interactive music systems
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Author(s):  
Luís Aly ◽  
Hugo Silva ◽  
Gilberto Bernardes ◽  
Rui Penha

We present a scoping review of biosensors appropriation as control structures in interactive music systems (IMSs). Technical and artistic dimensions promoted by transdisciplinary approaches, ranging from biomedicine to musical performance and interaction design fields, support a taxonomy for biosensor-driven IMSs. A broad catalog of 70 biosensor-driven IMSs, ranging in publication dates from 1965 to 2019, was compiled and categorized according to the proposed taxonomy. From the catalog data, we extrapolated representative historical trends, notably to critically verify our working hypothesis that biosensing technologies are expanding the array of control structures within IMSs. Observed data show that our hypothesis is consistent with the historical evolution of the biosensor-driven IMSs. From our findings, we advance future challenges for novel means of control across humans and machines that should ultimately transform the agents involved in interactive music creation to form new corporalities in extended performative settings.


Author(s):  
Joseph Malloch ◽  
Jérémie Garcia ◽  
Marcelo M. Wanderley ◽  
Wendy E. Mackay ◽  
Michel Beaudouin-Lafon ◽  
...  

2017 ◽  
Vol 20 (sup1) ◽  
pp. S2207-S2214 ◽  
Author(s):  
Alexander Müller-Rakow ◽  
Rahel Flechtner

Leonardo ◽  
2013 ◽  
Vol 46 (1) ◽  
pp. 86-87 ◽  
Author(s):  
Tim Murray-Browne ◽  
Di Mainstone ◽  
Nick Bryan-Kinns ◽  
Mark D. Plumbley

The Serendiptichord is a wearable instrument, resulting from a collaboration crossing fashion, technology, music and dance. This paper reflects on the collaborative process and how defining both creative and research roles for each party led to a successful creative partnership built on mutual respect and open communication. After a brief snapshot of the instrument in performance, the instrument is considered within the context of dance-driven interactive music systems followed by a discussion on the nature of the collaboration and its impact upon the design process and final piece.


2011 ◽  
Vol 21 ◽  
pp. 15-16
Author(s):  
Jason Freeman

The author describes the use of real-time music notation software that allows laptop musicians and instrumental musicians to perform together in collaborative, interactive improvisation.


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