Shōjo Murasaki, Seinen Genji: Sexual Violence and Textual Violence in Yamato Waki’s Fleeting Dreams and Egawa Tatsuya’s Tale of Genji Manga

This paper examines how two manga versions of the Heian classic Tale of Genji, belonging to two different genres and targeting different readership, engage with and interpret the tale’s episodes depicting sexual encounters, which may be read as problematic in the original text. The shojo version, Yamato Waki’s Asaki yumemishi, published between 1980 and 1993, and targeting predominantly female audiences, how two distinct approaches in its treatment of certain potentially uncomfortable episodes: some episodes which verge too close to a reading of sexual violence, are outright erased from the manga versions. Others, whose presence is invaluable to the narrative, are remarkably faithful to the original text, while at the same time contextualizing and domesticating all threats of sexual violence that might have marred the original text. By contrast, Egawa Tatsuya’s seinen version of Genji monogatari, marketed towards a young male adult readership, takes the extreme approach of depicting all sexual encounters in the tale as consensual, pleasurable and highly explicit. The ambiguity of the original text is simply done away with by juxtaposing said text and its fairly accurate rendition into modern Japanese with quasi-pornographic, shunga-evoking scenes of sex.

The Defilement of Dina: Uncontrolled Passions, Textual Violence, and the Search for Moral Foundations

The story of Dinah’s violation in Genesis 34 has elicited radically different evaluations among exegetes. The present article attributes these divergent readings to the existence of distinct voices or moral positions in the text, particularly in relation to the issue of intermarriage. Beginning with a synchronic literary and ideological analysis of the narrative, the present reading will examine whether the multi-vocal state of the text should be best understood as an expression of ambivalence, of redactional history, or otherwise. A key tool in this analysis is the moral foundations theory developed by social psychologist Jonathan Haidt and his colleagues. This theory can help shed light on the ideological tendencies and rhetorical techniques reflected in this text, particularly the significance of the repeated references to the defilement of Dinah. This synchronic reading will also suggest the basis for a diachronic analysis of the story, demonstrating how narrative features of the final form of the text offer clues to the scribal tendencies involved in editing it. Finally, these literary, historical, and psychological dimensions are integrated to better contextualize the paradoxical relationship between defilement and ethnicity in the story.