Commercial Films in Bangladesh Impact Analysis (2009-2019)

After the independence of Bangladesh (1971), new generation film development making take a place. Bangla commercial films can be divided before liberation, post-liberation and the modern era. Before the liberation era; A. J. Kardar, Zahir Raihan, Khan Ataur Rahman, were the commercial Bengali filmmakers. During the Post liberation time, we have some extraordinary movies like Sareng Bou (1978), Surjo Dighal Bari (1979) and so on. But in the modern era definition of the commercial film has got a chance. From 2009 to 2019 Bangladeshi audiences got different in commercial films. But having DT (Digital Technology) and other advancements have given the development of Bangladeshi commercial film. But story-making, acting, making, socialization and other things are gradually developing in Bangladeshi commercial films. This research will evaluate the prospects and challenges of Bangladeshi commercial films from 2009 to 2019. However further research is recommended to develop the making of Bangladeshi commercial films in respect of lifelike stories, cultural dissemination and so on.

SOURCES, MANAGEMENT AND SCIENTIFIC DISSEMINATION: report on the development of a search tool for the Press

This article aims to present a report of the development of the Guia de Fontes @UFPR, a search tool for scientific information created by the Agency School of Public Communication and Scientific and Cultural Dissemination (AE) of the Federal University of Paraná (UFPR). In this context, the paper discusses information and scientific content management from an interdisciplinary point of view and describes the development of the software covering Journalism, Information Management and Computing, areas of knowledge in which the methodological principles of the Guia de Fontes @UFPR are based. In conclusion, the work also presents the results under the Scientific Popularization.

Modeling and Simulation of Cultural Communication Based on Evolutionary Game Theory

In the process of cultural dissemination, the dissemination of false information will have a negative impact on the entire environment. In this case, it is an effective method to regulate the behavior of cultural dissemination participants. Based on the community network structure and the improved classic network communication model, this paper constructs the susceptible-infected-recovered (SIR) model for the grassroots communication of engineering safety culture and discusses the law of grassroots transmission of engineering safety culture. The communication process is simulated, and it is concluded that a good engineering safety culture will be the first to be covered by low-level engineering safety culture in the process of dissemination. With a modularity coefficient of 0.5 as the boundary, it will affect the scale of good safety culture in different directions; the dissemination infection rate of low-level engineering safety culture changes in the same direction with the speed and scale of transmission; the maximum transmission scale of low-level engineering safety culture does not decrease with the increase of the initial value of the susceptible state. When the initial value of the immune state is 15%, the low-level safety culture scale is the lowest value of 0.135, which is the low initial value of employees with low-level engineering safety culture and is more conducive to control its maximum spread. It also puts forward management recommendations for the subjects and objects of the grassroots dissemination of engineering safety culture. This paper transforms cultural communication into an evolutionary game model, uses a game tree to describe it, and analyzes that the model has a Nash equilibrium point by adding a penalty function to the income matrix. This model can encourage cultural communication participants to take honest behaviors, effectively restrain the transmission of false information, and promote a virtuous circle of cultural communication.

Commercial Films in Bangladesh: Impact Analysis (2009-2019)

After the independence of Bangladesh (1971), new generation film development making take a place. Bangla commercial films can be divided before liberation, post liberation and modern era. Before liberation era; A. J. Kardar, Zahir Raihan, Khan Ataur Rahman, were the commercial Bengali film makers. During the Post liberation time, we have some extra ordinary movies like Sareng Bou (1978), Surjo Dighal Bari (1979) and so on. But in the modern era definition of commercial film has got a change. From 2009 to 2019 Bangladeshi audience got difference in commercial films. But having DT (Digital Technology) and other advancement given a development of Bangladeshi commercial film. But story making, acting, making, socialization and other things are gradually developing in Bangladeshi commercial films. This research will evaluate prospects and challenges of Bangladeshi commercial films from 2009 to 2019. However further research is recommended to develop making of Bangladeshi commercial films in respect of lifelike story, cultural dissemination and so on.

The gorgeous transformation of paper: From cellulose paper to inorganic paper to 2D paper materials with multifunctional properties

Cellulose paper derived from plants is used for daily writing and recording, and has historically played an important role in promoting cultural dissemination and inheritance. However, it attracted more and...