship between race and motherhood, revealing the ways in which Hester Prynne can be integrated into society as a single mother in ways that non-white mothers cannot. Suzan-Lori Parks’ 1998 play In the Blood stages ‘Hester, La Negrita’ as a homeless mother of five who cannot escape the ‘hand of fate’ of racial oppression. Celeste Ng’s 2017 novel Little Fires Everywhere reinvents Hester as a surrogate mother whose efforts on behalf of a birth mother in a trans-racial adoption dispute highlight how race differentially impacts maternal rights. The 2020 Hulu television adaptation of Ng’s novel casts the Hester and Pearl figures, along with an artist named Hawthorne, as black women whose activism forces the Richardson family to acknowledge their white privilege. Together, these adaptations examine how the ‘monstrous birth’ of slavery that Hawthorne only belatedly acknowledged has had a lingering afterlife in constructions of race and motherhood.

THE DUALITY OF HESTER PRYNNE’S IMAGE: SUBVERSION AND SUBMISSION

Hester Prynne is a young woman of The Scarlet Letter. She has borne a child out of wedlock and been sentenced to wear the scarlet letter A, a symbol of committing adultery for the rest of her life. She refuses to take the scarlet A as a token of outlaw. With her needlework, she struggles to subvert the original signification of the letter A and to build her new identity as an able, angelic and admirable woman. She transforms the letter A for herself outside the patriarchal signifier. However, her return to Boston, where she voluntarily wears the letter illustrates that Hester acknowledges the importance of the social order and her submission to the public. She has the rebellious spirit but it is not strong enough to overthrow the patriarchy. Hester’s dual image of subversion to submission is attributed to Hawthornes’ ambiguous attitude toward women.

An Analysis on Adultery in Hawthorne’s The Scarlet Letter

The main feature of the research discusses the adultery on Hester Prynne and Arthur Dimmesdale in Hawthorne’s The Scarlet Letter. Adultery is caused by several things and has impact to the doers. The research purposed is to find out the factors cause adultery done by the two main characters and the impacts on the doers. The research is qualitative research. Therefore, it applies descriptive method since the writer describes the analysis based on the data and the theories. The research uses psychological approach that just focuses on the psychological condition of adultery’s doers. The data are collected from the original text of The Scarlet Letter, then analyzed in terms of factors and impacts of adultery. The result of the research was clearly found and explained that the act of adultery is caused by several things, namely need of safety, need of affection, need of love and belongingness, and need of sex. while its impacts make the doers experience certain psychological conditions, these are esteem need, psychotic anxiety, safety need, develop superego, neurotic anxiety, mental disorder, and psychosomatic illness . The act of adultery makes the doers have different conflicts because they have different ways in facing the impacts of adultery. Hester has external conflict such as conflict with the society, magistrates, her husband, and her child. While Dimmesadle has internal conflict such as double avoidance conflict, double approach conflict, and approach avoidance conflict.

Of Lascivious Mysticism and Other Hibernian Matters

Harold Frederic’s The Damnation of Theron Ware recasts The Scarlet Letter as a Methodist minister’s romance with Catholics and fin-de-siècle intellectual Catholicism. The Reverend Theron Ware is a liberal progressive Dimmesdale update, happily married at the novel’s outset, who is assigned to a fundamentalist, anti-Catholic congregation yet comes increasingly under the spell of a trio of erudite, somewhat unorthodox Catholic leaders—one of whom, Celia Madden, the Hester Prynne update, is a single woman, seemingly independent yet Church-integrated, whose mastery of the organ and articulation of Continental aesthetics are all too provocative to be ignored. The resultant interplay between Theron’s late-century Protestant dissipation and the edgy Catholicism of Celia and her erudite comrades (one priest, one scientist) is lit in knowing commentary—religious anthropology cum wicked irony—that hangs in the air long after Theron’s hurtful sexploration comes to its merciful—mercy-filled, Angel-conducted—end. In The Damnation of Theron Ware, the Catholic-inspired, Catholic-tutored mythopoetics of Protestant self-consciousness take a mighty leap forward, in seeming lock-step with Henry Adams and in anticipation of such contemporary thinkers as Richard Rodriguez, Camille Paglia, and James T. Fisher. Religious wanderlust is seen to drive forbidden love at least as much as the original way around. And the narrative staging of Protestant wonderment and wanderlust, dramatized in terms of the Protestant-side tangle between its persisting Calvinism and emergent liberal pragmatism, takes a nasty 180-degree turn against itself, courtesy of its Catholic protagonists—though, really, of its Protestant author.

Re charged emblems: Hawthorne and semiotic metamorphics

Illuminating innovatively the dialectic by which “sign” is induced “to signify” requires an analysis of the inferrer-entailed symbolics constituting “signified,” a process particularly observable during relative, purposeful re-signification, particularly at high-visibility sites. Because Nathaniel Hawthorne focused intently his romantic-dramatic oeuvre on cynosural women, because of his affinity for allegorical signification, and especially for his tangibility to feminist themes and axiologies of virtue transcending even the highly reformist nineteenth century, he is here chosen an interpretation-open “carrier wave” for that research. Climactically and consonant thematically, also instructive is Umberto Eco’s unnamed, eponymous “Rose” for being an antiphrastic sign with a truth of its own signifying at least (like Hawthorne’s Puritan-oblique Hester Prynne) divergence from male/hieratic hermeneutics; at most (like Apuleius’s metaphysical Psyche, Hawthorne’s lodestar) ineffable, philosophical Good. As if to the generating premise, Eco wrote in The Name of the Rose, “Without an eye to read them[,] signs produce no concepts”; socially consequential signification-conditioned transformation, in that eye and toward those signifieds, symptomatic both historical and rhetorical, is here assayed.

Puritan’s Hegemony in the Nathaniel Hawthorn’s The Scarlet Letter

Misperception and inhuman behave presented by Puritan in conducting state administration, consequently character of Hester Prynne in the novel of Nathaniel Hawthorn’s The Scarlet Letter under the implementation of religious values, law assembling, and political system. The implementation of Puritan’s inhuman religious, law and political values to Prynne’s personal character is something criminal behave, and assembling of the law in the case of sin of Prynne’s adultery presented by Custom House was irresponsible decision or immoral severance in front of court. Puritan’s values over the social living is regulated not only for social norms, culture, and law affairs, but even political matters, means that everything must be obeyed and be bent over the God’s rule, and so to whom (married woman) has committed adultery, must be committed as a sinner and impose a sentence in front of general public. It is a library research and used descriptive qualitative analysis. In challenging and lift it up the universal value in against suppressive, hegemonic in the case Prynn the writer used two approachings as solution to solve the problem and they are feminism perspective and deconstruction model as a solution over the Prynne’s problem.

Puritanism and Its Controversies in Nathaniel Hawthorne’s The Scarlet Letter

Puritanism is one of the phenomena contained within the literary work. Arthur Dimmesdale and Hester Prynne the main character in The Scarlet Letter by Nathaniel Hawthorne represents the puritanism condition. This research is focused on Puritanism. The research is aimed at finding out the Puritanism in The Scarlet Letter. The source of data of the research is a novel by Nathaniel Hawthorne entitled The Scarlet Letter. The main data were taken from the source of data that implied Puritanism. The main data were analyzed based on the supporting data which were taken from books, articles, essays, critics, and other related writings. The research was a descriptive qualitative library research. The researcher will use the genetic structuralism approach to find out the Puritanism.Keywords : Puritanism, Total Depravity, Unconditional Election, Limited Atonement, Irresistible Grace, Perseverance of the Saints, Public Humiliation, Public Judged, Public Pressure.

The Quiet Contemporary American Novel

What does it mean to describe a novel as ‘quiet’? The quiet contemporary American novel defines the term as an aesthetic of narrative that is driven by reflective principles. While, at first appearance, ‘quiet’ seems a contradictory description of any literary form, because it risks suggesting that the novelist has nothing to say, this book argues that the quiet of the novel is better conceived as a mode of conversation that occurs at a reduced volume than as the failure to speak. The quiet contemporary American novel then makes two critical interventions. First, it maps the neglected history of quiet fictions and argues that from Hester Prynne to Clarissa Dalloway, from Bartleby to William Stoner, quiet characters fill the novel in the Western tradition. As a phrase, ‘the quiet novel’ also has a long and untraced history, dating back 150 years. Throughout its long history, many critics have used ‘the quiet novel’ as a phrase that dismisses and derides the work of writers whose novels seem disengaged from the ‘noise’ of their wider society. The quiet contemporary American novel finally takes up the long referred to idea of quiet fiction to ask what it means for a novel to be quiet and, through discussion of a diverse selection of contemporary writers including Marilynne Robinson, Teju Cole, and Lynne Tillman, asks how we might read for quiet in an American literary tradition that critics so often describe as noisy.