scholarly journals Fantasy Flowers and Mysterious Cities: Winter Carl Hansson and Dalecarlian Folk Art circa 1800

2011 ◽  
Vol 8 ◽  
pp. 169
Author(s):  
Barbro Klein

During the late eighteenth century, folk art developed in new and intriguing ways in several Scandinavian regions. This essay concentrates on the developments around Lake Siljan in Dalarna, primarily as they were expressed by Winter Carl Hansson, one of the most accomplished of the artists. In his renditions of biblical topics such as the Workers in the Vineyard and the Descent from the Cross, one may observe a skilful blending of religious mystery and mundane life, as well as complex contrasts between floral arrangements and imposing cities. Through his remarkable ability to enhance common features of Dalecarlian folk art, this unschooled artist communicates striking powers of presence. Ultimately, the new artistic energies - in works by Winter Carl and others - must be understood in light of the influence of the many printed texts and images that were then available. Thus, to the extent that a general breakthrough into new cultural and social concerns took place during the late eighteenth century, this is true also of folk art. Furthermore, the folk art that was shaped at this time had a profound impact in the twentieth century, when it came to signify the most appealing aspects of Sweden's national cultural heritage.

Jazz in China ◽  
2018 ◽  
pp. 14-20
Author(s):  
Eugene Marlow

In the late 1910s, 1920s, and even into the 1930s, “jazz” was the music of the age in the Republic of China, especially and primarily in Shanghai on China's east coast. It was enjoyed equally by sophisticated Chinese gentry and upper-class people in the many dance halls dotting various parts of Shanghai, and by the many Europeans, Russians, and Americans living and working in the so-called “Paris of the East.” These same foreigners also owned pieces of Shanghai, literally. This chapter asks how several foreign nations came to own sections of Shanghai, and have unrestricted access to numerous key ports throughout China's eastern coast? The answer to these questions can be found in a conflict initially between the British (and ultimately the French, Russians, and Americans) and the Chinese in the mid-nineteenth century: the Opium Wars, two wars that had roots in late eighteenth-century China.


2019 ◽  
Vol 31 (2) ◽  
pp. 347-368
Author(s):  
Matthew Ylitalo

From the late eighteenth century until the early twentieth century, British Arctic whaling vessels called at the Shetland Islands to hire additional crew members. Whalers valued Shetlanders for their boat-handling expertise, and Shetlanders benefitted from earning cash wages. After 1872, local documentation on Shetlanders in Arctic whaling becomes scarcer. This article traces social, economic and environmental factors to contextualise Shetland’s involvement in Arctic whaling during its last decades. It draws information from British merchant marine crew agreements to identify prosopographical characteristics of Shetlanders joining the whalers, and it links this information to other Shetland sources to understand how whaling influenced Shetland’s society and economy. The article also demonstrates the value of using crew agreements to develop alternative perspectives of social, economic and labour histories across a multiscalar range of local, regional and transoceanic histories.


2015 ◽  
Vol 12 (2) ◽  
pp. 266-269
Author(s):  
MATTHEW J. HALL

This conference-festival at Cornell University was a highlight among the many events held worldwide in connection with C. P. E. Bach's tercentenary. In addition to an international line-up of visiting scholars who descended upon Ithaca (only then, it might be added, to ascend the formidable hill atop which Cornell is perched), the occasion drew together from within the university the Department of Music, the Westfield Center for Historical Keyboard Studies, the Division of Rare and Manuscript Collections and the Atkinson Forum in American Studies. The conference was conceived around Christopher Hogwood's appointment at Cornell as A. D. White Professor-at-Large. Hogwood had been expected to attend and preside over the conference as honorary chair, but in the wake of his death on 24 September 2014 the proceedings were instead dedicated to him. Performances of C. P. E. Bach's music were interwoven with paper sessions and other events throughout each day: in all, two keynote lectures, four paper sessions, four solo keyboard recitals, two vocal-instrumental concerts, a standing exhibition, a clavichord masterclass and even a glass harmonica demonstration filled out the whirlwind, three-day schedule.


Author(s):  
Mika LaVaque-Manty

This chapter traces some of the conceptual history from the late eighteenth century, when arguments about equal, intrinsic, and universal human dignity became politically important, to the mid-twentieth century, when the idea of universal human dignity was enshrined in the United Nations Declaration of Human Rights. The chapter argues that this universalization process primarily took place in the nineteenth century, in political controversies around gender, race, and labor. The chapter argues that a particular Christian conception about the dignity of labor, expressed by Pope Leo XII, helped cement the value of inherent human dignity while at the same time weakening its more radical political potential.


Author(s):  
Fiona Sampson

This chapter considers the Gesamtkunstwerk, which English musicologists translate as ‘total artwork’. Richard Wagner had used the expression to characterise his operas, though he had only ever used the term in two essays, both published in 1849: ‘Art and Revolution’ and ‘The Artwork of the Future’. Moreover, the term did not originate from Wagner himself, and he did not even spell it in the conventional way. Since the late twentieth century ‘Gesamtkunstwerk’ has been applied to other artforms, particularly architecture, which like opera can unite a number of elements. (Architecture, for example, marries engineering, landscaping and interior decoration, among others.) But the term's origins are in the late eighteenth-century notion that all the arts could be unified in poetry.


1973 ◽  
Vol 24 (3) ◽  
pp. 245-266
Author(s):  
Cynthia A. Dent

Historians of ancien régime France frequently pay tribute to the statebuilding capacities of that most talented and successful architect of absolute monarchy, Louis XIV. And it has long been recognised that, of the many institutions either created or inherited by the French Crown which were wont to claim a share in the handling of the daily affairs of the realm, the Council of State became, during the personal rule of Louis XIV, the chief vehicle for dispensing the royal will. Unfortunately, the sheer volume of matters dealt with by the Council has tended to discourage historians from making it the object of intensive study. More important is the fact that the machinery of Council after 1661 reflected two apparently contradictory tendencies: the peculiar personal and informal nature of Louis XIV's government, and the incipient formalism and bureaucratisation which were to become dominant factors in the government of late eighteenth-century France. The consequent flexibility and complexity of the system have certainly been important characteristics which have so far precluded a full and detailed explanation of the forms and functions of the Council and, more generally, its overall significance in the administration of absolute government.


2012 ◽  
Vol 7 (3) ◽  
pp. 364-388 ◽  
Author(s):  
Filomeno V. Aguilar

AbstractAlthough the Philippines is hardly known for sending out migrants prior to the twentieth century, and even among seafarers only the galleon age is remembered, this article provides evidence of transcontinental maritime movements from the late eighteenth century until the early twentieth century. These migrants were known in the English-speaking world as Manilamen. Most were seafarers, but some became involved in pearl-shell fishing, while others engaged in mercenary activities. They settled in key ports around the world, their numbers in any one location fluctuating in response to changing circumstances. Despite relocation to distant places, the difficulties of communication, and the impetus toward naturalization, Manilamen seem to have retained some form of identification with the Philippines as homeland, no matter how inchoately imagined.


2018 ◽  
Vol 62 (2) ◽  
pp. 375-398 ◽  
Author(s):  
JOSEPH HARLEY

ABSTRACTDuring the old poor law, many paupers had their possessions inventoried and later taken by authorities as part of the process of obtaining poor relief. Historians have known about this for decades, yet little research has been conducted to establish how widespread the system was, what types of parishioners had their belongings inventoried and why, what the legal status of the practice was, and how it affected social relations in the parish. Using nearly 450 pauper inventories, this article examines these historiographical lacunae. It is argued that the policy had no legal basis and came from local practices and policies. The system is found to be more common in the south and east of England than in the north, and it is argued that the practice gradually became less common from the late eighteenth century. The inventorying of paupers’ goods often formed one of the many creative ways in which parishes helped the poor before 1770, as it guaranteed many paupers assistance until death. However, by the late eighteenth century the appraising of paupers’ goods was closely tied to a negative shift in the attitudes of larger ratepayers and officials, who increasingly wanted to dissuade people from applying for assistance and reduce expenditure.


2020 ◽  
Vol 17 ◽  
pp. 99-124
Author(s):  
Kristine Dyrmann

This article traces the historiography of an elite woman and salonnière from late eighteenth-century Denmark, Charlotte Schimmelmann (1757–1816), arguing that the publication of her letters at the turn of the twentieth century has impacted contemporary historical writing on her salon and elite women’s political agency in Denmark. The article places the case of Charlotte Schimmelmann’s correspondence within the wider context of salon historiography and new diplomatic history, arguing that we must take the international research on not only the eighteenth-century salon, but also aristocratic sociability and new diplomatic history into account in order to understand Charlotte Schimmelmann’s late eighteenth-century sociability. Through examples from a reading of Charlotte Schimmelmann’s and her female circle’s full correspondence, their political and diplomatic involvement is highlighted. Several of these examples have been excluded from the published collection, prompting the second part of the article to investigate how and why the letters presented in the collection were selected for publication. Drawing on material from Louis Bobé’s personal archive, this part of the article uncovers Bobé’s basis for publishing the letters, leading to a discussion of how the publication’s emphasis on literary aspects of elite sociability has contributed to contemporary understandings of their agency.


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