chicana feminism
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Author(s):  
Shilpi Gupta ◽  

This paper is a part of a project of translation of the book of Gloria Anzaldúa’ Borderlands/ La Frontera: The New Mestiza (1987) in Indian language(s). Borderlands/ La Frontera: The New Mestiza is one of the path-breaking books which came in the time when Afro-American feminism already stood in opposition to white feminism by questioning the Euro-American centric feminism. Anzaldúa started discussing Chicana feminism together with black feminism. Her book Borderlands is a painful but challenging narration of those who live on the ‘barbwire’ between Mexico and the USA. In defining the border, she goes beyond the physical meaning to its symbolic significance, and one of them is language. Language in her book has been uniquely presented as an identity that is multilingual, creolized, mestiza and subaltern language. Hence, her book is a challenge in the field of translation, especially in Indian context where languages have political, social and historical impact. Considering the above book as a project, I would primarily discuss why this book should be translated considering the Indian context? What are the different ways in which the translation can be defined in translating a text from One-Third world to another Third world? In this process, we find it relevant to revise the language and its relations to power in a postcolonial India, taking into account caste, class, and colonial discourse. This epitome opens a debate to enter into the new political strategies which Gloria Anzaldúa propagates through her book “Nueva Conciencia Mestiza” as moving towards “new language” which could be more inclusive.


SYNERGY ◽  
2021 ◽  
Vol 17 (1) ◽  
Author(s):  
Got Monica ◽  

Drawing on Jan Assmann’s interpretation of cultural memory as devoid of any racial/biological component, as well as James Clifford’s repudiation of the notion of cultural purity, the paper redefines memory as a mentally configured cultural institution, claiming that any reconfiguration of group identity is an act of symbolic violence. By emphasizing the crucial role that identity plays in understanding the fundamental themes tackled by Chicana literature—patriarchal oppression, racial terror, domestic abuse, sexism, homophobia—, the paper illustrates the extent to which the ethnic-gender binomial, i.e. belonging to a group that faces bias on various levels (femininity, Mexican American genealogy and, sporadically, sexual minority status), stands at the very core of the desire to redefine identity that largely fuels contemporary Chicana prose.


2021 ◽  
Author(s):  
GOT Monica

Drawing on Jan Assmann’s interpretation of cultural memory as devoid of any racial/biological component, as well as James Clifford’s repudiation of the notion of cultural purity, the paper redefines memory as a mentally configured cultural institution, claiming that any reconfiguration of group identity is an act of symbolic violence. By emphasizing the crucial role that identity plays in understanding the fundamental themes tackled by Chicana literature—patriarchal oppression, racial terror, domestic abuse, sexism, homophobia—, the paper illustrates the extent to which the ethnic-gender binomial, i.e. belonging to a group that faces bias on various levels (femininity, Mexican American genealogy and, sporadically, sexual minority status), stands at the very core of the desire to redefine identity that largely fuels contemporary Chicana prose.


2019 ◽  
Vol 33 (5) ◽  
pp. 677-701 ◽  
Author(s):  
Maxine Baca Zinn ◽  
Ruth Enid Zambrana

Despite the considerable body of scholarship and practice on interconnected systems of dominance and its effects on women in different social locations, Chicanas remain “outside the frame” of mainstream academic feminist dialogues. This article provides an overview of the contributions of Chicana intersectional thought, research, and activism. We highlight four major scholarly areas of contribution: borders, identities, institutional inequalities, and praxis. Although not a full mapping of the Chicana/Latina presence in intersectionality, it proffers the distinctive features and themes defining the intersectional terrain of Chicana feminism.


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