scholarly journals Teodor Llorente, cinquanta anys després: una polèmica entre Joan Fuster i Josep M. Bayarri

Author(s):  
J. Àngel Cano Mateu

Resum: Aquest article analitza la polèmica generada en la premsa valenciana l’any 1961 entre Joan Fuster i Josep M. Bayarri, arran del cinquantenari de la mort de Teodor Llorente. Mentre que Fuster reclama un debat intel·lectual al voltant del líder de la Renaixença valenciana i, de retop, dels referents propis, Bayarri en té prou amb commemoracions i celebracions, com misses, lectures de poemes o articles de diari. Aquest enfrontament dialèctic amaga dues maneres totalment oposades d’entendre el valencianisme de postguerra: d’una banda, un valencianisme que proposa l’autocrítica i la reflexió; d’una altra, un valencianisme o «regionalisme» irracional, de caire sentimentalista i antiintel·lectual. L’article analitza, doncs, el posicionament i l’abast de la defensa de Llorente per part d’aquests dos autors.Paraules clau: Teodor Llorente, Joan Fuster, Josep M. Bayarri, valencianisme, postguerra..Abstract: This paper analyses the controversy that Joan Fuster and Josep M. Bayarri create on the Valencian press in 1961, as a result of the fifty years after Teodor Llorente’s death. Whereas Fuster demands an intellectual discussion about the leader of the Renaixença in Valencia and the Valencian writers, Bayarri settles for commemorations and celebrations, masses, poetry readings or journal articles about him. This dialectic confrontation conceals two totally opposed ways of understanding the Valencianism of the postwar period. On the one hand, there is a Valencianism that proposes a self-criticism and a reflection; on the other hand, we find a Valencianism or an irrational «regionalism» that is sentimentalist and anti-intellectual. Therefore, this essay analyses the points of view about Llorente made by these two authors.Keywords: Teodor Llorente, Joan Fuster, Josep M. Bayarri, Valencianism, postwar period.

Author(s):  
Lucia Lichnerová

The study To Publish, Make Known and Sell is based on verified existence of competition tensions between the 15th century typographers/publishers, related to the absence of functional regulatory tools of book production of the incunabula period. The increase in the number of book-printers within the relatively narrow geographical area, disregard of publishers’ privileges, the emergence of pirated reprints, as well as insufficient self-promotion on the book market through introducing novelties had concentrated typographers’ attention on devising new tools of securing their triumph in publisher’s competition – the so called book advertisements. The author has analysed 44 promotional posters of the incunabula period from several points of view and attempted to identify their design elements, which on the one hand showed signs of certain standardization, while on the other hand they were subject to personal creativity of their creator. She gives detailed overview of the circumstances of the origin, typographic design and contents of book advertisements of several kinds within the context of promoting either the existing or planned editions, of one edition or a group of books; specifically focusing on the unique types of advertising. In conclusion, the author cites the circumstances of the extinction of book advertisements related to the rise of the new promotional tool – booksellers’ catalogue and submits a bibliography of the book advertisements dating from the 15th century.


Author(s):  
V.V. Kotelevskaya

The article explores the typological principles and genesis of narrative thinking of Thomas Bernhard (1931-1989). It reveals the paradoxical nature of his writing, which combines, on the one hand, archetypal structures, implied ‘genre memory’, and on the other hand, a unique, innovative style. Bernhard’s constructive principle is repetition, which allows the embodiment of the idea of «eternal return» (Eliade) throughout the poetical structure, whether it is a sacred event of a myth or an «obsessive repetition» (Freud) of the traumatic memories of the protagonist or the narrator. The fragmented world is under constant reorganizing with the help of Bernhard’s polyphonic writing, which finds itself mostly in the imitation of the non-figurative, purely expressive, self-referential «art of fugue» (Bach), oriented to the cyclic, rather than linear-historical concept of time. In contrast to the literary interpretation of the «polyphonic novel» (Bakhtin) with its coexistence of multiple points of view, our attention is shifted to the musicological interpretation of the fugue’s polyphony as the embodied idea of the continuity of time, the closeness and infinity of the divine universe.


2019 ◽  
pp. 207-219
Author(s):  
Izabela Prokop

A few remarks on the contrastive analysis of styleThe phenomenon of style, analysed from different points of view, has been presented in this article. On the one hand, connections between stylistics and pragmalinguistics with the psychological profile of the sender have been indicated. Janusz Reykowski’s distinction of the five levels of centralisation, included in his publications, has turned out to be most useful in the pragmalinguistic analysis while describing the locutionary act, including the stylistic phenomena. On the other hand, though, a question about thepossibility and limits of the reflection of style in translation has been asked, using the text example in a German-Polish pair, and working out the criteria of evaluation. In the conclusion of the article the author is postulating the formation of a German-Polish contrastive stylistics.


Comunicar ◽  
2003 ◽  
Vol 10 (20) ◽  
pp. 63-67
Author(s):  
Rafael Bisquerra-Alzina ◽  
Gemma Filella-Guiu

The aim of this paper is to analyze the relationships between emotional education and the media from two different points of view. On the one hand, the emotional dimension of the media and their implication in education. On the other hand, the media as a El objetivo de este artículo es reflexionar sobre el binomio «educación emocional y medios de comunicación» desde dos puntos de vista. Por un lado, la dimensión emocional de los medios de comunicación y su implicación en la acción educativa y, por otro, los medios de comunicación como transmisores de educación emocional. Los autores finalizan presentando un conjunto de programas de educación emocional.


2019 ◽  
pp. 159-171
Author(s):  
Ivana Odža

The paper analyses, in the context of Dragojla Jarnević’s Diary, the concept of democratism from the authoress’ viewpoint of the world regarding the liberal values that represent foundation of democracy. Considering the problems related to the issue of contemporary democracies eminent intellectuals of the 20th and 21st century have expressed a line of doubts and objections, thereby threatening the concept of democracy, or twisting democracy in its own contradictions. In retrospect, during Dragojla Jarnević’s lifetime and work, there was an evident complexity and ambivalence of disseminating liberal ideas in the area of today´s Croatia. Shaping and expressing of Dragojla Jarnević’s democratic views shows that it is possible to interpret democracy from different points of view – on the one hand, it is the best social model, on the other hand, it sometimes transforms in its contradiction. Certain contradictions are observed in Jarnević’s personality, however, her personality eventually reveals a brave and democratic (literature) subject.


2014 ◽  
Vol 150 (8) ◽  
pp. 1384-1412 ◽  
Author(s):  
Zhi Jiang ◽  
Martí Lahoz ◽  
Sofia Tirabassi

AbstractWe study products of irreducible theta divisors from two points of view. On the one hand, we characterize them as normal subvarieties of abelian varieties such that a desingularization has holomorphic Euler characteristic $\def \xmlpi #1{}\def \mathsfbi #1{\boldsymbol {\mathsf {#1}}}\let \le =\leqslant \let \leq =\leqslant \let \ge =\geqslant \let \geq =\geqslant \def \Pr {\mathit {Pr}}\def \Fr {\mathit {Fr}}\def \Rey {\mathit {Re}}1$. On the other hand, we identify them up to birational equivalence among all varieties of maximal Albanese dimension. We also describe the structure of varieties $X$ of maximal Albanese dimension, with holomorphic Euler characteristic $1$ and irregularity $2\dim X-1$.


1903 ◽  
Vol 17 ◽  
pp. 121-173 ◽  
Author(s):  
E. A. Lewis

The development of industry and commerce in Wales during the Middle Ages may be regarded from two points of view. On the one hand we are concerned with the gradual decay of the commerce carried on by the inhabitants of the western regions of tribal Britain, and on the other hand with the development of the national commerce of the modern Principality.


Author(s):  
Cheng Ping

Technical innovation and institutional innovation are indispensable to the development of enterprises. From different points of view, different schools of thought have different theories on the relationship between technical innovation and institutional innovation. What is the relationship between them? Which is more important? Based on the fact that technical innovation and institutional innovation are interactive and have dynamic contradictions, this essay probes into this kind of relationship. On the one hand, technical innovation is the base and motive of institutional innovation. It both supports and restricts the institutional innovation. On the other hand, institutional innovation guides, supports and protects the technical innovation. In view of this, the essay proposes that technical innovation should be regarded as a decisive factor to push forward and decide the change and innovation of institution and make a reality interactive and coupling relationship between them.


2010 ◽  
Vol 39 (2) ◽  
Author(s):  
Charl Wolhuter

The aim of this research is to explicate the present state of and developments within the field of Comparative Education, by means of an analysis of articles published in Canadian and International Education and the Comparative Education Review, two eminent journals in the field. The following aspects of articles published in the two journals, since their inception till the end of 2006, were analyzed: levels of analysis of articles number of units covered by articles geographical areas which articles deal with modes of education articles deal with and themes/topics focused on. From the analysis, two features of the field became visible. On the one hand a striking consistency, on the other hand potential for a considerable broadening of levels of analysis, of geographical areas, and of modes of education. Theoreticians in the field make reasoned cases for such broadening, and articles analyzed revealed that incipient moves towards them are taking place. However, much scope for the expansion of the field along these lines exists. Some of these are pointed out. Cette recherche analyse plusieurs articles de deux revues éminentes, l’Education canadienne et Internationale et la revue Comparative Education Review dont le but sera d’expliquer l’état présent ainsi que l’évolution des recherches en Éducation Comparée. Les articles ont été choisis, depuis la création des revues jusqu’à la fin de 2006, sur la base des caractéristiques suivantes : Niveau d’analyse de l’article; Quantité d’éléments couverts par article; Zones géographiques visées par les articles ; Méthodologies éducatives visées par l’article; Thèmes/sujets analysés. L’analyse présente deux caractéristiques principales. D’un côté, il existe une consistance frappante, et de l’autre, un grand potentiel pour diversifier d’avantage les différents niveaux d’analyse, les zones géographiques, ainsi que les méthodologies éducatives visées. Les spécialistes du domaine acceptent cette diversification. Plusieurs articles analysés démontrent qu’un mouvement récent de diversification est en train de se développer. Les objectifs de développement doivent cependant être mieux définis. Quelques possibilités sont indiquées dans cet article.


Heritage ◽  
2021 ◽  
Vol 4 (3) ◽  
pp. 2183-2204
Author(s):  
Fabrizio Ivan Apollonio ◽  
Riccardo Foschi ◽  
Marco Gaiani

This contribution to the literature presents an in-depth analysis of the scene drawn by Leonardo da Vinci in the preparatory drawing, Adoration of the Magi, dated 1481, that is now housed at the Département des Arts Graphiques du Musée du Louvre in Paris, France. This analysis focuses on the architectural elements and highlights how the drawing discloses three distinct vanishing points/centers of vision: one for the classical architecture to the left of the scene, one for the Nativity hut, and one for the structure with stairs. If we consider the structures as belonging to the same 2D projected space, at least two must be depicted out of square; conversely, if we consider them as straight, standard structures, they cannot belong to the same 2D projected space. Given this assumption, we propose, on the one hand, some variations of the scene where the structures are straightened and projected according to only one of the viewpoints at a time; on the other hand, a set of variants of the scene are presented, considering the out-of-square structures. The scenes are generated by applying inverse perspective projections. These results prompt a discussion on possible reasons why Leonardo made these conscious or unconscious “formal errors”.


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