Raphaels Vitruvius and Marcantonio Raimondi‘s Caryatid Façade

2016 ◽  
Vol 92 (2) ◽  
pp. 91-127
Author(s):  
Kathleen W. Christian

Marcantonio Raimondis so-called Caryatid Façade has received scant attention, yet it occupies an important place in the printmakers oeuvre and was widely admired and imitated in the sixteenth century. The image, which features an architectural façade adorned with Caryatid and Persian porticoes and an oversized female capital, does not fit easily with the usual narrative about Raimondis career in Rome, summed up in Vasaris account that he collaborated with Raphael to publicise the masters storie. Rather than being an illustration of a religious or mythological subject, it brings together architectural fantasia, archaeology and Vitruvian studies, reflecting on the origins of the orders and the nature of architectural ornament. Arguably, it is also an indirect trace of Raphaels unfinished projects to reconstruct Rome and to collaborate with humanist Fabio Calvo and others on a new, illustrated edition of Vitruvius.

2012 ◽  
Vol 23 (4) ◽  
pp. 449-466 ◽  
Author(s):  
Adam C. J. Menzies ◽  
Mikael J. Haller

AbstractThe sixteenth-century indigenous societies who inhabited the Pacific plains of Panama have occupied an important place in discussions of social hierarchy in the Americas. Beginning with the discovery of the richly stocked tombs at Sitio Conte in the 1930s the origins of social hierarchy and wealth accumulation has been a key theme in the Central Region of Panama. Although the most lavish burial hoards at Sitio Conte contained hundreds of sumptuary goods elaborately decorated with cosmological iconography, no other contemporary cemetery shows evidence for this degree of wealth accumulation. The only other site with mortuary patterning suggestive of high ranking individuals is He-4, where high ranking mound burials were interred following the abandonment of the Sitio Conte cemetery. From a macroregional perspective the increase in access to prestige goods in mound burials at He-4 contemporaneous with, or immediately after, the decline of Sitio Conte is best explained as a result of changes in political organization of the kind often associated with the growth and decline of chiefly polities.


2021 ◽  
Vol 60 (3) ◽  
pp. 223-246
Author(s):  
Rukhsana Qamber

History has so far paid scant attention to Muslims in the earliest phase of colonizing the Americas. As a general policy, the Spanish Crown prohibited all non-Catholics from going to early Spanish America. Nevertheless, historians recognize that a few Muslims managed to secretly cross the Atlantic Ocean with the European settlers during the sixteenth century. Later they imported African Muslim slaves but historians considered both Africans and indigenous peoples passive participants in forming Latin American society until evidence refuted these erroneous views. Furthermore, the public had assumed that only single Spanish men went to the American unknown until historians challenged this view, and now women’s role is fully recognized in the colonizing enterprise. Additionally, despite the ban on non-Catholics, researchers found many Jews in the Americas, even if the Spanish Inquisition found out and killed almost all of them. In line with revisionist history, my research pioneers in three aspects. It demonstrates that Muslim men and women went to early Spanish America. Also, the Spanish Crown allowed Muslims to legally go to its American colonies. Additionally, the documents substantiate my new findings that Muslims went to sixteenth-century Latin America as complete families. They mostly proceeded out of Spain as the wards or servant-slaves of Spanish settlers after superficially converting to Catholicism. The present study follows two case studies that record Muslim families in early sixteenth-century Spanish America. Paradoxically, their very persecutor—the Spanish Church and its terrible Inquisitorial arm—established their contested belief in Islam.


1985 ◽  
Vol 5 ◽  
pp. 239-268 ◽  
Author(s):  
Ronald Woodley

During the course of his thirty-year career in Italy between the early 1470s and the first years of the sixteenth century, Tinctoris witnessed the printing of only two of his own theoretical works. His glossary of musical terms, the Terminorum musicae diffinitorium, has been convincingly shown to have issued from the Treviso press of the author's compatriot and contemporary Gerardus de Lisa, around 1495, although the work had clearly been compiled in manuscript form some twenty years previously. The Diffinitorium has, indeed, fared relatively well at the hands of modern scholarship, though one suspects that its generic significance as an early musical dictionary has occasionally clouded critical judgement on its actual content, and there still remain unanswered basic questions as to why, and for whom, the book was printed at all. By contrast, the other, fragmentary treatise of Tinctoris to be printed in his lifetime, De inuentione et usu musice – a work frankly more interesting by far than the Diffinitorium – has received surprisingly scant attention, and a reassessment of the place, date and circumstances of its publication is long overdue. In addition, it seems appropriate to take the opportunity of presenting here some new fragments of the treatise which have recently come to light in north-east France.


PMLA ◽  
1913 ◽  
Vol 28 (4) ◽  
pp. 577-593
Author(s):  
J. P. Wickersham Crawford

Among the classical scholars in Spain in the latter half of the sixteenth century, Antonio Agustín occupies an important place. Born on March 4, 1517 at Saragossa, he attended the Universities of Alcalá and Salamanca, and in 1536 went to Italy and studied at Bologna and Padua. During a second sojourn at Bologna, he profited by the instruction of Andrea Alciato and became acquainted with the methods of the nova jurisprudentia, which sought to replace the study of scholastic commentators by careful consultation of the original sources. He went to Florence in 1541 to study the celebrated manuscript of the Pandects and there prepared his great work, Emendationum et opinionum libri, in which he questioned the accuracy of Politian's collation of the famous manuscript. This work was published at Venice in 1543 and won him the esteem of the most noted scholars of the time, a remarkable achievement for the young man of twenty-six years.


1990 ◽  
Vol 9 ◽  
pp. 73-128 ◽  
Author(s):  
Craig Monson

It is safe to say that the collections of the Museo Comunale Bardini, situated in Piazza dei Mozzi on the oltrarno in Florence, remain comparatively little known. The museum's vast store of paintings, sculpture, architectural ornament, rugs and tapestries, armour, bronzes, furniture and musical instruments all belonged to Stefano Bardini, the nineteenth- and early twentieth-century collector and art dealer. Born in 1836 in the province of Arezzo, Bardini came to Florence to study painting at the Accademia delle Belle Arti. After the political turbulence of the 1860s, when Bardini fought with the Garibaldini, the young painter turned to restoration, connoisseurship and art dealing. By the age of forty-five he had established his reputation and an extraordinary personal collection. At the height of his career his patrons included the Rothschilds, the Vanderbilts, Isabella Gardiner and J. Pierpont Morgan. Many objects now in some of the world's best-known public collections passed through his hands.


Teosofia ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 59-74
Author(s):  
Faudzinaim Badaruddin

The doctrine of seven grades of Being (Martabat Tujuh) has been widely known to be a sufi interpretation of God’s Oneness (al-Tawhid). It originated in the subcontinent of India in the early seventeenth century. The doctrine was later introduced in Aceh and gained popularity among the Malay sufi authors and practitioners until the present day. Amid its wide acceptance, the teaching has long been considered by many scholars to be incompatible with the Islamic principle teachings of God’s Unity. The purpose of this article is to give an insight into the background of the writing of the Tuhfah al-Mursalah Ila Ruh al-Nabiyy and to establish its credibility as an authentic Islamic work by a recognized Muslim sufi scholar. To achieve its objectives, data of this writing was gathered through the usage of document analysis and then described using deducted and inducted analysis. This article found that the Tuhfah al-Mursalah was originally written to combatting misinterpretation of the teaching of wahdat al-wujud in the subcontinent India. It was later exported to the Aceh in the early sixteenth century. The work was written by a knowledgeable and important Indian Muslim sufi scholar. His credentials as a Muslim scholar were testified with few commentaries on the Tuhfah al-Mursalah by famous and well-known Muslim scholars in the Muslim world. Therefore, this work occupies an important place in providing a true comprehension of the doctrine of seven grades of Being.


1977 ◽  
Vol 9 (1) ◽  
pp. 40-60 ◽  
Author(s):  
Robert Tittler

For all the pride which it engendered among contemporaries, who saw in the Tudor fisheries a nursery for English seamen and even a hallmark for the national identity, the fishing industry in the sixteenth century has received scant attention from English historians. This neglect has been doubly unfortunate. On the one hand, it leaves us in general ignorance of the industry itself: its organization, personnel, productivity, and economic importance in both national and regional terms. On the other, it has denied us the opportunity to observe a tradition-bound industry of considerable antiquity as it faced the political, economic, and technological changes of the post-medieval era.The format of an essay cannot reasonably encompass a detailed study of a major industry, but the selection of a particular case for study can at least present a helpful paradigm for the whole, and fill part of the void in the existing literature. The fishing industry of Great Yarmouth seems an appropriate choice. The fact that herring collected off the mouth of the River Yare each September for as far back as man can remember has made the association of Yarmouth and fishing as old as it is logical. Fishermen plied those grounds from at least the sixth century, making the town one of the earliest recorded fishing centres of Northern Europe, and well before the Conquest townsmen had dedicated their parish church to St. Nicholas, patron of fishermen. Throughout the Middle Ages Yarmouth stood alone as the chief supplier of herring, a dietary staple to the English market, and ranked near the top of the European fishing industry.


1974 ◽  
Vol 43 (2) ◽  
pp. 183-200
Author(s):  
Lowell C. Green

One of the unsolved problems of the history of sixteenth-century thought is that of the relation between humanism and religion. A key figure here was Desiderius Erasmus. Unfortunately, although exhaustive studies have been devoted to Erasmus as a Renaissance figure, not enough is known of his place in the Reformation. Compared to research into other aspects of his work, his place as a theologian has been neglected. And while several scholars have attempted to trace his influence upon some of the Protestant reformers, scant attention has been paid to his impact upon the Wittenberg leaders, especially in regard to justification. It is generally known that Luther and Melanchthon made diligent use of the Greek New Testment published by Erasmus in 1516. But the accompanying Annotations, as well as the subsequent Paraphrases, have largely been overlooked in the Erasmus research, and their impression upon the theology of the Wittenberg reformation has scarcely been investigated. With the quadricentennial observance of the Formula of Concord close at hand, this kind of study seems especially appropriate.


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