CHALLENGING THE WESTERN IN CORMAC MCCARTHY'S BLOOD MERIDIAN

Set in the nineteenth-century American Southwest, Cormac McCarthy’s Blood Meridian rewrites the conventions of the western genre through a historically informed fictionalized account of the Glanton gang. As part of McCarthy’s subversive literary oeuvre, the novel intends to deromanticize the western’s underlying myths and dismantle its binaries, as well as to expose the brutality of the frontier and reflect on violence as a historiographic condition. Within studies of the western, McCarthy’s work, and transgressive literature, this article wishes to contribute to the existing discussions of McCarthy’s writing by examining Blood Meridian as a critical postmodern western or anti-western, and analyzing its strategies of demythologizing the West and the western.

Representations of Death in Rawi Hage’s Beirut Hellfire Society

The aim of this paper is to explore the representations of death in Beirut Hellfire Society, a novel written by the Lebanese author, Rawi Hage, and published in 2018. The novel indulges in immoral and varied casts like the de-romanticizing subjects in Cormac McCarthy’s Blood Meridian which help illustrate the realities of life during wartime. All the characters portrayed in Beirut Hellfire Society are colorful and complicated vignettes. They span the four seasons following the death of Pavlov’s father, who is killed in a bomb explosion when he is in the middle of digging a grave. In this novel, Hage portrays the dilemma that people faced during the Lebanese civil war and the meaninglessness of death. He deliberately presents a striking description of death that overflows in the city of Beirut throughout the civil war and links it to a myriad of aspects associated to it; mourning, burials, funeral dancing, lunacy, a sense of humor and jokes regarding death, and above all, cremation, to personify the abundant death and destruction that pervaded Beirut on that period of Lebanon’s history with its utmost horrible and devastating face. Pavlov, a twenty years old undertaker, and his father are extraordinary characters and members of the “Hellfire Society,” a secretive organization of infidels, hedonists, idolaters, in which the members cremate people at their own request. Hellfire Society is a mysterious, rebellious and anti-religious sect that arranges secret burial for those who have been denied it because the deceased was a homosexual, an atheist, and an outcast or abandoned by their family, church and state. With death front and centre, Rawi Hage’s Beirut Hellfire Society is a treatise on living with war. In short, it is a novel that practically defines iconoclasm and registers the horrible, prevalent, and immeasurable shocking death that ensues as a real consequence of war and its atrocities.

a Literary History of Mental Captivity in the United States. Blood Meridian, Wise Blood, and Contemporary Political Discourse

On July 15, 2018, US President Donald Trump and Russia President Vladimir Putin held a summit in Helsinki that immediately set off a chain reaction throughout the world. By now, barely two months later, that summit is all but forgotten for the most part, superseded by the frantic train of events and the subsequent bombardment from the media that have become the “new normal.” While the iron secrecy surrounding the conversation between the two dignitaries allowed for all kinds of speculation, the image of president Trump bowing to his Russian counterpart (indeed a treasure trove for semioticians) became for many observers in the US and across the world the living proof of Mr. Trump´s subservient allegiance to Mr. Putin and his obscure designs. Even some of the most recalcitrant GOPs vented quite publicly their disgust at the sight of a president paying evident homage to the archenemy of the United States, as Vercingetorix kneeled down before Julius Cesar in recognition of the Gaul´s surrender to the might of the Roman Empire. For some arcanereason, the whole episode of the Helsinki summit brought to my mind, as in a vivid déjà vu, Cormac McCarthy´s novel Blood Meridian and more specifically, the characters of Judge Holden and the idiotic freak who becomes Holden´s ludicrous disciple in the wastelands of Arizona. In my presentation, I will provide some possible explanations as to why I came to blend these two unrelated episodes into a single continuum. In the process, I will briefly revisit some key texts in the American canon that fully belong in the history of “mental captivity” in the United States, yet to be written. Obviously, I am not in hopes of deciphering the ultimate reasons for current US foreign policy, and the more modest aim of my presentation today is to offer some insights into the general theme of our conference through a novel and a textual tradition overpopulated with “captive minds.”

Evening in America

James Baldwin’s observation that “American investments cannot be considered safe wherever the population cannot be considered tractable” could serve as a précis for Cormac McCarthy’s Blood Meridian. I show how McCarthy’s novel traces US scalp hunters in northern Mexico in the aftermath of the US-Mexican War as they clear the land of intractable Indians—i.e. slaughter them for cash—so the United States can pivot from settler colonialism to economic imperialism. The scalp hunters prove as bad for capital as the Indians they decimate, debauching cities, taking Mexican scalps that might pass as Indian, and destroying the means of production. Writing from late twentieth-century capitalist crisis, McCarthy depicts a constitutive violence that capitalism has unleashed, but cannot control. What remains, for McCarthy, beyond capitalism is the excess that fells it, a drive to violence.