scholarly journals Analysing Literary Discourse: Implications for Literary Translation

2002 ◽  
Vol 37 (2) ◽  
pp. 193-203 ◽  
Author(s):  
Kazem Lotfipour-Saedi
Keyword(s):  
Literary Text ◽  
Literary Translation ◽  
Literary Discourse ◽  
Special Effect ◽  
Translation Process ◽  
Textual Strategies

Abstract This paper will attempt to look at the notion of translation equivalence in literary discourse. Literature is usually distinguished from non-literature in terms of the special effect it creates on the reader. The paper will try to characterize this “special effect” in terms of special discoursal and textual strategies employed in literary text. It will then examine ways of rendering such strategies in the translation process drawing implications for the issue of translatability in literature.

scholarly journals On the Discoursal Function of Some Special Textual Strategies in Poetic Texts: Implications for Literary Translation

2006 ◽  
Vol 51 (3) ◽  
pp. 545-550
Author(s):  
Kazem Lotfipour-Saedi
Keyword(s):  
Cognitive System ◽  
Literary Translation ◽  
Literary Discourse ◽  
General Category ◽  
Discourse Process ◽  
Literary Meaning ◽  
Poetic Texts ◽  
Textual Strategies ◽  
The Way

Abstract The special literary patterns have already been studied under the general category of literary textual strategies where it has been argued how these textual strategies would set the special literary processes in motion in the cognitive system of the receiver leading to the formation of a special literary meaning, i.e. the literary effect (cf. Lotfipour-Saedi 1992a). The present paper will examine two types of literary textual strategies and the way they function in the activation of the special literary discourse process.

scholarly journals Translation and the Literary Text

2008 ◽  
Vol 20 (2) ◽  
pp. 89-119
Author(s):  
Augusto Ponzio
Keyword(s):  
Literary Text ◽  
Literary Translation ◽  
Central Issue ◽  
Literary Discourse ◽  
Translation Theory ◽  
Literary Genres ◽  
Linguistic Approach

Abstract In the present paper we shall focus on literary translation, on the question ofthe translation of “complex” or “secondary” texts, but with the intention of makinga contribution to the problem of translating non-literary, “simple,” “primary” textsas well. In other words, we shall examine the problem of text translation from asemiotic perspective. In fact, this study founds translation theory in sign theorydeveloping a semiotic-linguistic approach to the problem of translation in thedirection of so-called interpretation semiotics which also implies the semiotics ofsignificance. Translation concerns both simple and complex texts, which correspondrespectively to Mikhail Bakhtin’s primary and secondary texts. Simple texts concernnon literary discourse genres whilst complex texts the literary genres, where theformer are better understood in the light of the latter, and not vice versa. Thispaper also focuses on the concept of the literary text as a hypertext maintainingthat the hypertext is a methodics for translative practice. The relation between thetext and language understood as a modeling device is also important for anadequate theory of translation and sheds light on the question of translatability.Another central issue in this study is the relation between translation andintertextuality.

Who determines the final version? The roles of translators, language revisers and editors in the publishing of a literary translation

2021 ◽  
Vol 22 (1) ◽  
pp. 14-44
Author(s):  
Marija Zlatnar Moe ◽  
Tamara Mikolič Južnič ◽  
Tanja Žigon
Keyword(s):  
Decision Making ◽  
Conflict Resolution ◽  
Literary Translation ◽  
Central Position ◽  
Decision Making Process ◽  
Translation Process ◽  
Revision Process ◽  
Final Version ◽  
Comparison Of The Results ◽  
Selection Of

AbstractThe article explores the interaction among three key figures in the process of publication of a literary translation into a language of low diffusion: the translator, the editor and the language reviser (the latter specific to the Slovene situation). The aim of the research is to identify who has the strongest position of power in the decision-making process of the production of a literary translation, especially when conflict arises. Information was gathered from the three groups with questionnaires, interviews and an analysis of public statements. The questions focused on the selection of the translator and language reviser, the translation process, the revision process and conflict resolution. A cross-comparison of the results indicates that despite the automatic central position of the editors, they tend to yield their decision-making power to translators, while language revisers have a more subservient, consulting role.

scholarly journals Dialogism of translation in comparative dimension. Review of Viktoriia Prykhodko's monograph «Reception and interpretation of literary text in foreign language discourse: comparative dimension» (Lutsk, 2019)

2020 ◽  
Vol 13 (22) ◽  
pp. 92-95
Author(s):  
Nataliia Horodniuk ◽  
Keyword(s):  
Foreign Language ◽  
Practical Importance ◽  
Literary Work ◽  
Literary Text ◽  
Literary Translation ◽  
Mutual Understanding ◽  
Additional Source ◽  
Language Discourse ◽  
Cultural Component ◽  
Source Of Information

The relevance of the monograph is determined, first of all, by the fact that contemporary national literatures are increasingly interacting with each other through translation, and thus the need to consider translated works in comparison with the originals is increasing. Studying the features and patterns of the literary translation is an important area of modern comparative studies. The work focuses on ways of preserving the national and cultural component of the translated text. The works of M. Gogol, Lesia Ukrainka, I. Franko, F. Dostoievskyi, R. Kipling, and J. Conrad were analyzed according to this aspect. A comparative idea of a dialogue is proposed. It is noted that translation is a broad dialogic process between the author and the reader through the interpreter, which includes reception and interpretation. Literary translation is interpreted as the basis for establishing a dialogue between the text and the interpreter, as an expression of the meaning that flows through the prism of the translating consciousness and enriches it, as a co-creation of the writer and interpreter, the purpose of which is mutual understanding, and the result of this understanding is the text-translation. Attention is paid to the issue of intertextuality as a translation problem. Despite the understanding of intertextuality as the interaction between the texts by different authors (text in text) and the interrelation between different works of one author, the thesis proposes to expand the scope of interpretation of this term, adding to it also different interpretations of one work in the same language. In the monograph the problem of reception and interpretation of literary text is considered in the imagological aspect. In particular, the study of reception and interpretation of other national character in a foreign language discourse plays an important role. Foreign language reception and interpretation of laughter culture in general and «Gogol laughter» in particular are thoroughly investigated. A deep analysis of the works of M. Gogol and F. Dostoevsky made it possible to conclude that the carnival colour of Gogol's «pure, folk-festive» laughter and the parody and comic intonation of F. Dostoevsky during translation give rise to certain problems of preserving their identity. It is noted that the perception of colour in a literary work is a peculiar way of interpreting it, and the semantic nuances of colour markings in one language or another require the problem of the reception adequacy and the interpretation of colour when translating from language to language. The practical importance of the monograph is determined by the possibility of using its basic provisions and results as an additional source of information for further comprehension of the translational paradigm in the comparative dimension.

scholarly journals A glossary as an explicative translation technique in the translation of the third culture elements

2021 ◽  
Vol 145 ◽  
pp. 129-144
Author(s):  
Michał Gąska
Keyword(s):  
Literary Translation ◽  
Cultural Barriers ◽  
The Novel ◽  
Third Culture ◽  
Source Text ◽  
Translation Process ◽  
East Indies ◽  
The Third ◽  
Translation Technique ◽  
Similarities And Differences

Utilising notes or glossaries in literary translation has both its opponents and supporters. While the former conceive it as a translator’s helplessness and failure, the latter defend it as a manner of overcoming cultural barriers. The present article aims to scrutinize glossaries used as an explicative translation technique with regard to the rendering of the third culture elements. The analysis is conducted on the basis of the novel by Dutch writer Hella S. Haasse: Sleuteloog, in which the action is set in the Dutch East Indies. For this reason, Indonesian culture occurs as the third culture in the translation process. The source text is juxtaposed with its translations into German and Polish in order to examine the similarities and differences in images of the third culture elements the glossaries evoke in the addressees of the target texts.

Antireflective tendencies of the information age as a trigger of conceptual flattening in the practice of literary translation

2021 ◽  
Vol IX(257) (75) ◽  
pp. 7-12
Author(s):  
E. Yu. Dubenko
Keyword(s):  
Information Age ◽  
Literary Text ◽  
Target Audience ◽  
Literary Translation ◽  
Considerable Influence ◽  
Distinctive Features

The article deals with the phenomenon of clip thinking which is characterized by a number of distinctive features that exercise a considerable influence on the perception of a literary text and its interpretation by the translator. The translational decisions that are the consequence of such antireflective tendencies have been analyzed on the basis of the translation versions of the titles of literary and cinematographic texts as those stylistically relevant elements which condition the conceptual expectations of the target audience and its overall impression about a novel or a film

scholarly journals Cross-Cultural Literary Translation Teaching in Course of “Home Reading”

2018 ◽  
Vol 50 ◽  
pp. 01123
Author(s):  
Julia Privalova ◽  
Victoria Ovcharenko ◽  
Natalia Kashirina ◽  
Alexey Yakovlev
Keyword(s):  
Professional Training ◽  
Speech Act ◽  
Stage Structure ◽  
Cross Cultural ◽  
Literary Translation ◽  
Translation Process ◽  
Cultural Mediation ◽  
Home Reading ◽  
Experimental Teaching ◽  
Cultural Component

The paper concerns teaching literary translation as a type of cross-cultural speech act in the system of translators’ professional training and integrated into the course of “Home Reading”.The authors believe that all disciplines that comprise translators’ professional training should be profession-oriented, equipping the students with skills and competences necessary for effective cross-cultural mediation, thus contributing to the formation of a cross-cultural component of the translator’s competence. A hierarchy of tasks and assignments is presented in accordance with the three-stage structure of the translation process (pre-translation, translation, and post-translation stages).The results and efficiency of the proposed method, tested in the course of a 17-years long experimental teaching, is described.

scholarly journals ПО НЯТТЯ КУЛЬТУРИ В ПЕРЕКЛАДІ ТА ПЕРЕКЛАДОЗНАВСТВІ: ДО ПИТАННЯ ВИЗНАЧЕННЯ

2021 ◽  
pp. 81-91
Author(s):  
Тетяна Ляшенко
Keyword(s):  
Intercultural Communication ◽  
Cultural Anthropology ◽  
Translation Studies ◽  
Literary Text ◽  
Literary Translation ◽  
Source Text ◽  
Advantages And Disadvantages ◽  
Cultural Information ◽  
Systematic Description ◽  
Empirical Level

In the paper, we off er the translatological defi nition of the concept of culture, relevant for literary translation as a culturological phenomenon. We believe that the given defi nition combines the main aspects of its interpretation in culturology, socio-cultural anthropology, and intercultural communication. Such an approach allows outlining cultural background knowledge of the translator, which is necessary, on the one hand, for understanding of the text and, on the other, for the adequate translation of cultural information. The article analyses various theories of the understanding of culture and the tradition of its research in the translation studies, particularly in German translatology. The combination of interpretive, linguistic and translational turns in the cultural sciences is identifi ed as a perspective for translation studies. The attention focuses on the advantages and disadvantages of common interpretations. The paper considers the issues of meaningful and spatial defi nition of the concept of culture. The study characterizes the understanding of culture in the process of intercultural communication and the role of literary translation in it as well as clarifi es the peculiarities of the refl ection of culture in the literary text. The elements of culture that constitute translation problems are both extralinguistic concepts, i.e. phenomena and events that take place in a particular linguocultural community (the culture described by language), and “culturally conditioned” units of language as markers of a particular culture (the culture in language). In this research, we exemplify the possible ways of solving the problem of identifi cation and translation of cultural information in literary translation. It is important to complete a systematic description of culture in literary texts to enable its identifi cation at the macro- and microstructural levels. The article points out the need to consider the issue of identifi cation and translation of cultural information not only at the stage of implementation of the message in the language of translation, but also at the stages of decoding the source text and its recoding. The prospects for further research are outlined, which consist in the operationalization of the concept of culture at the empirical level, a systematic description of cultural manifestations in the source text, and a systematic approach to the reproduction of cultural information in the translated text. Key words: culture, translation studies, intercultural communication, literary translation, literary text.

scholarly journals Syntactic Transformations in Russian Translations of A. Kadiri’s Novel “Past Days”

2020 ◽  
Vol 17 (3) ◽  
pp. 375-384
Author(s):  
Gulnora N. Khidirova
Keyword(s):  
Syntactic Structure ◽  
Literary Translation ◽  
Practical Significance ◽  
Grammatical Structure ◽  
Translation Process ◽  
Important Place ◽  
Different Levels

The compared languages (Uzbek and Russian) belong to languages of different grammatical structure, which has a decisive theoretical and practical significance in the cognition of linguistic phenomena. The grammatical structure of these languages is determined by the nature of their syntax and morphology. Differences in languages at different levels of their system cause translation difficulties. This is the reason for the use of syntactic transformations in the translation process. The article analyzes syntactic transformations - transformations of the structure of a sentence or one syntactic type of sentence into another, based on the material of Russian translations of A. Kadiris novel Past Days. It is shown that transformations occupy an important place in literary translation, since it is often impossible to use correspondences from dictionaries. With the help of transformations, it is possible to change the internal form of lexical units or replace one or another syntactic structure for an adequate transfer of content. Based on factual material, the influence of lexical, grammatical and stylistic factors on the methods of interlingual replacement, means of compensation, various transformations, including syntactic transformations, is considered.

scholarly journals Text and discourse models as knowledge formats

2021 ◽  
Vol 101 ◽  
pp. 03024
Author(s):  
Е.А. Ogneva ◽  
Е.N. Musaelian ◽  
D.E. Smirnova ◽  
I.A. Danilenko ◽  
M.O. Sushenok
Keyword(s):  
Literary Text ◽  
Literary Discourse ◽  
Conceptual Domain ◽  
Thematic Unity

Knowledge format is a construct for information storing, accumulating, transmitting. Text and discourse are studied as main knowledge formats. Previous studies have found the literary text is defined as a product of writer’s speech-thinking activity. Discourse is interpreted as a text immersed in a communicative situation. The construction specific features of text and discourse are revealed through their modeling as an objective way of knowledge formats architectonics visualising. Literary text is considered in the form of conceptual domain as a set of literary concepts wich are correlated with writer’s text world. There are two types of writer’s text world models such as monomodel and polymodel. It is proved that monomodel text world is the plot-thematic unity of all literary conceptual domain which the writer creates. The polymodel text world consists of the plot-thematic correlation of literary dominant concepts formed according to different themes. Both monomodel and polymodel text worlds are the base for literary discourse forming. Monomodel text world is the base for monomodel literary discourse. Polymodel text world is the base for polymodel one’s. The research of text and discourse models of knowledge formats is the optimal interpretative way to discover the patterns of knowledge existence.

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