scholarly journals Chagrin d’amour

2020 ◽  
Vol 6 (1) ◽  
pp. 64-84
Author(s):  
Monica B. Pearl
Keyword(s):  
The Other ◽  
The Gaze ◽  
Illusory Control ◽  
Sexual Shame ◽  
A Site

This essay’s close interrogation of James Baldwin’s 1956 novel Giovanni’s Room allows us to see one aspect of how sexual shame functions: it shows how shame exposes anxiety not only about the feminizing force of homosexuality, but about how being the object of the gaze is feminizing—and therefore shameful. It also shows that the paradigm of the closet is not the metaphor of privacy and enclosure on one hand and openness and liberation on the other that it is commonly thought to be, but instead is a site of illusory control over whether one is available to be seen and therefore humiliated by being feminized. Further, the essay reveals the paradox of denial, where one must first know the thing that is at the same time being disavowed or denied. The narrative requirements of fictions such as Giovanni’s Room demonstrate this, as it requires that the narrator both know, in order to narrate, and not know something at the same time.

Actualisation du catalogue des pteridophytes du Nord Ouest Algerien (region de Tlemcen). An update of the cheklist of pteridophytes from Nordwest Algeria (Tlemcen region)

2013 ◽  
Vol 38 ◽  
pp. 33-39 ◽  
Author(s):  
Boumediene Medjahdi ◽  
Assia Ltreuch-Belarouci ◽  
Rémy Prelli
Keyword(s):  
Nous Avons ◽  
Genetic Resources ◽  
Threatened Species ◽  
The Other ◽  
Natural Distribution ◽  
Ecological Characteristics ◽  
Statutory Protection ◽  
Ouest Algérien ◽  
A Site ◽  
Ressources Génétiques

Français. Un inventaire des ptéridophytes a été entrepris dans les forêts de la région de Tlemcen. L’inventaire de ces populations constitue une étape importante pour le développement des stratégies de conservation des ressources génétiques et de la diversité de ces populations sur l’ensemble de leur aire de distribution naturelle. Nous avons ainsi effectué le recensement et l’identification des fougères existantes dans la région de Tlemcen. Au total, plusieurs stations dont les caractéristiques écologiques diffèrent d’un site à un autre ont été prospectées, cela a permis l’identification de 26 taxons (dont 5 exceptionnellement rare). La création de réserves naturelles forestières renforcée par une protection réglementaire des espèces les plus menacées est nécessaire pour le maintien de ces communautés si particulières. English. An inventory of Pteridophyta was begun in the forests of the Tlemcen region. The inventory of these populations constitutes an important stage for the developement of the strategies of preservation of the genetic resources and the diversity of these populations on their whole area of natural distribution. We so made the inventory and the identification of the existing ferns in the region of Tlemcen. On the whole, several stations the ecological characteristics differ from a site in the other one were canvassed; they allowed the identification of 26 taxes (among which 5 exceptionally rare). The creation of forest nature reserves strengthened by a statutory protection of the most threatened species is necessary for the preservation of these particular communities.

BRIDGING THE ABYSS: VICTOR BASCH'S POLITICAL AND AESTHETIC MINDSET

2013 ◽  
Vol 10 (1) ◽  
pp. 87-107
Author(s):  
RAJESH HEYNICKX
Keyword(s):  
Psychological Theory ◽  
The Other ◽  
The Gaze ◽  
Political Reason ◽  
Political Position ◽  
Political Ideas ◽  
Jewish Art ◽  
Art Philosophy ◽  
Changing World

This essay cross-examines both the correlation and the disjunction between art philosophy and political reason in the thinking of the French Jewish art philosopher, Kant specialist and socialist politician Victor Basch (1863–1944). Two interwoven lines of questioning will be in play. One considers the extent to which Basch's theory of beauty, which was primarily grounded in a psychological theory of Einfühlung, was a corollary to his political ideas and practices. The other line of inquiry raises questions about how Basch's political position, namely his anti-facist defending of republican values, became influenced by his work on aesthetics. By answering both questions, this article challenges the traditional historiography of interwar aesthetics. The esaay shows how conceptual debates of aesthetics were not just sterile theoretical products, but to a large extent offered an apparatus to diagnose and orientate a rapidly changing world. Therefore this essay develops a reflection about the gaze needed to take in the complex historical situations from which aesthetic reflections grew, and which in turn they addressed.

The Interpretation of Stereo-Disparity Information: The Computation of Surface Orientation and Depth

Perception ◽  
1982 ◽  
Vol 11 (4) ◽  
pp. 387-407 ◽  
Author(s):  
John Mayhew
Keyword(s):  
Surface Orientation ◽  
The Other ◽  
Surface Patch ◽  
Viewing Distance ◽  
Horizontal Disparity ◽  
Planar Surface ◽  
Local Surface ◽  
Stereo Disparity ◽  
The Gaze ◽  
Perceptual Phenomenon

Two methods for interpreting disparity information are described. Neither requires extraretinal information to scale for distance: one method uses horizontal disparities to solve for the viewing distance, the other uses the vertical disparities. Method 1 requires the assumption that the disparities derive from a locally planar surface. Then from the horizontal disparities measured at four retinal locations the viewing distance and the equation of local surface ‘patch’ can be obtained. Method 2 does not need this assumption. The vertical disparities are first used to obtain the values of the gaze and viewing distance. These are then used to interpret the horizontal disparity information. An algorithm implementing the methods has been tested and is found to be subject to a perceptual phenomenon known as the ‘induced effect’.

scholarly journals β-Li0.37Na0.63Fe(MoO4)2

2014 ◽  
Vol 70 (2) ◽  
pp. i9-i10 ◽  
Author(s):  
Amira Souilem ◽  
Mohamed Faouzi Zid ◽  
Ahmed Driss
Keyword(s):  
Crystal Structure ◽  
Solid State ◽  
Solid State Reaction ◽  
Title Compound ◽  
General Position ◽  
Site Occupancy ◽  
The Other ◽  
Main Structure ◽  
Axis Direction ◽  
A Site

The title compound, lithium/sodium iron(III) bis[orthomolybdate(VI)], was obtained by a solid-state reaction. The main structure units are an FeO6octahedron, a distorted MoO6octahedron and an MoO4tetrahedron sharing corners. The crystal structure is composed of infinite double MoFeO11chains along theb-axis direction linked by corner-sharing to MoO4tetrahedra so as to form Fe2Mo3O19ribbons. The cohesion between ribbonsviamixed Mo—O—Fe bridges leads to layers arranged parallel to thebcplane. Adjacent layers are linked by corners shared between MoO4tetrahedra of one layer and FeO6octahedra of the other layer. The Na+and Li+ions partially occupy the same general position, with a site-occupancy ratio of 0.631 (9):0.369 (1). A comparison is made withAFe(MoO4)2(A= Li, Na, K and Cs) structures.

Nina Simone as Poet and Orchestrator

2021 ◽  
Vol 33 (2) ◽  
pp. 130-147
Author(s):  
Marcus R. Pyle
Keyword(s):  
Semantic Content ◽  
Black Body ◽  
Black Female ◽  
The Self ◽  
The Other ◽  
Female Subjectivity ◽  
The Gaze ◽  
Nina Simone

How do you fashion an identity in a society that, at every turn, tries to snuff you out? In this article, I address Nina Simone's praxis of renaming and reinvention to demonstrate strategies of resistance. To this point, I analyze the musico-poetic setting of Nina Simone’s songs “Images” (1964) and “Four Women” (1965) to argue that her artistic musical choices sonically orchestrate varying issues of Black female subjectivity, identity, and self-making. In Simone’s songs, she refuses to discount the materiality of the Black body; instead, she envelops the Black body with signifiance and significance. The sonic bearers of semantic content become extensions of the Self—transmutable and heterodox. The compositional and poetic subtleties in these songs claim that the gaze of the Other can potentiate exteriority and freedom—what I term the “exo(p)tic.”

Completing a Site: The Other 90%

2011 ◽  
pp. 747-802
Author(s):  
Benjamin Melançon
Keyword(s):  
The Other ◽  
A Site
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