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2017 ◽  
Vol 15 ◽  
pp. 155
Author(s):  
Sara Medina Calzada

This paper examines “Don Juan; or the Battle of Tolosa”, an anonymous poem published inLondonin 1816. This metrical tale set in medievalIberiaat the time of the so-called “reconquista” recreates the Battle of Las Navas de Tolosa (1212), in which the Muslim forces were defeated by a Christian coalition near Sierra Morena. The poet clearly sides with the Christians, who are depicted as brave warriors struggling to recover their land and their freedom. The emphasis on their patriotic heroism against foreign usurpation creates an implicit analogy between the medieval battle and the recent events of the Peninsular War (1808-1814). The representation ofSpainas a land of war and romance echoes the Romantic figurations of this country appearing in British print culture in the early nineteenth century.


2013 ◽  
Vol 3 (1) ◽  
pp. 108-124
Author(s):  
Travis Warren Cooper

This article examines evangelical gender paradigms as expressed through a 700 Club cooking segment facilitated by Gordon Robertson, the son of Pat Robertson – founder of the Christian Broadcasting Network (CBN), The 700 Club, Christian Coalition, and one-time presidential candidate. Several themes converge within this cooking show, including health and nutrition, family ritual, and gender roles. Using the cooking segment as data, I draw on scholarship on body, gender, family and ritual to argue that evangelical discourses are labile in their responses to recent socio-cultural shifts and suggest that ‘Sunday Dinners: Cooking with Gordon’ defies caricatures of evangelical gender formation and signals a shift to soft-patriarchy and quasi-egalitarianism, at least within public, visual discourse. ‘Sunday Dinners’ underscores the centrality of the family in evangelical discourse – even as conceptions of gender are in flux – as it seeks to facilitate everyday rituals via cooking and eating together.


2011 ◽  
Vol 19 (4) ◽  
pp. 403-421 ◽  
Author(s):  
Robert Fisher ◽  
Sally Tamarkin

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