Reviews: The Irish Franciscans, 1534–1990, Framing the West: Images of Rural Ireland, 1891–1920, the Irish Establishment, 1879–1914, the Great Parchment Book of Waterford: Liber Antiquissimus Civitatis Waterfordiae, the Laity, the Church and the Mystery Plays: A Drama of Belonging, the Irish in Post-War Britain, New Guests of the Irish Nation, the Making of the Irish Poor Law, 1815–1843, Republicanism in Ireland: Confronting Theories and Traditions, the Orange Order: A Contemporary Northern Irish History, Repeal and Revolution: 1848 in Ireland, the Civil Service and the Revolution in Ireland, 1912–1938: ‘Shaking the Blood-Stained Hand of Mr Collins’, Inspector Mallon: Buying Irish Patriotism for a Five-Pound Note, An Illustrated History of the Phoenix Park: Landscape and Management to 1880, Gypsum Mining and the Shirley Estate in South Monaghan, 1800–1936, the Rising: Ireland, Easter 1916, Left to the Wolves: Irish Victims of Stalinist Terror, Enforcing the English Reformation in Ireland: Clerical Resistance and Political Conflict in the Diocese of Dublin, 1530–1590, Staging Ireland: Representations in Shakespeare and Renaissance Drama, God's Executioner: Oliver Cromwell and the Conquest of Ireland, the Irish Labour Party, 1922–1973, the Big House in the North of Ireland: Land, Power and Social Elites, 1878–1960, Historical Association of Ireland, Life and Times New Series, Culture and Society in Early Modern Breifne/Cavan, Witchcraft and Whigs: The Life of Bishop Francis Hutchinson, 1660–1739, Cosmopolitan Ireland: Globalisation and Quality of Life, the Orange Order in Canada

2010 ◽  
Vol 37 (1) ◽  
pp. 154-204
Author(s):  
Brian MacCuarta ◽  
Liam Kelly ◽  
Martin Maguire ◽  
Susan Flavin ◽  
Declan Mallon ◽  
...  
Literary Fact ◽  
2021 ◽  
pp. 314-332
Author(s):  
Michela Venditti

The article is a introduction to the publication of the minutes of the meetings of the Russian lodge "Northern Star" in Paris, concerning the discussion on the admission of women to freemasonry. The proposed archival materials, deposited in the National Library of France in Paris, date back to 1945 and 1948. The women's issue became more relevant after the Second World War due to the fact that Masonic lodges had to recover and recruit new adherents. The article offers a brief overview of the women's issue in the history of Freemasonry in general, and in the Russian emigrant environment in particular. One of the founders of the North Star lodge, M. Osorgin, spoke out in the 1930s against the admission of women. In the discussions of the 1940s, the Masonic brothers repeat his opinion almost literally. Women's participation in Freemasonry is rejected using either gender or social arguments. Russian Freemasons mostly cite gender reasons: women have no place in Freemasonry because they are not men. Freemasonry, according to Osorgin, is a cult of the male creative principle, which is not peculiar to women. Discussions about the women's issue among Russian emigrant Freemasons are also an important source for studying their literary work; in particular, the post-war literary works of Gaito Gazdanov are closely connected with the Masonic ideology.


Polar Record ◽  
2014 ◽  
Vol 51 (2) ◽  
pp. 201-211
Author(s):  
Robert A. Perkins

ABSTRACTAn oil spill that occurred on 21 August 1944 near the Inupiat village of Barrow on Alaska's North Slope provides the focus for a brief history of activity in the face of extreme conditions and the evolving relationship of US Navy personnel and Inupiat natives of the region. The emotional recollections of an Inupiat elder are contrasted with the growing respect of the navy personnel for the Inupiat. The economic and social effects of oil explorations towards the end of World War II and the early post-war years are briefly discussed. These events form a part of the socio-economic background of current and proposed arctic oil development.


Author(s):  
Gordon Boyce

This section explores the flow of resources and the economic development of the international shipping industry through analysis of three separate components. The first sub-section provides a thorough history of Danish maritime resources and infrastructures in relation to both shipping and fishing in the Danish coastal zone between 1500 and 2000, charting in particular the activity and economy of coastal dwelling communities. The second sub-section explores the resources and infrastructures in the maritime economy of rural south-west Scotland between 1750 and 1850, with particular emphasis on local economic revival and expansion efforts. It determines that entrepreneurship and expertise were vital to the success of a port, and intrinsically linked to local needs and culture. The final sub-section explores the fishing industry in relation to fishing rights in the postwar period. It uses the North Sea herring industry as a case study to demonstrate that post-war fishing developments centred on political exclusions and a shift from international to national fishing boundaries.


2012 ◽  
Vol 89 (1) ◽  
pp. 179-206 ◽  
Author(s):  
Steve Cunniffe ◽  
Terry Wyke

Oliver Cromwells historical reputation underwent significant change during the nineteenth century. Writers such as Thomas Carlyle were prominent in this reassessment, creating a Cromwell that found particular support among Nonconformists in the north of England. Projects to memorialize Cromwell included the raising of public statues. This article traces the history of the Manchester statue, the first major outdoor statue of Cromwell to be unveiled in the country. The project originated among Manchester radical Liberal Nonconformists in the early 1860s but was not realized until 1875. It was the gift of Elizabeth Heywood; the sculptor was Matthew Noble. The project, including its intended site in Manchesters new Town Hall, was contentious, exposing political and religious divisions within the community, reinforcing the view that the reassessment of Cromwells place in the making of modern Britain was far from settled.


Author(s):  
Laia Anguix

Abstract In 1945, CB Stevenson, curator of the Laing Art Gallery (Newcastle-upon-Tyne, UK), predicted a crisis in the local economy in connection with the changes that the city’s industries underwent during the Second World War. He felt that the Laing could provide creative solutions to the crisis by ‘drawing attention to the importance of good design and craftsmanship in our manufactures’ and by showing ‘the widespread application of art to things of everyday life’.1 Between 1945 and the curator’s death in 1957, the Laing held over twenty design-related exhibitions intended to illustrate the connection between art and industry and to share ‘what the North could make’, following the path opened by the exhibition Britain Can Make it, held in London in 1946.2 This article brings attention to the Laing’s commitment to exhibit transnational and local crafts, graphic arts and industrial design and to support North-Eastern industries within the challenging post-war context. This narrative counteracts the dominant London-based history of British design by offering a case study that evidences the role played by regional art galleries in the promotion of modern design.


Polar Record ◽  
1966 ◽  
Vol 13 (82) ◽  
pp. 23-28
Author(s):  
D. J. Garrod

The conception of the sea as an unlimited reservoir of fish is now outdated. The post-war history of the fishery resources of the north Atlantic has shown that stocks can be depleted to a level where the catching rates are no longer an economical proposition, and the general pattern of expansion has been to move farther afield to grounds where the catches are sufficiently improved to offset the greater steaming time, and hence running costs, involved.


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