lavinia fontana
Recently Published Documents


TOTAL DOCUMENTS

15
(FIVE YEARS 0)

H-INDEX

1
(FIVE YEARS 0)

Author(s):  
Olena Goncharova ◽  

The purpose of the monograph section. On the basis of anthropocentric approach to the analysis of visual self-presentations of Italian women artists of the Renaissance and Baroque period fill in the gaps that exist in domestic art history regarding the works of Plautilla Nelli, Sofonisba Anguissola, Lavinia Fontana, Marietta Robusti, Artemisia Gentileschi, Arcangela Paladini, Giovanna Garzoni, Elisabetta Sirani and the sculptor Properzia de’ Rossi. Theoretical basis. The principles and methods of philosophical and anthropological research in combination with biographical, historical, comparative, iconographic and figurative and stylistic methods were used in writing the monograph. The scientific novelty lies in the author's method of analyzing works of visual art from the point of view of anthropocentric approach, as well as in considering the creativity of women artists of Renaissance and Baroque period in Italy as their self-objectifications, which give rise to a new cultural reality. Conclusions. Creativity by Italian women artists Plautilla Nelli, Sofonisba Anguissola, Lavinia Fontana, Marietta Robusti, Artemisia Gentileschi, Arcangela Paladini, Giovanna Garzoni, Elisabetta Sirani and the sculptor Properzia de’ Rossi in diachronic view can be expanded. During 16th–17th centuries, several talented female painters and one female sculptor worked in Italian fine arts. Against the background of the cultural realities of the time, this phenomenon can be considered an indicator of paradigmatic changes in the public consciousness in relation to the social significance of talented women.


Cartema ◽  
2016 ◽  
Vol 2 (2) ◽  
Author(s):  
Fernando António Baptista Pereira

O nosso texto vai debruçar-se sobre algumas obras de duas importantes pintoras dosséculos XVI e XVII – Sofonisba Anguissola (ca. 1535-1625) e Lavinia Fontana (1552-1614) – procurando interpretar elementos iconográfi cos, compositivos e narrativos queconstituem as especifi cidades do modo como cada uma das artistas tenta dar visibilidadea valores femininos, tanto nos assuntos representados como na maneira como os representam.Procuraremos enquadrar todos esses aspetos nos contextos pictóricos de umlongo período que assiste, por um lado, à formalização do retrato de corte e à afi rmaçãode uma pintura mitológica cortesã, em ambos os casos dentro da matriz artifi ciosa e«culta» do que designamos por Maneirismo, e, por outro, à emergência de novos génerosatentos ao «real» (instantâneo, notação do quotidiano, paisagem, natureza morta) queirão marcar toda a posteridade que se convenciona chamar de barroca.


2005 ◽  
Vol 36 (1) ◽  
pp. 317
Author(s):  
Deborah Stott ◽  
Caroline P. Murphy

2005 ◽  
Vol 26 (2) ◽  
pp. 53
Author(s):  
Liana De Girolami Cheney ◽  
Caroline P. Murphy

Sign in / Sign up

Export Citation Format

Share Document