Introduction

“When they sensed internal mayhem / They sent out Martha Graham / That’s what we call cultural exchange,” wrote Dave and Iola Brubeck with Louis Armstrong for the opera The Real Ambassadors. Graham disavowed political attachments: indeed, understanding what she said she was not is often a way to understand Graham as an actor in US diplomatic history. Allegedly not political, she also disavowed herself as a modernist, feminist, and American missionary. Rather than proving that she was what she said she was not, the introduction outlines the methodology to understand why Graham made these pronouncements while touring for the US government during the Cold War. While Graham initially was a part of the targeting of the elite in “trickle-down diplomacy,” over time she grew older and modernism ossified, just as the government sought to target the youth. In response, Graham posed for pictures that billed her as “Forever Modern,” with dances that were “Too Sexy for Export?” featuring a troupe of young, technically brilliant dancers to represent the United States. Graham passed away in 1991, the same year as the official Cold War end.