Tindak Tutur Direktif Pelatih Drum Corps Sabda Kinnara Drum Corps

Peristiwa tutur satu arah antara pelatih dengan pemain (player) pada pelatihan drum corps di Sabda Kinnara Drum Corps UNNES merupakan hal yang mendasari dilakukannya penelitian. Penelitian dilakukan menggunakan metode deskriptif kualitatif. Data penelitian dikumpulkan dengan metode simak dan metode cakap. Data utama penelitian berupa hasil sadapan terhadap tuturan dua pelatih Sabda Kinnara Drum Corps UNNES divisi Colour Guard (CG) dengan data pendukung berupa hasil wawancara dengan pelatih divisi CG. Objek penelitian ini adalah tindak tutur direktif pelatih drum corps divisi Colour Guard (CG). Dari penelitian ini diperoleh 21 bentuk tindak tutur direktif yang digunakan pelatih SKDCU divisi CG, di antaranya 8 tindak tutur memerintah, 3 tindak tutur memohon, 6 tindak tutur menyarankan, dan 4 tindak tutur menantang.Katakunci: direktif, tindak tutur Abstract:The one-way speech from the coach to the players at the drum corps training at Sabda Kinnara Drum Corps UNNES was the basis of the research. The research was conducted using a qualitative descriptive method. The research data were collected using recording and interview. The main data of the research are the results of recording of utterances used by two coaches in Sabda Kinnara Drum Corps UNNES Color Guard (CG) division with supporting data from interviews with the CG division coaches. The object of this research is directive speech act used by coach of Color Guard (CG) drum corps. This research reveals that there are 21 forms of directive speech acts used by the CG division SKDCU coaches, including 8 commanding speech acts, 3 pleading speech acts, 6 suggesting speech acts, and 4 challenging speech acts.Keywords: directive, speech act

Ritualized performance and community identity: A historical examination of drum corps competition in the United States

What structures bind musical communities that reach over distances? This article examines the musical community of youth drum corps in the United States and, in particular, the changing performance practices at competitions over time and how those changes influence the identity of the community. Drum corps is a community that exists over increasingly greater distances, yet the identity of this musical community is strong. An important site for discovering this communal identity is in competitive performance. Drum corps performances are strictly regulated because of this competitive context, and the values seen in those competitive regulations reflect the identity of the community. Ritual theory helps to examine the mechanisms by which members of this musical community renegotiate these identity values over decades. This article discusses shifts in performance practices such as instrumentation, repertoire and motion, all of which are reflected in changing competition judging guidelines. Ritual theory is used to understand how members of the drum corps community understood the implementation and official recognition of these changes in competitions as changes to the community’s identity.

Drum Corps dalam Perspektif Seni Kontemporer Studi Kasus Finalis The Drum Corps International World Championships

Artikel ini ingin mengidentifikasi perkembangan drum corps pada masa kini melalui perspektif seni kontemporer, yaitu mencari jawaban atas pertanyaan berikut: Bagaimana memahami bentuk-bentuk seni kontemporer disertakan dalam drum corps yang berkembang pada masa kini? Studi kasus dalam artikel ini adalah Santa Clara Vanguard (SCV), sebuah korps yang tampil sebagai finalis di ajang The Drum Corps International World Championships (DCIWC)pada 2018.Beberapa identifikasi mengenai bentuk-bentuk seni kontemporer yang disertakan dalam penampilan SCV ini, menurut pemahaman penulis, terdiri dari 3 unsur pokok: 1)Penggunaan tarian/koreografi kontemporer; 2)Penggarapan aransemen musik yang mengacu pada harmonisasi abad ke-20; 3)Penggarapan formasi yang tidak lazim dengan manuver-manuver yang gesit dan sangat variatif.Terlepas dari kontroversi di seputar drum corps kontemporer, menurut penulis keberadaan SCV menjadi bukti kuat bahwa drum corps memang sedang berkembang mengikuti zaman, dan bentuk seni kontemporer memang ada dan mengiringi perjalanan drum corps pada masa kini.

A Night in Old Chinatown

In 1938, the Chinese American community in Los Angeles hosted the Moon Festival in Old Chinatown as a fundraiser for Chinese victims of the Sino-Japanese War. Held against the backdrop of Bowl of Rice fundraisers across the United States, and the demolition of most of Old Chinatown by the construction of Union Station, the 1938 Moon Festival attracted tens of thousands of visitors to Old Chinatown while providing a stage for local Chinese Americans to perform self-representations of Chinatown to visitors. Focusing on Chinese American performances such as those of the Los Angeles Mei Wah Girls’ Drum Corps, this article examines the extent to which Chinese Americans utilized the festival’s performances of race and gender to challenge Orientalist ideas about the their community.