end of art
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2021 ◽  
pp. 361-376
Author(s):  
Noël Carroll

This chapter reviews the ways in which Danto’s “method of indiscernibles” enables him to construct an analysis of films as moving images in terms of necessary conditions. The chapter challenges Danto’s account, but also suggests how Danto’s “end of art” thesis might explain certain developments in avant-garde cinema.


2021 ◽  
Author(s):  
ARTHUR C. DANTO
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