scholarly journals Representations of illnesses and invalidity as 'degenerate art' in Nazi Germany

2015 ◽  
Vol 40 (2) ◽  
pp. 92-96
Author(s):  
Ada Vlajic
Keyword(s):  
Nazi Germany ◽  
Degenerate Art

Degenerate Art: The Fate of the Avant-Garde in Nazi Germany

1997 ◽  
Vol 79 (2) ◽  
pp. 337
Author(s):  
O. K. Werckmeister ◽  
Stephanie Barron ◽  
Christoph Zuschlag
Keyword(s):  
Nazi Germany ◽  
Avant Garde ◽  
Degenerate Art

scholarly journals Expositions of ‘degenerate’ art and music in nazi Germany: reflections on totalitarian aesthetics and education

2020 ◽  
Vol 13 (3) ◽  
pp. 097-113
Author(s):  
Guilherme Prado Roitberg ◽  
Fabiana Maria Baptista ◽  
Luiz Roberto Gomes
Keyword(s):  
Nazi Germany ◽  
Degenerate Art

Durante o Terceiro Reich (1933-1945), os intelectuais nazistas conceberam a música e as artes plásticas como elementos formadores de valores morais, podendo corromper a educação e comprometer a vida política e social. A partir da formulação teórica da estética totalitária, toda arte considerada "degenerada" passou a ser censurada e exposta como exemplo de imoralidade. Inauguradas em 1937, as exposições Entartete Kunst (Arte Degenerada) e Entartete Musik (Música Degenerada) trouxeram até a cidade de Munique obras ligadas ao modernismo, ao bolchevismo, bem como a produção artística de negros, judeus e soviéticos. Com base em uma pesquisa bibliográfica amparada pela teoria crítica da sociedade, o presente artigo analisa o conteúdo dessas exposições, demonstrando a caráter pedagógico da arte na formação dos valores morais da sociedade alemã, sob a ótica dos intelectuais nazistas.

"Degenerate Art," The Fate of the Avant-Garde in Nazi Germany

1993 ◽  
Vol 16 (1) ◽  
pp. 123
Author(s):  
Peter W. Guenther ◽  
Stephanie Barron
Keyword(s):  
Nazi Germany ◽  
Avant Garde ◽  
Degenerate Art

Psychology in Nazi Germany

1986 ◽  
Vol 31 (6) ◽  
pp. 459-460
Author(s):  
Horst Kächele
Keyword(s):  
Nazi Germany

Jewish Responses to Fascism and Antisemitism in Edinburgh, 1933–1945

2015 ◽  
Vol 35 (2) ◽  
pp. 211-239 ◽  
Author(s):  
Mark Gilfillan
Keyword(s):  
Middle Class ◽  
Jewish Community ◽  
Trade Unions ◽  
Nazi Germany ◽  
Significant Aspect ◽  
Defensive Strategies ◽  
Christian Churches ◽  
Diverse Origin

Despite the weaknesses of domestic fascist movements, in the context of the rise of Nazi Germany and the presence of antisemitic propaganda of diverse origin Edinburgh's Jewish leaders took the threat seriously. Their response to the fascist threat was influenced by the fact that Edinburgh's Jewish community was a small, integrated, and middle-class population, without links to leftist groups or trade unions. The Edinburgh community closely followed the approach of the Board of Deputies of British Jews in relation to the development of fascism in Britain, the most significant aspect of which was a counter-propaganda initiative. Another important aspect of the response in Edinburgh was the deliberate cultivation of closer ties to the Christian churches and other elite spheres of Scottish society. Despite some unique elements, none of the responses of Edinburgh Jewry, or indeed the Board of Deputies, were particularly novel, and all borrowed heavily from established traditions of post-emancipation Jewish defensive strategies.

Sign in / Sign up

Export Citation Format

Share Document