scholarly journals Performance-oriented Architecture: Towards a Biological Paradigm for Architectural Design and the Built Environment

Author(s):  
Michael Ulrich Hensel

This paper introduces and elaborates a specific approach to architectural design entitled ‘performance-oriented architecture’ based on a redefinition of the concept of ‘performance’ in relation to the discipline of architecture and set within a biological paradigm. The concept of ‘performance’ evolved out of a series of intellectual efforts that had broad consequences, brining about a paradigm shift in the humanities referred to as the ‘performative turn’. These efforts commenced in the 1940s and 1950s and had significant impact also on the sciences, deriving what is referred to as the ‘performative idiom’. Here the question is raised as to what ‘performance’ in the context of architecture may entail. The approach introduced con­trasts previous ones that focused either on questions of representation and meaning in architecture, or, alternatively that have treated performance as synonymous to function placed in the context of post-design functional optimisation. Contrasting these previous efforts performance is here reformulated as a driving concept for design that helps re-con­solidate form and function into a synergetic relation with the dynamics of natural, cultural and social environments, and in so doing, locate performative capacity - ‘ active agency’ -  in  the spatial and material organisation of architecture, in the human subject and the environ­ment through the dynamic interaction between these four domains. In pursuing this approach the potential of a close disciplinary affiliation between architecture and biology is examined, so as to locate a suitable paradigm for performance in the discipline of biology and its var­ious sub-disciplines, in its various foci and modes of inquiry, and, moreover, in biological syst­ems.

2012 ◽  
Vol 7 (3) ◽  
pp. 233-267 ◽  
Author(s):  
Mehul Bhatt ◽  
Joana Hois ◽  
Oliver Kutz

Author(s):  
Quentin Letesson ◽  
Carl Knappett

Architecture and urbanism have been of constant interest to Minoan archaeologists since the beginning of the twentieth century. While there is some scholarly bias to this, with the field deeply affected by Sir Arthur Evans’s focus on the monumental architecture of Knossos, Minoan Crete continues to yield abundant evidence for a substantial built environment. Focusing on urban and architectural remains creates a strong bias in favour of one block of time, the Neopalatial period, which produced the largest amount of wellpreserved settlements and buildings. Yet, in general, the evidence we now have on the Minoan built environment is an undeniable resource, one that continues to grow thanks to ongoing studies of pre-existing remains as well as new excavation and survey projects. As is clear in Evans’s magnum opus, The Palace of Minos at Knossos, the large-scale excavations typical of the dawn of the last century were heavily directed towards the urban cores of the largest Minoan sites (e.g. Boyd Hawes et al. 1908; Hutchinson 1950). The bulk of what we know about the Minoan built environment comes from the first half of the twentieth century, initially through the intensive work of the foreign schools at Malia, Phaistos, Palaikastro, Gournia, Mochlos, and Pseira, later joined by countless excavations by Greek archaeologists. Yet, synthetic treatments really only began with the work of James Walter Graham, in the form of numerous papers published in the American Journal of Archaeology (see Letesson 2009 for a detailed review), and especially his Palaces of Crete (Graham 1962). Nonetheless, his comparative analyses, which also dealt with non-palatial buildings, were largely focused on polite architecture. With a particular interest in form and function, he built on Evans’s insights to be the first to identify, across a large sample of buildings, recurring architectural patterns in the Minoan built environment (e.g. Piano Nobile, residential quarters, banquet halls). His studies also included an innovative quantitative component, emphasizing the existence of a unit of length that builders would have used to lay out the palaces and some of the so-called ‘villas’.


2019 ◽  
Author(s):  
Rudy Trisno ◽  
Fermanto Lianto

<div>In the Postmodern era there are diverse forms of architecture, which is also related to. structural and material technology that is developing so rapidly. The method used is the analysis of architectural theories to find the relationship between Function‐Form, whether: </div><div>1) The concept of Form follows Function; </div><div>2) The concept of Function follows Form; </div><div>3) The concept of Form and Function runs together. </div><div><br></div><div>The relation between the concept of Function and Form will result in the meaning of the architectural work itself. The conclusion is: in architectural design there is no exact rule whether the Function must follow the Form, or Form must follow the Function, or Function and Form run side by side, but the relationships between Function and Form merge into a single method towards the expression of architectural Form, so that this Function‐Form relationship will be interpreted by the observer towards the expression of the architectural creation itself. The findings in this study are to give architectural designers freedom regarding the relationship between Function‐Form. However, the most important thing from this relationship is that the meaning must be reflected in the expression of the form that corresponds to the relationship to be achieved. The benefit of this research is that architectural students can know more deeply the relationship between the Function‐Form that will be used in the design, and also for architect practitioners in designing the building.</div>


2021 ◽  
Vol 6 (1) ◽  
pp. 25-34
Author(s):  
Roza Rahmadjasa Mintaredja ◽  
Purnama Salura ◽  
Bachtiar Fauzy

There has been a decline in the form and function of Sundanese vernacular architecture for large buildings due to the absence of artifacts in village houses. The data on palace or keraton and terraced roofs are only found in lontar and from outside observers in the XVI century. Meanwhile, the phenomenon of the bale nyungcung roof emerged on the mosque in the XVI-XIX centuries at West Java after disappearing for more or less two centuries. The reappearance makes it interesting to study this concept, especially with the focus on its relationship with the inner room of the mosque. This research was conducted on the Great Mosque spread in Sunda Tatar such as the West Java and Banten Provinces with buildings of Majalaya, Manonjaya, and Banten used as case studies. It was conducted qualitatively and interpretatively using the building anatomical theory to analyze the scope of shape and the Bale Nyungcung roof. The results showed the relationship between the roof and the inner space is a reflection of the adjustment in the mosque's basic reference with the Bale Nyungcung roof used as one of the Sundanese local building features.


Author(s):  
Jessica Paga

This chapter evaluates buildings in the astu (city center) of Athens, excluding the Akropolis and Agora. Buildings and monuments within distinct areas are treated together in order to consider the broader impact of discrete sectors of the city. The chapter concludes with an examination of the sight lines and viewing axes that crisscross the city, connected to and independent of the roadways and paths. These sight lines, axes, and roads link various parts of the city together via the built environment, thereby underscoring relationships in both architectural form and function. The chapter emphasizes how the changes to the built environment in the late sixth and early fifth centuries also transformed the ritual landscape and lived experience of the astu.


2019 ◽  
Vol 17 (10) ◽  
Author(s):  
Normah Sulaiman ◽  
Yusfida Ayu Abdullah ◽  
Raja Norashekin Raja Othman

Streets are essential elements of the form and function of the urban environment. A growing body of research has pointed out that the more human activities in the street, the more interesting the city will be. Streets showcase the community and connect people. They are the most comfortable social environments that provide aesthetical and interactional pleasure for everyone. This paper presents the outcomes of a study which measured street liveliness based on the attributes and behaviours of the pedestrians. The aim of this study was to examine how people experience the liveliness at various times for various activities on the street. To achieve this, the study applied a case study method by looking at one of the streets that showed a diversity of activities with a unique shopping experience and liveliness in Kuala Lumpur called Jalan Masjid India. The method involved two types of data collection techniques, which were site observations, and pedestrian counts. Results which consisted of behavioural mapping and activity analysis revealed that Jalan Masjid India has its own merits in terms of street liveliness, function, and urban activities.


2020 ◽  
Vol 189 ◽  
pp. 03038
Author(s):  
Xie Guanyi ◽  
Duan Huifang

Talking about form and function in the architecture, two major traditions in design are always inevitable. They are two methods of architectural design: the first one is used by Beaux-Art system which takes form and order as the core; the second one is of Bauhuas system which focuses on function. Architecture is closely related to the interior, so are there also two design methods in the field of interior design? Through analysis of interior design textbooks in different academies, it was found that most existing design methods are based on function. Function-based design methods have a series of operable standard methods for function, but also have the problem of high level of functional logic and low level of formal logic. Does interior design also have a design approach starting from form and order and unifying function logic and formal logic? By transplanting the “kit-of-parts approach” in architectural design into interior design, applying the two design methods in undergraduate course of environmental design and comparing the two course design results, it was verified in this paper which design method is easier to balance form and function in basic design course.


Arta ◽  
2021 ◽  
Vol 30 (1) ◽  
pp. 87-97
Author(s):  
Lino Bianco

Although not widely acknowledged, the Republic of North Macedonia boasts a number of prolific architects who were often engaged in architectural education. Jovan Stefanovski, the author of the Millennium Cross and the National Theatre, both in the capital Skopje, is one such personality. Similar to former generations of architects, his design style conceptually recalls the traditional architecture of his homeland. Researching the Jovan Stefanovski Archive, a number of projects were identified – a sample from the case-studies covered in his doctorate thesis – and discussed with respect to the themes of ‘idea’ and ‘realisation’ in architecture. His notion of the former is akin to ‘concept’ as used in architectural design. While an idea is an expression of the unconscious, realisation is the conscious decision to execute the design idea. Stefanovski was a prolific architect and educator. His interest in traditional architecture was in line with the trends which developed in the late 1960s and early 1970s. Furthermore, in line with the architectural approaches being developed by Stefanovski’s teachers, the regionalist idiom which emerged in Macedonia, is contemporaneously evident in his work both in form and function.


2019 ◽  
Author(s):  
Rudy Trisno ◽  
Fermanto Lianto

<div>In the Postmodern era there are diverse forms of architecture, which is also related to. structural and material technology that is developing so rapidly. The method used is the analysis of architectural theories to find the relationship between Function‐Form, whether: </div><div>1) The concept of Form follows Function; </div><div>2) The concept of Function follows Form; </div><div>3) The concept of Form and Function runs together. </div><div><br></div><div>The relation between the concept of Function and Form will result in the meaning of the architectural work itself. The conclusion is: in architectural design there is no exact rule whether the Function must follow the Form, or Form must follow the Function, or Function and Form run side by side, but the relationships between Function and Form merge into a single method towards the expression of architectural Form, so that this Function‐Form relationship will be interpreted by the observer towards the expression of the architectural creation itself. The findings in this study are to give architectural designers freedom regarding the relationship between Function‐Form. However, the most important thing from this relationship is that the meaning must be reflected in the expression of the form that corresponds to the relationship to be achieved. The benefit of this research is that architectural students can know more deeply the relationship between the Function‐Form that will be used in the design, and also for architect practitioners in designing the building.</div>


2019 ◽  
Vol 17 ◽  
Author(s):  
Normah Sulaiman ◽  
Yusfida Ayu Abdullah ◽  
Raja Norashekin Raja Othman

Streets are essential elements of the form and function of the urban environment. A growing body of research has pointed out that the more human activities in the street, the more interesting the city will be. Streets showcase the community and connect people. They are the most comfortable social environments that provide aesthetical and interactional pleasure for everyone. This paper presents the outcomes of a study which measured street liveliness based on the attributes and behaviours of the pedestrians. The aim of this study was to examine how people experience the liveliness at various times for various activities on the street. To achieve this, the study applied a case study method by looking at one of the streets that showed a diversity of activities with a unique shopping experience and liveliness in Kuala Lumpur called Jalan Masjid India. The method involved two types of data collection techniques, which were site observations, and pedestrian counts. Results which consisted of behavioural mapping and activity analysis revealed that Jalan Masjid India has its own merits in terms of street liveliness, function, and urban activities.


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