EUROPEAN TRADITIONALISTS AND BLM CHALLENGES

The article examines the ideological contradictions and specificity of the Black Lives Matter movement in Europe and the development of the All Lives Matter response movement. The author analyzes the causes and patterns of the outbreak of anti-racist protests in the European space in 2020, their cultural roots in the United States and the reaction of traditionalists. The conflict potential of socio-political challenges and the acuteness of disagreements in the context of a new dichotomy and the need to search for a new identity are revealed. Conclusions are made about the similarity of the socio-political demarcation in a number of EU countries and the United States, the role and place of European countries in this conflict are determined. The author analyzes the correlation of US political culture with the process of public dialogue about the problem of racism in Europe, the role of «Cancel» culture and the consolidation of contradictions in the socio-political split among traditionalists and their opponents. Arguments are made in favor of the further development of the ideological conflict in a new dimension and the inevitable exacerbation of the problems of xenophobia.

Twelve Chinese Zoosigns of Zodiak: Tradition and Modernity

The work is devoted to the origins and peculiarities of zodiac signs in the ancient Chinese tradition. The study is carried out within the frames of linguocultural approach towards interpreting animalistic metaphors, namely, the zoonyms of the twelve zodiac signs which in China, are used to characterize people concerning their date of birth and are passed on from generation to generation. Chinese zodiacs are based on the astronomic theory of constellations and human worship (idolatry) of totems. It focuses on the comparison of zoonym metaphors reflected as Chinese zodiac signs both in the Chinese and Russian languages proceeding from the theory of metaphor in modern cognitive aspect to detect similarities and differences, and as well, the study of cultural roots of zoonym metaphors revealed in the Chinese zodiac signs. The object of the study concerns zoonyms of zodiac signs possessing the relevant meaning in the Chinese zoological lexis. The work elaborates the definition of the notion zodiac, describes the processes of the genesis, formation and development of the Zodiac culture and its specific cultural relevance; according to the analysis undertaken, the means to differentiate twelve animals of the Chinese Zodiac, and those of Chinese fairy tales, on the one hand, and, on the other hand, in Russian - animals were discussed and verified as to I.A. Krylovs fables. The conclusion states that metaphors are determined by the language itself, and linguocultures of various nations are reflected in specific metaphors and other peculiarities.

Encouragement and Contracting Factors for Implementation of Dynamic Village Institutional Program and Adaptive Culture in Minahasa Tenggara District

One of the programs of the Ministry of Villages, Development of Disadvantaged Regions and Transmigration of the Republic of Indonesia based on sustainable development (Sustainable Development Goals) globally which consists of 17 goals which are then added one point as a foothold for the community, namely a dynamic village institutional program and adaptive culture that involves the local government as a working partner. The program of dynamic village institutions and adaptive culture aims at village development that is based on the cultural roots of the local community with the intention that everything built on a cultural basis will have extraordinary resilience and have good deterrence. This study uses Edwards III theory by considering four indicators as a factor in implementing public policies consisting of: Communication, Resources, Implementing Disposition, and Bureaucratic Structure. Factors that are considered as supporting factors in the implementation of the dynamic village institutional program and adaptive culture in Southeast Minahasa Regency are communication and the disposition of the implementer. Factors that are considered as inhibiting factors in the implementation of dynamic village institutional programs and adaptive culture in Southeast Minahasa Regency are resources and bureaucratic structure. Human and financial resources need to be improved. It is necessary to make standard operating procedures specifically for dynamic village institutional programs and an adaptive culture that has a clear position base in carrying out the program.

Holding a Mirror up to Nature

Shakespeare has been dubbed the greatest psychologist of all time. This book seeks to prove that statement by comparing the playwright's fictional characters with real-life examples of violent individuals, from criminals to political actors. For Gilligan and Richards, the propensity to kill others, even (or especially) when it results in the killer's own death, is the most serious threat to the continued survival of humanity. In this volume, the authors show how humiliated men, with their desire for retribution and revenge, apocryphal violence and political religions, justify and commit violence, and how love and restorative justice can prevent violence. Although our destructive power is far greater than anything that existed in his day, Shakespeare has much to teach us about the psychological and cultural roots of all violence. In this book the authors tell what Shakespeare shows, through the stories of his characters: what causes violence and what prevents it.

Institutional Logics in Innovation

This chapter analyses the different institutional logics surrounding China’s innovation machine, including the ‘visible hand’ of the state and ‘invisible hand’ of the market. The idea of innovation in China resulting from centralized decisions in government is shown to be a myth; instead, it results from the interaction of initial bottom-up innovations and subsequent top-down direction, support, or correction. The cultural roots of China’s multiple institutional logics are explained, including the role of hierarchy, the tolerance of ambiguity, and the search for unity. Balance is sought within Chinese bureaucracies, between central and local governments, and between formal and informal authority. The chapter analyses Chinese policy frameworks for science and technology, innovation, intellectual property, education and talent, environment, industry, and the reform of state-owned enterprises. A case study of the car industry is provided, focusing particularly on how policy instruments are used to encourage carmakers to capitalize on the opportunities presented by the new technology trajectory of new energy vehicles.

The Integration of Chinese Opera Traditions into New Musical Compositions

<p>Almost fifty years ago Chinese composer Chou Wen-chung proposed a musical “re-merger” of East and West. For many Chinese composers of today a sense of historical continuity and an awareness of inherited musical traditions are important contributor to cultural identity, and a basis on which to build the future. The generation that emerged after the Cultural Revolution found new freedoms, and has become, at the beginning of the twentyfirst century, a significant presence on the international musical stage, as the paradigm shifts away from being European-centered, to a culture belonging to the “global village”. As with many other Chinese composers of my generation, the creation of new compositions is both a personal expression and a manifestation of cultural roots. Techniques of “integration” and “translation” of musical elements derived from traditional Chinese music and music-theatre are a part of my musical practice. The use of traditional Chinese instruments, often in combination with Western instruments, is a no longer a novelty. The written exegesis examines some of the characteristic elements of xìqǜ (the generic term for all provincial Chinese operas), including dǎ (percussion - an enlarged interpretation of dǎ, as found in chuānjù gāoqiāng Sichuan gāoqiān opera), bǎnqiāng (The musical style that characterizes Chinese xìqǚ), and niànbái (recitation and dialogue), as well as the kuàibǎnshū (storytelling with percussion) of qǚyì (a term to use to include all folk genres), and shāngē (mountain song). The techniques employed in integrating and translating these elements into original compositions are then analyzed. In the second volume of the thesis the scores of five compositions are presented, four of the five works are set in Chinese, exploring the dramatic aspects of language, and may be considered music-theatre, one being an opera scene intended for stage production.</p>

The Integration of Chinese Opera Traditions into New Musical Compositions

<p>Almost fifty years ago Chinese composer Chou Wen-chung proposed a musical “re-merger” of East and West. For many Chinese composers of today a sense of historical continuity and an awareness of inherited musical traditions are important contributor to cultural identity, and a basis on which to build the future. The generation that emerged after the Cultural Revolution found new freedoms, and has become, at the beginning of the twentyfirst century, a significant presence on the international musical stage, as the paradigm shifts away from being European-centered, to a culture belonging to the “global village”. As with many other Chinese composers of my generation, the creation of new compositions is both a personal expression and a manifestation of cultural roots. Techniques of “integration” and “translation” of musical elements derived from traditional Chinese music and music-theatre are a part of my musical practice. The use of traditional Chinese instruments, often in combination with Western instruments, is a no longer a novelty. The written exegesis examines some of the characteristic elements of xìqǜ (the generic term for all provincial Chinese operas), including dǎ (percussion - an enlarged interpretation of dǎ, as found in chuānjù gāoqiāng Sichuan gāoqiān opera), bǎnqiāng (The musical style that characterizes Chinese xìqǚ), and niànbái (recitation and dialogue), as well as the kuàibǎnshū (storytelling with percussion) of qǚyì (a term to use to include all folk genres), and shāngē (mountain song). The techniques employed in integrating and translating these elements into original compositions are then analyzed. In the second volume of the thesis the scores of five compositions are presented, four of the five works are set in Chinese, exploring the dramatic aspects of language, and may be considered music-theatre, one being an opera scene intended for stage production.</p>

A Cross-cultural Analysis of Two China-US Game Cases and Tobacco Control Compliance

Objectives: This paper aims at exploring the China-US relations by analyzing the communication strategies and game intentions in two case studies and the cultural roots herein. Guided by the water and game theory for intercultural communication (WGICC) and cultural analyses, this study has found that in Case 1, China and the US have established initial win-win ties because of a mutually-beneficial trade system, the US intention to gain international recognition, and the romantic expectations of each other. In Case 2, both countries have suffered great losses due to the US pursuit of reinforced national identity and revitalized conservatism which set the stage for an endless line of plots to contain China. In return, China has been practicing a tit-for-tat strategy backed up with its grand ambition to forge a community with a shared future for mankind and ready to fight against containment and suppression from both the US and its allies. This study suggests an interactive pattern of win-win cooperation based on common needs and similar interests, and loss-loss confrontation based on real and imaginary fear while manifesting that the greatest Dao is expressed in the simplest terms. The findings can shed lighton appreciating China’s efforts in such domestic campaigns as tobacco control compliance and Covid-19 prevention and its diplomatic relations with other nations.

Ecofeminism from a Māori Perspective

The mana wāhine movement can be seen as a Māori version of ecofeminism. This definition, however, limits its valence and profound meaning, which can be understood only in the light of a different cultural paradigm. The poetry collection Tātai Whetū, in Māori and English, translated into Italian in the volume Matariki, sciame di stelle, exemplifies writing in the tradition of mana wāhine, that is, a literary genre that inflects political activism, environmentalism, feminism and a deep bond with Māori cultural roots

LEGACY OF "KRISENMANAGERIN": MERKEL AND THE BALKANS

Among the current EU leaders, German Chancellor Angela Merkel has held office the longest. She was instrumental in steering the EU through the refugee crisis, the eurozone crisis, Covid-19, and, to some extent, Brexit. This article is a tale of many Merkel's with many faces. German presence in the Balkans has been strong, yet, on par with German foreign policy not very visible. Albania, North Macedonia, and Montenegro's entrance to NATO - the only significant move forward in a long time – is the achievement of the United States of America (USA) and Turkey.During Merkel's period, Western countries have tried to redefine the Balkan region. In renaming, carving, dividing up the region, the EU had several goals. One is to separate EU Balkan member states from their regional and cultural roots. Another is to create a second category called a divisive and discriminatory term "Western Balkans". Overall, Merkel's foreign policy has been successful as an economic plan, while the political approach has not.