(Re)Playing (with) Video game History: Moving beyond Retrogaming

This article will argue that the current literature on retrogaming as a practice and the retrogamer as a subject has been lacking in fully describing the variety of practices and subjects that engage with old games. Based on data collected by interviewing nine self-described Danish retrogamers, three motivations for engaging with old games, besides nostalgia, are identified. These motivations are typologized into three player types: amateur archaeologists, amateur art historians, and techno-historians. Following the analysis, it will be argued that retrogaming might be an imprecise term to encompass the many different ways that individuals engage with old games. The concepts historical play and nostalgic play are presented to alleviate this.

Issues and challenges in compiling a corpus of Early Modern English plays for comparison with those of William Shakespeare

In this article I discuss the issues and challenges of compiling a corpus of historical plays by a range of playwrights that is highly suitable for use in comparative, corpus-based research into language style in Shakespeare’s plays. In discussing sources for digitised historical play-texts and criteria for making a selection for the present study, I argue that not just any set of Early Modern English plays constitutes a suitable basis upon which to make reliable claims about language style in Shakespeare’s plays relative to those of his peers. I point out factors outside of authorial choice which potentially have bearing on language style, such as sub-genre features and change over time. I also highlight some particular difficulties in compiling a corpus of historical texts, notably dating and spelling variation, and I explain how these were addressed. The corpus detailed in this article extends the prospects for investigating Shakespeare’s language style by providing a context into which it can be set and, as I indicate, is a valuable new publicly accessible resource for future research.

From A Man for All Seasons to Wolf Hall (c. 1960–present)

Chapter 5 takes as its starting point the premiere of Robert Bolt’s historical play about the life of Thomas More, A Man for All Seasons. It goes on to consider Wolsey’s representation in academic writings and influential historical fictions in the second half of the twentieth century and the first decades of the twenty-first. The chapter explores the five biographies of the cardinal that appeared during this period, discussing at the same time how Wolsey has been represented in the broader historiography of the early reign of Henry VIII. While revisionists of the 1980s and 1990s demonstrated little interest in Wolsey, their discoveries about the early English Reformation have shaped the most recent academic representations of the cardinal. At the same time, however, some of the most influential representations of Wolsey in the past half-century have been fictional. Therefore, the chapter also analyzes Bolt’s play, the controversial television drama The Tudors, and Hilary Mantel’s Wolf Hall novels.