scholarly journals Embodied time and the out-of-body experience of the self

PeerJ ◽  
2020 ◽  
Vol 8 ◽  
pp. e8565
Author(s):  
Sylvie Droit-Volet ◽  
Sophie Monceau ◽  
Michaël Dambrun ◽  
Natalia Martinelli

Using an out-of-body paradigm, the present study provided further empirical evidence for the theory of embodied time by suggesting that the body-self plays a key role in time judgments. Looking through virtual reality glasses, the participants saw the arm of a mannequin instead of their own arm. They had to judge the duration of the interval between two (perceived) touches applied to the mannequin’s body after a series of strokes had been viewed being made to the mannequin and tactile strokes had been administered to the participants themselves. These strokes were administered either synchronously or asynchronously. During the interval, a pleasant (touch with a soft paintbrush) or an unpleasant stimulation (touch with a pointed knife) was applied to the mannequin. The results showed that the participants felt the perceived tactile stimulations in their own bodies more strongly after the synchronous than the asynchronous stroking condition, a finding which is consistent with the out-of-body illusion. In addition, the interval duration was judged longer in the synchronous than in the asynchronous condition. This time distortion increased the greater the individual out-of-body experience was. Our results therefore highlight the importance of the awareness of the body-self in the processing of time, i.e., the significance of embodied time.

Author(s):  
Joshua S. Walden

The book’s epilogue explores the place of musical portraiture in the context of posthumous depictions of the deceased, and in relation to the so-called posthuman condition, which describes contemporary changes in the relationship of the individual with such aspects of life as technology and the body. It first examines Alfred Hitchcock’s Vertigo to view how Bernard Herrmann’s score relates to issues of portraiture and the depiction of the identity of the deceased. It then considers the work of cyborg composer-artist Neil Harbisson, who has aimed, through the use of new capabilities of hybridity between the body and technology, to convey something akin to visual likeness in his series of Sound Portraits. The epilogue shows how an examination of contemporary views of posthumous and posthuman identities helps to illuminate the ways music represents the self throughout the genre of musical portraiture.


2000 ◽  
Vol 86 (3_part_2) ◽  
pp. 1149-1154 ◽  
Author(s):  
Brandy S. Wegner ◽  
Anita M. Hartmann ◽  
C. R. Geist

The purpose of this study was to assess the immediate influence of brief exposure to images taken from print media on the general self-consciousness and body self-consciousness of 67 college women. After viewing photographs of either thin female models or control photographs, the women completed the Self-consciousness Scale and the Body Self-consciousness Questionnaire. Although a was .45, the college women who looked at images of thin female models gave immediate ratings significantly ( p < .001) higher on both general Self-consciousness and Body Self-consciousness than those who looked at control images.


2020 ◽  
pp. 147-164

Over a decade before the French-American sculptor Louise Bourgeois underwent psychoanalysis in New York (1952–1985), her work mined territories of psyche, body, home, and exile. Bourgeois’s papers from 1940 onward reveal that she shared Freud’s description of neurotics, hysterics, and artists as suffering from reminiscences. Scottish psychoanalyst W. R. D. Fairbairn identified the last of these in 1943 as “war neuroses,” just six years before Bourgeois debuted her first mature sculptures. These abstract “personages” served as melancholy surrogates for lost objects, the friends and family Bourgeois left in 1938 in Occupied France. In the 1960s, she further reduced the body to ambivalent amalgams of part-objects made from plaster and latex, suggesting swollen nodes, skin, and sex organs. Of particular interest are two papers published by Fairbairn in 1938 that extend the inner world of the individual to the field of object relations via the transposition of the symbolically “restored object.” Fairbairn conceived the radical notion of restitution, the mental process of repairing damage in the artist’s inner object world. These principles resonate with Bourgeois’s métier and a postwar sculptural aesthetic that probed the phenomenal experience of anxiety, exile, and psychoanalysis on the Self and others.


Author(s):  
T.S. Rukmani

Hindu thought traces its different conceptions of the self to the earliest extant Vedic sources composed in the Sanskrit language. The words commonly used in Hindu thought and religion for the self are jīva (life), ātman (breath), jīvātman (life-breath), puruṣa (the essence that lies in the body), and kṣetrajña (one who knows the body). Each of these words was the culmination of a process of inquiry with the purpose of discovering the ultimate nature of the self. By the end of the ancient period, the personal self was regarded as something eternal which becomes connected to a body in order to exhaust the good and bad karma it has accumulated in its many lives. This self was supposed to be able to regain its purity by following different spiritual paths by means of which it can escape from the circle of births and deaths forever. There is one more important development in the ancient and classical period. The conception of Brahman as both immanent and transcendent led to Brahman being identified with the personal self. The habit of thought that tried to relate every aspect of the individual with its counterpart in the universe (Ṛg Veda X. 16) had already prepared the background for this identification process. When the ultimate principle in the subjective and objective spheres had arrived at their respective ends in the discovery of the ātman and Brahman, it was easy to equate the two as being the same spiritual ‘energy’ that informs both the outer world and the inner self. This equation had important implications for later philosophical growth. The above conceptions of the self-identity question find expression in the six systems of Hindu thought. These are known as āstikadarśanas or ways of seeing the self without rejecting the authority of the Vedas. Often, one system or the other may not explicitly state their allegiance to the Vedas, but unlike Buddhism or Jainism, they did not openly repudiate Vedic authority. Thus they were āstikadarśanas as opposed to the others who were nāstikadarśanas. The word darśana for philosophy is also significant if one realizes that philosophy does not end with only an intellectual knowing of one’s self-identity but also culminates in realizing it and truly becoming it.


1974 ◽  
Vol 5 (4) ◽  
pp. 461-472 ◽  
Author(s):  
Franklin C. Shontz

The body image is not a body organ, a psychological picture, or a little-person-in-the-head. It is best described in terms of the functions it serves and the levels at which it is experienced. The body functions as a sensory register, an instrument for action, a source of drives, a stimulus to the self and others, a private world, and an expressive instrument. The four levels of body experience are schemata, self, fantasy, and concept. A complete description of a body image disorder identifies the source of the disorder and its effects on the functions and levels of experience. Behavioral treatment for body image disorder may develop basic sensory-motor capacities, teach specific skills, promote interpersonal relations with others having similar problems, or use traditional psychotherapeutic techniques, depending upon the needs of the individual patient.


2019 ◽  
Author(s):  
Aubrieann Schettler ◽  
Ian Holstead ◽  
John Turri ◽  
Michael Barnett-Cowan

AbstractWe assessed how self-motion affects the visual representation of the self. We constructed a novel virtual reality experiment that systematically varied an avatar’s motion and also biological sex. Participants were presented with pairs of avatars that visually represented the participant (“self avatar”), or another person (“opposite avatar”). Avatar motion either corresponded with the participant’s motion, or was decoupled from the participant’s motion. The results show that participants identified with i) “self avatars” over “opposite avatars”, ii) avatars moving congruently with self-motion over incongruent motion, and importantly iii) identification with the “opposite avatar” over the “self avatar” when the opposite avatar’s motion was congruent with self-motion. Our results suggest that both self-motion and biological sex are relevant to the body schema and body image and that congruent bottom-up visual feedback of self-motion is particularly important for the sense of self and capable of overriding top-down self-identification factors such as biological sex.


2021 ◽  
Author(s):  
Maria Asuncion L. Magsino

As a counterargument to the Cartesian split that has impacted both speculative and practical fields of knowledge and culture, we propose Peirce’s doctrine of synechism to show the continuity in the semiotic activity that moves from the body as an Interpretant to the emergence of another Interpretant called the “self.” Biosemiotics, a nascent field of interdisciplinary research that tackles inquiries about signs, communication, and information involving living organisms is used as the framework in the discussion. The main question of whether a non-material “self” can emerge from a material body is tackled in many stages. First, the biosemiotic continuum is established in the natural biological processes that takes place in the body. These processes can be taken as an autonomous semiotic system generating the “language” of the body or the Primary Modeling System (PMS). Second, synechism is also observed in the relationship between the mind and the body and this is evident in any physician’s clinical practice. The patient creates a Secondary Modeling System (SMS) of how she perceives what the body communicates to her regarding its state or condition. Finally, the question about whether the emergence of “self” is synechistic as well is tackled. There is one organ from which emerges an Interpretant that is capable of generating a dialog between a Subject, that is the “self,” with its Object, and that is the brain. It is the primordial seat of specifically human activities like thought and language. The recent theory on quantum consciousness supports the doctrine synechism between the body as Interpretant to the “self” as Interpretant. This synechism is crucial for the creation of Secondary Models of “reality” that will, in turn, determine the creation of Tertiary Models more familiarly called culture.


Author(s):  
Hanna Hubska

The retrospective analysis of the term and phenomenon of "virtual educational space" revealed the need to develop a theoretical model of using the virtual educational environment, identifying ways of its effective application, where the implementation of international educational activities is not an exception. In addition, the virtualization of the educational environment also causes a certain number of threats regarding the risks of functioning in the conditions of real society and the self-identity of the individual due to, so to speak, virtual transitions from one virtual reality to another and existence in reality.


2006 ◽  
Vol 29 (5) ◽  
pp. 478-479 ◽  
Author(s):  
David Kemmerer ◽  
Rupa Gupta

During an out-of-body experience (OBE), one sees the world and one's own body from an extracorporeal visuospatial perspective. OBEs reflect disturbances in brain systems dedicated to multisensory integration and self-processing. However, they have traditionally been interpreted as providing evidence for a soul that can depart the body after death. This mystical view is consistent with Bering's proposal that psychological immortality is the cognitive default.


2015 ◽  
Vol 20 (1) ◽  
pp. 34-43 ◽  
Author(s):  
Giuseppe Riva ◽  
Santino Gaudio ◽  
Antonios Dakanalis

According to the objectification theory ( Fredrickson & Roberts, 1997 ) girls and women are thought to adopt a self-objectified view of themselves as objects to be evaluated on the basis of their appearance. More, this experience is proposed to have a direct link with the health and well being of female subjects. The paper analyzes and discusses the objectification theory within the context of recent research on memory and spatial cognition. On one side, it describes self-objectification as a specific cognitive process: a woman internalizes an objectified self image, when she uses an allocentric frame of reference (observer mode) to remember events in which she evaluates herself based upon bodily appearance. On the other side it directly connects the objectification theory with the Allocentric Lock Hypothesis ( Riva, 2012 ), suggesting that eating disorders have as antecedent an allocentric (objective, from outside) negative image schema of the body that is no more updated by egocentric sensory inputs from perception. Both the similarities between the allocentric lock and the out-of-body experience and a review of the recent studies supporting this claim are also presented and discussed.


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