scholarly journals "Med blod man våra åkrar sköljer": folk och dygd i Bengt Lidners Ode til Finske Soldaten

2011 ◽  
Vol 8 ◽  
pp. 20
Author(s):  
Anna Cullhed

Bengt Lidner's poem ‘Ode to the Finnish Soldier' from 1788 was written during the Swedish war with Russia. This paper argues that Lidner took part in Gustav III's staging of the war by accusing the officers of the so-called Anjala league of treachery, and at the same time turning to ‘the people' for support. ‘The people' were defined as subjects of the Swedish crown from the core parts of the realm, today's Finland and Sweden, irrespective of language or ethnicity, but sharing a common and glorious history. Lidner combines a cosmopolitan perspective with a patriotic tendency in his poem. Some of the central concepts of the ode, such as ‘citizen' and ‘citizen-ness', carry potentially republican and egalitarian connotations, but this tendency is counteracted by the poet's obvious praise of the king. Lidner's ode stands as an example of the ambivalent use of political concepts during the late eighteenth century, the very concepts that would transform into the key concepts of nineteenth-century nationalism.

1965 ◽  
Vol 15 ◽  
pp. 23-44 ◽  
Author(s):  
F. M. L. Thompson

In every generation since the pace of economic and social change began to accelerate in the late-eighteenth century the wildest hopes, aspirations and fears of the previous generation have been realized. The revolutionary prospect of heeding the will of the people in the 1790's became the conservative measure of 1832. The terrifying demands of the Chartists were well on the way to enactment by 1885, and with the payment of M.P.s in 1911 were substantially achieved, apart from the silliest of all the demands, that for annual parliaments.


BJHS Themes ◽  
2021 ◽  
pp. 1-19
Author(s):  
Suman Seth

Abstract In the course of his discussion of the origin of variations in skin colour among humans in the Descent of Man, Charles Darwin suggested that darker skin might be correlated with immunity to certain diseases. To make that suggestion, he drew upon a claim that seemed self-evidently correct in 1871, although it had seemed almost certainly incorrect in the late eighteenth century: that immunity to disease could be understood as a hereditary racial trait. This paper aims to show how fundamental was the idea of ‘constitutions selection’, as Darwin would call it, for his thinking about human races, tracking his (ultimately unsuccessful) attempts to find proof of its operation over a period of more than thirty years. At the same time and more broadly, following Darwin's conceptual resources on this question helps explicate relationships between conceptions of disease and conceptions of race in the nineteenth century. That period saw the birth of a modern, fixist, biologically determinist racism, which increasingly manifested itself in medical writings. The reverse was also true: medicine was a crucial site in which race was forged. The history of what has been called ‘race-science’, it is argued, cannot and should not be written independent of the history of ‘race-medicine’.


2021 ◽  
Vol 73 (3) ◽  
pp. 255-269
Author(s):  
Waïl S. Hassan

Abstract According to a well-known narrative, the concept of Weltliteratur and its academic correlative, the discipline of comparative literature, originated in Germany and France in the early nineteenth century, influenced by the spread of scientism and nationalism. But there is another genesis story that begins in the late eighteenth century in Spain and Italy, countries with histories entangled with the Arab presence in Europe during the medieval period. Emphasizing the role of Arabic in the formation of European literatures, Juan Andrés wrote the first comparative history of “all literature,” before the concepts of Weltliteratur and comparative literature gained currency. The divergence of the two genesis stories is the result of competing geopolitical interests, which determine which literatures enter into the sphere of comparison, on what terms, within which paradigms, and under what ideological and discursive conditions.


Jazz in China ◽  
2018 ◽  
pp. 14-20
Author(s):  
Eugene Marlow

In the late 1910s, 1920s, and even into the 1930s, “jazz” was the music of the age in the Republic of China, especially and primarily in Shanghai on China's east coast. It was enjoyed equally by sophisticated Chinese gentry and upper-class people in the many dance halls dotting various parts of Shanghai, and by the many Europeans, Russians, and Americans living and working in the so-called “Paris of the East.” These same foreigners also owned pieces of Shanghai, literally. This chapter asks how several foreign nations came to own sections of Shanghai, and have unrestricted access to numerous key ports throughout China's eastern coast? The answer to these questions can be found in a conflict initially between the British (and ultimately the French, Russians, and Americans) and the Chinese in the mid-nineteenth century: the Opium Wars, two wars that had roots in late eighteenth-century China.


2021 ◽  
pp. 19-39
Author(s):  
Peter Anderson

While we know much about the cult of childhood, historians have spent less time analysing the ways in which certain parents became demonized from the late eighteenth century. This chapter traces growing criticisms across nations of parents who were felt to have endangered their offspring and to have deprived the nation of a future robust population. Industrialization and urbanization lent a growing shrillness to the debate. Doctors, opponents of child labour and slavery, and criminologists all began to denounce parents and especially those from the left who they identified as a threat to their offspring and society. As the nineteenth century progressed and competition between nations increased, the growth of eugenic thought gave extra virulence to these denunciations. This set the stage for demands for ‘dangerous’ parents to be stripped of their guardianship.


Author(s):  
Simon Coffey

Wanostrochts’s Practical Grammar was first published in London in 1780, then in the US from 1805.1 It was one of the most successful pedagogical grammars of its time, appearing in revised forms for almost a century. It was probably the first grammar to include ‘exercises’ in the same volume and represents a prototype of what would become known as the ‘grammar-translation’ manual that provided a template for most language schoolbooks throughout the nineteenth century and beyond. The analysis in this chapter considers the content of Wanostrocht’s primer as an example of late eighteenth-century language epistemology, and provides broader background detail to help better understand the context of the publication, its intended purpose, and the reasons for its enduring popularity.


Author(s):  
Aaron Sheehan-Dean

Over the course of the mid-nineteenth-century wars, the dominant powers (Britain, the U.S., Russia, and Qing China) came to espouse a surprisingly similar orientation toward legitimate statehood. While the liberation wars of the late-eighteenth century witnessed the creation of many new republics, by midcentury those republics and the empires that had survived pursued greater central authority. Although sometimes at odds with liberal rhetoric of the age (especially among reforming Republicans in the U.S.), these actors recognized the importance of coercion of violence to maintaining their states. The victory of centralized authority, whether it took the form of empires or republics, reinforced the power of established states and of organized, aggressive defense of that order.


Author(s):  
Ellen T. Harris

In the late eighteenth century, The Academy of Ancient Music prepared a modern adaptation of Dido and Aeneas that was performed into the nineteenth century. The score was brought “up-to-date” by means of alterations to rhythmic flow and cadential patterns, and the temporal separation of individual movements from one another. Scenic demarcations were revised to indicate entrances and exits rather than stage set, and cuts were taken throughout the score. The vocal ranges of the soloists were altered to cover the standard vocal range: soprano (Dido), alto (Belinda), tenor (Aeneas), bass (Sorceress). Some of the surviving sources for these performances offer the names of specific singers who played the major roles.


2020 ◽  
pp. 096834451988272
Author(s):  
Arthur Kuhle

Georg Heinrich von Berenhorst and Dietrich von Bülow were perhaps the most inspirational war theorists of the late eighteenth century. Following Berenhorst, Bülow developed a theory that interpreted war as a dynamic system without physical contact, prompting Carl von Clausewitz to write a crushing critique that up to the present day obfuscates Bülow’s ideas. However, Clausewitz’s critique is based on a fundamental misconception, which illustrates how this decisive swerve in war theory continues to be neglected. This article demonstrates how Berenhorst and Bülow strived for introducing Newtonian standards to human behaviour for a pacifist theory of war.


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