scholarly journals Good self, bad self: The Struggle in Shelley

Author(s):  
Ann Wroe

Abstract Although he sometimes decried the notion of a duality of body and soul, few poets were more conscious than Percy Bysshe Shelley of the soul’s imprisonment in the illusory material world. In considering Shelley’s notion of the self, this essay will track his constant search to discover and unlock his own inner powers of empathy, imagination and liberation.

1990 ◽  
Vol 35 (5) ◽  
pp. 485-485
Author(s):  
Marshall L. Silverstein
Keyword(s):  
The Self ◽  

Author(s):  
Finn Fordham

As a queer bildungsroman, Maurice has a particular way of managing the relation between the body and the soul. Forster's exploration of the queer relationship between body and soul took place at a time when there was a battle over the nature of the soul, often defensive against materialism: concepts of identity and selfhood were undergoing radical contestations and the word 'soul' is a resonant term in modernist novels. How did emerging discourses, such as those of Havelock Ellis, Edward Carpenter, and many others, about homosexual orientation relate to these contemporary discourses around the self? The chapter focuses on two passages about body and soul, whose textual genesis reveals problems of phrasing, as Forster’s unprecedented investigation of sexuality takes him to the edge of identity. It then examines how certain spaces, such as windows and thresholds, become symbolic zones of transgressive encounters between inner and outer, soul and body. It concludes by showing how Forster avoids drawing up any consistent ‘doctrine’ of body and soul. As a work of fiction in which different visions of the world come into conflict with each other, Maurice is a unique and vital witness of transforming discourses about homosexuality in the early twentieth century.


2018 ◽  
Vol 68 (2) ◽  
pp. 233-251
Author(s):  
Sharon Kim

Caesar's Things is a semi-autobiographical novel combining modernist literary experimentation with narrative structures derived from the Bible. This unfinished work is seldom analyzed by literary scholars, in part because Fitzgerald's Christian conversion in the 1930s coincided with a mental breakdown, which made her faith and writing both suspect. Criticized as “incoherent,” the novel nonetheless becomes legible when Fitzgerald's religion is disentangled from madness and its contributions examined. The novel confesses the spiritual impoverishment of the Jazz Age protagonist, then seeks her redemption, healing the divide between the self and her soul, between the material world and the kingdom of God.


The Lancet ◽  
2003 ◽  
Vol 362 (9401) ◽  
pp. 2128
Author(s):  
Ross Kessel

2020 ◽  
Vol 4 (1-2) ◽  
pp. 128-154
Author(s):  
Brittany Landorf

Abstract This study examines the logics of masculinity, manliness, and the corporeal male body in shaykh Muḥammad al-ʿArabī ibn Aḥmad al-Darqāwī al-Ḥasanī’s (d. 1239/1823) Majmūʿ Rasā⁠ʾil (“Collection of Epistles”). It argues that al-Darqāwī’s Rasā⁠ʾil constructed a prescriptive pious masculinity defined by mastery of the body and self, practical acts of ascetic devotion and humility, the hierarchical relationship between a Sufi master and his disciples, and the denigration of normative masculine virtues and behaviours. While al-Darqāwī instructed his followers to practice tajrīd, or divestment from the material world, and to eschew the habits of the men of murūʾa, this act did not seek to completely transcend the masculine body. Rather, his understanding of prescriptive pious masculinity was centred in embodied ascetic acts which created an analogous relationship between the physical act of purifying the corporeal body with the disciplining of the self (nafs). Mastering the body and the self, al-Darqāwī wrote, would lead to both growing near to God as well as, importantly, his Sufi followers’ mastery over other men, their wives and children, and even the natural environment. Al-Darqāwī’s Rasā⁠ʾil highlight the tension between Sufism as a spiritual and mystical path that seems to transcend gender hierarchies with its imbrication in epistemologies, ontologies, and cosmologies shaped by a masculine way of being in the world.


2008 ◽  
Vol 2 (2) ◽  
pp. 113-127 ◽  
Author(s):  
Gary Gurtler, S.J.

AbstractIn examining Ennead VI 4[22], we find Plotinus in conflict with modern, i.e., Cartesian or Kantian, assumptions about the relation of soul and body and the identification of the self with the subject. Curiously, his images and exposition are more in tune with Twentieth Century notions such as wave and field. With these as keys, we are in a position to unlock the subtlety of Plotinus' analysis of the way soul and body are present together, with sensation structured through the body and judgment coming from the soul. The problem of the self concerns not only the unity of the self in terms of body and soul, but also how the self is constituted in relation to other selves, both keeping its individuality and sharing its experiences at the same time.


2015 ◽  
Vol 5 (2) ◽  
pp. 79-92
Author(s):  
Eero Karhu

In this article, I look at Ken Wilber’s Integral Theory as mimesis. This invites me to look at Integral Theory in three ways. First, I look at Integral Theory as process of making materialistic alterity, thus maintaining and fortifying the spirituality of the self. Second, I look at it from the perspective of the dialectics of epistemologies of estrangement and intimacy, raising questions concerning the legitimacy of the juxtaposing interpretative and explanatory approaches to culture. Third, I look at it from a social perspective, as a powerful instance of modern mimesis that creates a typically modern history. I will show how Integral Theory is grounded in the modern intuition of agency being distinct from and superior to the outer material world. To the extent that cultural agency has to materialize in some form, so does Integral Theory. My aim is to recall the close relations of scientific discourse with spirituality, even with magic and even more importantly, I want to show how supposedly secular intuitions of identity and agency bear strong potential for spiritual and religious discourse. 


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