5. The Homosexual Sphere between Spatial Appropriation and Contestation: Collective Activism and the Many Lives of Young Gay Men in Beirut

2014 ◽  
pp. 112-133
Sexualities ◽  
2020 ◽  
pp. 136346072098169
Author(s):  
Aidan McKearney

This article focuses on the experiences of gay men in the rural west and northwest region of Ireland, during a period of transformational social and political change in Irish society. These changes have helped facilitate new forms of LGBTQI visibility, and local radicalism in the region. Same-sex weddings, establishment of rural LGBT groups and marching under an LGBT banner at St Patricks Day parades would have been unthinkable in the recent past; but they are now becoming a reality. The men report continuing challenges in their lives as gay men in the nonmetropolitan space, but the emergence of new visibility, voice and cultural acceptance of LGBT people is helping change their lived experiences. The study demonstrates the impact of local activist LGBT citizens. Through their testimonies we can gain an insight into the many, varied and interwoven factors that have interplayed to create the conditions necessary for the men to: increasingly define themselves as gay to greater numbers of people in their localities; to embrace greater visibility and eschew strategies of silence; and aspire to a host of legal, political, cultural and social rights including same-sex marriage. Organic forms of visibility and local radicalism have emerged in the region and through an analysis of their testimonies we can see how the men continue to be transformed by an ever-changing landscape.


2015 ◽  
Vol 44 (7) ◽  
pp. 2041-2053 ◽  
Author(s):  
Paul Kobrak ◽  
Rafael Ponce ◽  
Robert Zielony

Young ◽  
2019 ◽  
Vol 28 (4) ◽  
pp. 387-403
Author(s):  
Liora Gvion

Little has been written about the reasons gay men choose opera as a venue for professional achievement and social acceptance. Espousing an ethnographic approach, the current article sets out to question their motives. Applying Bourdieu’s concepts of field, cultural capital and habitus, I suggest looking at the opera as a cultural setting, which provides young gay men with a venue for coming out of the closet and, should they be talented and meticulous, achieving professional and social positions. In constituting a safe zone for expressing closeted emotions, engagement in operatic activities enables the development and application of gay capital, as well as cultural capital, such that gayness is interpreted as an invaluable resource, granting them professional and social acceptance.


2004 ◽  
Vol 9 (1) ◽  
pp. 115-131 ◽  
Author(s):  
M Janssen ◽  
J de Wit ◽  
H Hospers ◽  
W Stroebe ◽  
G Kok
Keyword(s):  
Gay Men ◽  

2001 ◽  
Vol 27 (5) ◽  
pp. 482-491 ◽  
Author(s):  
James G. Kahn ◽  
Susan M. Kegeles ◽  
Robert Hays ◽  
Nathalie Beltzer

Sign in / Sign up

Export Citation Format

Share Document