4. Mary the goddess?

‘Mary the goddess?’ considers the question of whether the Virgin Mary is a goddess. According to official Christian theology throughout the centuries, Mary is not and cannot be a goddess. Nevertheless, Christian piety has at times followed a separate track from official theology by treating Mary as a goddess. It is worth considering here the oft-noted parallels between the Virgin Mary and Graeco-Roman goddesses, the history of the Black Madonna, and contemporary forms of goddess-centred spirituality.

The Sacrilege of Soot : Liturgical Decorum and the Black Madonna of Loreto

The sanctuary of Loreto, one of Italy’s most renowned pilgrimage destinations, was built to house the relic of the Virgin Mary’s childhood home, but many pilgrims directed their prayers instead to the shrine’s cult image, a Marian statue with a dark appearance. In the late sixteenth century, a time of Catholic reform, many devotees attributed the sculpture’s color to the residue from candle smoke, despite the fact that this departed from reformers’ strict rules of liturgical decorum. The perception of the Virgin of Loreto’s blackened surface as simultaneously sacred and sacrilegious returned agency to the artwork itself. The statue’s sooty accretions suggested negligence and cried out for restoration, but they also defended the cult of images in early modern Catholicism.

The Black Madonna: A Theoretical Framework for the African Origins of Other World Religious Beliefs

This review summarizes existing scholarship in order to theorize how Abrahamic religions and Hinduism were influenced by African beliefs, in order to illuminate the contributions that African beliefs have had on other world religions. The review begins with a brief historical overview of the origins of indigenous ideologies, followed by a review of classical theories of religion and a summary of contemporary religious trends, with particular attention on African beliefs. The Black Madonna, with origins in Africa, is a prominent example of how African beliefs have been integrated into other faiths in ways that are often obscured from view. The Black Madonna is compared with the characteristics and symbolism of the traditional fair-skinned Virgin Mary. It is estimated that there are hundreds of depictions of the Black Madonna, yet her identity as truly black is generally minimized. This review contributes a theoretical rationale for the lack of recognition and acceptance of the Madonna as black, contextualizing this within a feminist theoretical viewpoint and analyzing the connection to African folklore and traditional religious beliefs. The theoretical framework articulated in this paper contributes an elucidation of the ways that indigenous African religions have affected other world religions. Acknowledging this influence challenges the simplistic notion of reified distinctions between Western and non-Western religions.