scholarly journals L’« actualité » cinématographique

2007 ◽  
Vol 8 (3) ◽  
pp. 53-73
Author(s):  
Richard Magnan
Keyword(s):  

RÉSUMÉ Tel qu'il est conçu dans le discours théorique, le film est généralement considéré comme une entité abstraite, dont la copie et les conditions de projections sont sous-entendues comme étant idéales. Le film dont il est question dans l'analyse correspondrait ainsi à ce qu'on appellera le film-type, le film comme énoncé pris indépendamment des conditions de son énonciation (sa projection ou son visionnement). Dans cet article, il sera plutôt question du film comme support fondamentalement temporel, pris dans les circonstances concrètes de son énonciation et soumis aux conditions d'altération, de transformation, de détérioration, que de nombreux facteurs (à commencer par l'usure du temps) imposent à la matérialité même de ce que nous appellerons le film-token.

2017 ◽  
Vol 56 (2) ◽  
pp. 201-211
Author(s):  
Camille Muris-Prime
Keyword(s):  

Dans les lettres dites « du voyant », Rimbaud se donne comme tâche de « trouver une langue » engageant une réflexion sur ce qu'est la langue de création qui s'accompagne dans sa poésie d'une interrogation sur la qualité du matériau poétique qu'est le langage et sur sa forme: celle de la prose. Trouver une langue pour faire de la poésie c'est trouver la forme d'une parole polyphonique et presque polyglotte. Le « je est un autre » de Rimbaud résonne avec la formule de Derrida « Je n'ai qu'une langue mais ce n'est pas la mienne » pour la transformer en: « Je n'est qu'une langue, mais ce n'est pas moi. » La poésie rimbaldienne se définit comme un projet où le je est à la fois multiple et potentiel pour devenir ce « lieu mixte » dont parle Kristin Ross et mettre au point ce que nous appellerons une éthique de la traduction.


2012 ◽  
Vol 22 (11) ◽  
pp. 4904 ◽  
Author(s):  
C. Y. Park ◽  
T. H. Lee ◽  
S. E. Dorris ◽  
U. (Balu) Balachandran

2004 ◽  
Vol 5 (4) ◽  
pp. 58-70 ◽  
Author(s):  
Abdolrahim Davari ◽  
Fatemeh Ezoddini Ardakani ◽  
Daryoush Goodarzipour ◽  
Koorosh Goodarzipour

Abstract Clinicians strive to reduce the exposure of patients to X-ray radiation in an effort to decrease its harmful effects on the body. A potential strategy for achieving this goal is the use of high-speed films that require less exposure to radiation to generate a diagnostic image. There are two film types commonly used in intraoral radiography: high speed or “Ekta-speed” film (Type E) and normal speed or Ultra-speed film (Type D). Type E film requires nearly half of the exposure time that is required by Type D films to produce an acceptable diagnostic image; however, the diagnosis quality and usability of these film types are under question. The purpose of this research is to compare the diagnostic quality of Type E with Type D film when used to diagnose proximal caries. In this study 40 pairs of extracted maxillary premolar teeth were chosen and divided into four groups of 10 pairs. Cavities were made on proximal surfaces at different depths (0.5, 1, 1.5, and 2 mm) for each group. Bitewing radiographs were then taken on each pair of teeth using Type E film and then again using Type D film. Radiographs were evaluated by two oral radiologists and two operative dentistry specialists who recorded the perceived diagnostic depth of the prepared cavities. Our data showed both Type D and E films are suitable for use in diagnosing proximal caries, and despite a minor discrepancy between them no significant difference was found with regard to their value in diagnosing proximal caries. Citation Ardakani FE, Davari A, Goodarizpour D, et. al. Evaluation of the Diagnostic Advantage of Intraoral D and E Film for Detecting Interproximal Caries. J Contemp Dent Pract 2004 November;(5)4:058-070.


2020 ◽  
Vol 50 (5) ◽  
Author(s):  
Rafaely das Chagas Lameira ◽  
Bárbara Marçon Pereira da Silva ◽  
Silvia Regina de Toledo Valentini ◽  
Patrícia Cia ◽  
Ilana Urbano Bron

ABSTRACT: Despite the fact that cold storage and modified atmosphere techniques have already been studied for fresh cut Star fruit, little has been done considering the whole fruit. Besides that, each cultivar has its peculiarities, so the efficiency of combined postharvest treatments should be studied. The objective of this study was to evaluate the effect of polyvinyl chloride (PVC), 8.5 µm thick and low-density polyethylene (LDPE), 33 µm thick associated with cold storage (10 ± 1 °C and 5 ± 1 °C / 85 ± 5% RH) on the conservation of ‘Malasia’ Star fruit. Storage at 25 oC maintained Star fruit overall quality, regardless of the film type, up to four days. The weight loss was higher in fruit packed with PVC, but this fact was not noticed by the sensory analysis. The storage in 5 and 10 oC did not caused chilling injury but fruit presented retention of yellow color development and firmness reduction; these aspects were positively assessed by the sensory analysis. The film type did not influence the conservation of the fruit. The storage at 5 and 10 °C, regardless of the package film, prolonged ‘Malasia’ star fruit shelf life up to 16 days, followed by two days at 25 °C.


2001 ◽  
Vol 73 (6) ◽  
pp. 774-774
Author(s):  
I. Astrelin ◽  
Y. Beznosik ◽  
L. Bugaeva ◽  
M. Vorozhbian ◽  
A. Loboiko
Keyword(s):  

2015 ◽  
Vol 278 ◽  
pp. 122-128 ◽  
Author(s):  
Sohei Yamazaki ◽  
Takeshi Mori ◽  
Isao Ogino ◽  
Shin R. Mukai

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