Successful second language pronunciation learning is linked to domain-general auditory processing rather than music aptitude

Whereas a growing amount of attention has been directed to the role of perceptual-cognitive aptitude in successful second language (L2) lexicogrammar learning, scholars have begun to investigate the same topic in the context of L2 pronunciation learning. To date, there is ongoing discussion on the mechanism underlying L2 speech learning in relation to music aptitude and domain-general auditory processing ability. Situated within 48 moderately experienced Chinese learners of English in the UK (length of residence = one year), the current study examined the relationship between music aptitude, auditory perception, and L2 pronunciation proficiency. Results revealed that music aptitude and auditory processing were partially overlapping, whereas both abilities were independent of participants’ past and current L2 language learning experience. Whereas individual differences in auditory processing demonstrated significant associations with various dimensions of L2 pronunciation proficiency, music aptitude was only weakly predictive of prosodic aspects of L2 pronunciation proficiency. Comparatively, none of the experience variables were related to acquisition within the current dataset.

Assessment and Grading in Music Courses

Chapter 2 provides a detailed overview of approaches to assessing music teaching and learning in a higher education setting. The chapter begins with a discussion of music aptitude versus music achievement and clarifies the differences between these constructs as well as between assessment and grading. Types of measures such as multiple choice, essay tests, and performance assessments are provided with discussion of advantages and disadvantages of each. A focus on reliability and validity if assessments is included and sample student-generated rubrics for various music courses are provided. Performance rubrics are provided as well. The chapter concludes with discussion of departmental level assessment.

Meta-Analytic Evidence of the Criterion Validity of Gordon’s Music Aptitude Tests in Published Music Education Research

This meta-analytic study examined the validity of Gordon’s music aptitude tests as predictors of other musical variables. The four tests analyzed were the Music Aptitude Profile (1965), Primary Measures of Music Audiation (1979), Intermediate Measures of Music Audiation (1982), and Advanced Measures of Music Audiation (1989). Separate analyses were performed for tonal, rhythm, and composite constructs of music aptitude. From 47 music education journal articles that met requirements for inclusion, 215 independent data points representing 6,086 participants were collapsed into an overriding set of five criterion categories: (a) aural perception, (b) achievement, (c) creativity, (d) affective outcomes, and (e) musical engagement. Moderators potentially affecting validity included audiation type, sampling method, grade level, criterion test type, and year of publication. Results revealed estimated true criterion-related validities of .45 (tonal), .46 (rhythm), and .53 (composite). Gordon’s music aptitude tests were consistently but not always strongly associated with many desirable musical outcomes. Analysis of correlations by subtest and criterion category produced mixed results, and high levels of between-study heterogeneity could not be explained through meta-regression moderator analysis.

Music Training and Cognitive Abilities: Associations, Causes, and Consequences

This chapter evaluates the evidence that music training leads to improved cognitive abilities. It considers whether music training is associated with measures of general cognitive abilities, visuospatial abilities, and language abilities, as well as with real-world measures such as academic achievement and healthy aging. Although positive associations with music training are evident in each instance, causal evidence is lacking, inconsistent, or weak. The one exception appears to be specialized music training that focuses on listening skills and rhythm perception, which seems to improve listening skills more generally. Improved phonological awareness can, in turn, lead to improvements in reading, particularly for young children who are beginning to read, or for children with dyslexia. Otherwise, associations with music training appear to be the consequence of individual differences in demographics, personality, music aptitude, and cognitive ability, which influence who takes music lessons, particularly for extended durations of time.

Explicit and implicit aptitude effects on second language speech learning: Scrutinizing segmental and suprasegmental sensitivity and performance via behavioural and neurophysiological measures

The current study examines the role of cognitive and perceptual individual differences (i.e., aptitude) in second language (L2) pronunciation learning, when L2 learners’ varied experience background is controlled for. A total of 48 Chinese learners of English in the UK were assessed for their sensitivity to segmental and suprasegmental aspects of speech on explicit and implicit modes via behavioural (language/music aptitude tests) and neurophysiological (electroencephalography) measures. Subsequently, the participants’ aptitude profiles were compared to the segmental and suprasegmental dimensions of their L2 pronunciation proficiency analyzed through rater judgements and acoustic measurements. According to the results, the participants’ segmental attainment was associated not only with explicit aptitude (phonemic coding), but also with implicit aptitude (enhanced neural encoding of spectral peaks). Whereas the participants’ suprasegmental attainment was linked to explicit aptitude (rhythmic imagery) to some degree, it was primarily influenced by the quality and quantity of their most recent L2 learning experience.

Motivational factors in adult, auditioned community choirs: The power of aesthetic experiences

The purpose of this study was to a) identify motivational factors to join and maintain membership in adult, auditioned community choirs; b) examine relationships between music achievement, music aptitude, and selected motivational factors; and c) examine the role of stress and anxiety as factors in choral participation. Participants ( N = 135) from four adult, auditioned community choirs participated in this study. Data was collected using measures of musical aptitude, vocal achievement, and a questionnaire relating to the topics of motivation, retention, and stress/anxiety informed by Cusp Catastrophe Theory. Results suggest that aesthetic motivation is a primary factor contributing to enrollment and retention in adult, auditioned community choirs. Experienced choral members perceive little stress or anxiety when learning or performing choral music; however, members believe that some stress may be beneficial to singing. Implications include the need for conductors to consider the importance of perceived aesthetic qualities when selecting choral literature. In addition, the impact of community ensembles on community cohesion, health benefits, and educational benefits may be related to motivational factors influencing continued participation.