Generic Norms, Irony, and Authenticity in the AABA Songs of the Rolling Stones, 1963–1971

AABA form was in decline in popular music in the 1960s, yet the Rolling Stones made extensive use of it at a crucial point in their career. In this article I examine the relationship between Jagger-Richards AABA songs released between 1963 and 1971 and established AABA norms. I use a corpus of 138 AABA songs (112 by other artists and 26 by Jagger-Richards) to compare the Stones’ approach to elements such as starting and ending bridge harmonies and verse melodic form with existing defaults. The analysis shows that the band’s approach to AABA in this time period bifurcates into two strategies, each associated with a tempo extreme: either (1) using the form ironically to critique wealth and privilege, or (2) employing it in a sincere way that invokes soul and gospel artists and thereby claims authenticity for the band.

Introduction

The introduction explores the Beatles’ influential role in the development of 20th-century fan behavior and celebratory culture. The authors examine the concept of fandom, while also tracing the history of Beatles fan behaviors across the generations. They also distinguish Beatles fan expression from the behaviors of other central rock acts, such as the Rolling Stones, for instance, whose fan activities are far less profuse and not sustained from one generation to the next in the same manner as those of Beatles fans. The introduction also offers an overview of the anthology’s contents and major subsections.