¿ESTÉTICAS HABITACIONALES DE LA EMERGENCIA?: UNA REFLEXIÓN SOBRE LAS CASAS EN ARGENTINA EN TIEMPOS DE COVID-19.

This paper proposes the notion of housing aesthethics of emergency to highlight the way in which people develop material tactics of certainty through modifying their homes in times of crisis, in this case, related to the Covid-19 virus. To this end, I present some vignettes of my own ethnographic research conducted in the Municipality of Morón (Buenos Aires, Argentina) and references from social anthropology —and beyond— to articulate reflections on housing and the future. Thereby I introduce questions about people’s daily changes and their practical translations. Specifically, how they find certainty ‘in the provisional’, composing specific domestic landscapes. This essay seeks to enhance understanding of how aesthetic production —understood in broader terms— constitutes a mode of living in times of crisis.

¿ESTÉTICAS HABITACIONALES DE LA EMERGENCIA?: UNA REFLEXIÓN SOBRE LAS CASAS EN ARGENTINA EN TIEMPOS DE COVID-19.

This paper proposes the notion of housing aesthethics of emergency to highlight the way in which people develop material tactics of certainty through modifying their homes in times of crisis, in this case, related to the Covid-19 virus. To this end, I present some vignettes of my own ethnographic research conducted in the Municipality of Morón (Buenos Aires, Argentina) and references from social anthropology —and beyond— to articulate reflections on housing and the future. Thereby I introduce questions about people’s daily changes and their practical translations. Specifically, how they find certainty ‘in the provisional’, composing specific domestic landscapes. This essay seeks to enhance understanding of how aesthetic production —understood in broader terms— constitutes a mode of living in times of crisis.

Archaeology of Domestic Landscapes of the Enslaved in the Caribbean

Archaeology of Domestic Landscapes of the Enslaved in the Caribbean examines the diversity of living environments that the enslaved inhabitants of the colonial Caribbean by analyzing archaeological evidence collected from a wide variety of sites across the region. Archaeological investigations of domestic architecture and artifacts illuminate the nature of household organization; fundamental changes in settlement patterns; and the manner in which power was invariably linked with the material arrangements of space among the enslaved living and working in a variety of contexts throughout the region, including plantations, fortifications, and urban centers. While research in the region has provided a considerable amount of data at the household-level, much of this work is biased towards artifact analysis, resulting in unfamiliarity with the considerations that went into constructing and inhabiting households. The chapters in this book provide detailed reconstructions of the built environments associated with slavery and account for the cultural behaviors and social arrangements that shaped these spaces. It brings together case studies of Caribbean slave settlements through historical archaeology as a means of exposing the diversity of people and practices in these various landscapes, across the British, French, Dutch, and Danish colonies in both the Greater and Lesser Antilles as well as the Bahamian archipelago.

The Aesthetics of Violence: Myth and Danger in Roman Domestic Landscapes

This paper explores the use of art to recreate violent mythological landscapes in Roman domestic ensembles. Focusing on the Niobids found in two imperial horti it argues that the combination of sculpture and landscape exerted a powerful imaginative effect over ancient viewers, drawing them into the recreated mythological world. Mythological landscape paintings also offered a view out onto a mythological realm, fostering the illusion of direct access to the spaces of myth. However, these fantasy landscapes need to be seen in the light of the associations which natural landscapes held in the Roman imagination. Recreations of mythological landscapes in domestic art express the desire to incorporate the natural world into the domestic sphere but through the presence of violent events they also highlight the inherent powers of those landscapes and the gods who frequent them. They speak to a yearning to immerse oneself in myth and the natural realm, yet also warn of the perils of such a desire.