Hatshepsut’s Punt Reliefs: Their Structure and Function

2019 ◽  
Vol 55 ◽  
pp. 189-203
Author(s):  
Filip Taterka
Keyword(s):  
Structure And Function ◽  
The South ◽  
The West ◽  
West Wall ◽  
The North ◽  
South Wall ◽  
New Interpretation ◽  
North Wall ◽  
And Function ◽  
Female Counterpart

The article examines the layout of Hatshepsut’s Punt reliefs, proposing a new interpretation of their internal structure and ideological function within the decorative programme of the Deir el-Bahari temple. The author argues that the reliefs form a cycle of subsequent scenes, starting at the southernmost end of the west wall, continuing through the south wall up to the northern part of the west wall. As for the scenes represented on the northernmost end of the west wall and on the north wall, it is argued that they should be viewed as forming a single ideological entity, which at the same time corresponds to the long historical inscription placed on the easternmost end of the south wall. That way the reliefs reflect both aspects of Egyptian eternity: the linear (in the cycle of subsequent episodes) and the circular one (in the ideological link between the southern- and northernmost extremities of the Punt Portico). As for the function of the reliefs, it is argued that they were supposed to magically repeat Hatshepsut’s Punt expedition and thus provide her divine father Amun-Ra with all exotic products necessary in his cult. The author also tries to demonstrate, how Hatshepsut was gradually identified with the goddess Hathor in her aspect of the Lady of Punt and the female counterpart of Amun-Ra throughout the Punt reliefs.

Casa del Fabbro (I 10,7)

2007 ◽  
Author(s):  
Penelope M. Allison
Keyword(s):  
Small Ring ◽  
East Side ◽  
The South ◽  
The West ◽  
Partition Wall ◽  
West Side ◽  
North West ◽  
West Wall ◽  
The North ◽  
North Wall

The doorposts and the walls of the entranceway to this house were coarsely plastered and the pavement was of lavapesta. The walls have been much restored since excavation, prohibiting the identification of any breaches that might provide evidence for disturbance. Outside the entrance, on the west side, is a low, plastered, masonry bench (1.57 m × 0.38 m × 0.42 m), which Elia identified as a seat for waiting clients. Within the entranceway, a few centimetres above the pavement, a number of finds were made. These were all of iron—a large lock, two hooks, a handle, two keys, at least one door latch and numerous studs and nails—and no doubt mainly the fittings for the house door. One of the keys was large and probably a door key. Its discovery here suggests that the occupants were still in residence, or at least had not had the time or inclination to lock up their house, before fleeing from the eruption. A small ring was also found in this entranceway, and was probably a lost finger-ring. This room is closed to the street but almost completely open along its east side onto the entranceway. The walls had a high, pink-plastered socle, to 1.6 m above the pavement, with white plaster above, and the pavement was of tiles and mortar. There are breaches in the west and south walls, possibly the result of post-eruption disturbance. A stairway ran along the north wall, rising from east to west. Underneath was a low partition wall jutting out at right angles from the west wall, to partition off a latrine in the north-west corner. This partition wall post-dates the plaster on the west wall. A line of roof tiles, set into the floor and running from this partition wall to the south jamb on the east wall, is assumed to have been for flushing the latrine. A truncated amphora, with visible organic contents, was set into the pavement in the south-east corner. Other finds from this room, but with no precise provenances, include: two relatively small bronze strap hinges, possibly from furniture; a bronze casseruola; two ceramic jugs; a hoe, probably for gardening; an axehead, probably a woodman’s; and a bronze brooch.

The Villa Item and a Bride's Ordeal

1929 ◽  
Vol 19 (1) ◽  
pp. 67-87 ◽  
Author(s):  
Jocelyn Toynbee
Keyword(s):  
The South ◽  
Important Paper ◽  
The North ◽  
Dwelling House ◽  
South Wall ◽  
The Subject ◽  
The One ◽  
The Individual ◽  
North Wall ◽  
The Right

The paintings in the triclinium of the Villa Item, a dwelling-house excavated in 1909 outside the Porta Ercolanese at Pompeii, have not only often been published and discussed by foreign scholars, but they have also formed the subject of an important paper in this Journal. The artistic qualities of the paintings have been ably set forth: it has been established beyond all doubt that the subject they depict is some form of Dionysiac initiation: and, of the detailed interpretations of the first seven of the individual scenes, those originally put forward by de Petra and accepted, modified or developed by Mrs. Tillyard appear, so far as they go, to be unquestionably on the right lines. A fresh study of the Villa Item frescoes would seem, however, to be justified by the fact that the majority of previous writers have confined their attention almost entirely to the first seven scenes—the three to the east of the entrance on the north wall (fig. 3), the three on the east wall and the one to the east of the window on the south wall, to which the last figure on the east wall, the winged figure with the whip, undoubtedly belongs.

Unit I 10,12

2007 ◽  
Author(s):  
Penelope M. Allison
Keyword(s):  
The South ◽  
The West ◽  
West Wall ◽  
South Wall ◽  
C 50 ◽  
Spindle Whorl

The walls of this unit have coarse plaster and the pavement was of cocciopesto. There appears to have been a wooden stairway along the west wall, two stone blocks (each of h.: c.50 mm, and dimensions: c.450 mm × 350 mm) 2.2 m from the south wall and set at right angles to the wall forming the base. Elia reported that no finds were made here. However, the excavators recorded: part of an inscribed amphora, probably a spindle and a spindle whorl, and a small ceramic pot, on the pavement; a bronze lock bolt at 2.5 m above the pavement; and an iron door key and two nails in the lapilli. According to Elia, this was a workshop. An entrance in the east wall had been closed when a latrine was added to room 31 in the Casa del Menandro. An inscription, painted in black, was observed near the blocked doorway to the latter room. Elia believed that this unit had originally been part of the Casa del Menandro but had been separated from it and was disused at the time of the eruption. The finds, while rather small and loseable, might point to its use as a location for spinning during its final occupancy phase.

House I 10,1

2007 ◽  
Author(s):  
Penelope M. Allison
Keyword(s):  
The South ◽  
The West ◽  
Glass Vessel ◽  
Unknown Type ◽  
West Wall ◽  
North East ◽  
The North ◽  
Volcanic Deposit

In November 1926 the excavators recorded moving lapilli from in front of this house and from the entrance but no finds were reported in these areas. On 8 July 1932 they recorded removing disturbed volcanic deposit from the middle levels in the northeast area of this insula. A breach (min. h.: 2 m), now patched, in the south end of the west wall of room 2 and 1.05 m above the floor, presumably penetrated into this space and documents disturbance after ad 79. Elia observed that the room had been covered and had been divided for all or part of its length by a ‘tramezzo ligneo’ which Ling interprets as a wooden partition to screen the stairway. In the north-east corner, are three masonry steps from a stairway which Ling argued ascended along the east wall. Ling argues that the installation of this stairway would have put out of commission the recess and lararium painting (dimensions: 0.55 m × 0.4 m) behind it. The remains of a late Third Style decoration are found on the walls. The loose finds from near the north entrance of this space and from near the entrance to room 3 were predominantly door-fittings, with the possible exception of a small marble base. A small key reported in the latter location may originally have been from storage furniture but was unlikely to have been in use as no other remains of such furnishings were recorded. The only other find in this area was a glass vessel of unknown type. Elia called this room an ‘atrium’. The finds are not particularly diagnostic but, even if this area was disturbed, they hint that it had been relatively unencumbered with furnishings, probably serving predominantly as a reception and access area for the rest of the house. The breach in the south end of the west wall of this room implies that it may have been disturbed after ad 79. The walls had a simple painted decoration but this room had no evident fixtures. According to Elia it was an ‘oecus’. The limited ceramic finds (a jug, a terra sigillata dish, and a lamp) are associated with lighting and probably with the serving or storage of foodstuffs.

I 10, 10-11: Casa Degli Amanti

1997 ◽  
Author(s):  
Roger Ling ◽  
Paul Arthur ◽  
Georgia Clarke ◽  
Estelle Lazer ◽  
Lesley A. Ling ◽  
...  
Keyword(s):  
The Other ◽  
Central Axis ◽  
The South ◽  
The West ◽  
The North ◽  
Small Window ◽  
South West ◽  
Dining Room ◽  
North Wall ◽  
North And South

The casa degli amanti (house of the lovers), at the south-west corner of the insula, falls into two fairly distinct halves: the atrium complex, oriented on the street to the west, and the peristyle with its surrounding rooms, oriented on the street to the south and on the property boundary to the east. In the atrium complex, the atrium is misplaced to the south of the central axis, allowing space for two large rooms to the north, one of which was possibly a shop or workshop (5.50 m. × 4.70 m.), with a separate entry from the street (I 10, 10), while the other (5.80 m. × 4.50 m.), decorated with mythological wallpaintings and provided with a wide opening on to the peristyle, must have been a dining-room or oecus (room 8). Each of these had a segmental vault rising from a height of about 3.50 m. at the spring to slightly over 4 m. at the crown. In the first the vault is missing, but the holes for some of its timbers are visible in the east wall and a groove along the north wall marks the seating for the planking attached to them; at a higher level, in the north and south walls, are the remains of beam-holes for the joists of the upper floor or attic (see below). The arrangements in room 8 are now obscured by the modern vault constructed to provide a surface for the reassembled fragments of the ceiling-paintings; but the shape of the vault is confirmed by the surviving plaster of the lunettes, while a beam-hole for the lowest of the vault-timbers is visible above the corner of the western lunette in an early photograph (Superintendency neg. C 1944). The shop I 10, 10 had a small window high in the street wall to the south of Its entrance; whether there were any additional windows above the entrance, it is impossible to say, since this part of the wall is a modern reconstruction. Room 8 was lit by a splayed window cut in the angle of the vault and the eastern lunette, opening into the upper storey of the peristyle.

An Excavation at the Church of the Blackfriars, Stirling

1996 ◽  
Vol 20 (1) ◽  
pp. 103-112 ◽  
Author(s):  
R. Page ◽  
C. Page
Keyword(s):  
Thirteenth Century ◽  
The South ◽  
The North ◽  
South Wall ◽  
Bone Fragments ◽  
North Wall ◽  
The Church ◽  
Eastern Wall

Summary Part of what was suspected to be the south wall of the Blackfriars Church, destroyed in June 1559, was revealed in 1904 during the construction of the present No 64 Murray Place in Stirling. Permission was given by the present owners of the property to excavate in the garden behind the tenement to see if further traces could be found. By following mortar deposits and stone fragments the outline of a further 13.5m of robbed out south wall, an apparently semicircular apsidal eastern wall and part of the north wall were traced. The total known length of the church is therefore 27.5m, and the internal width 6.5m, with walls 1.5m thick. The greater part of a female skeleton was found just outside the south wall, accompanied by some bones of two infants, and several hundred widely scattered bone fragments. Some pottery was also found, of various dates back to about the thirteenth century.

Unit I 10,13

2007 ◽  
Author(s):  
Penelope M. Allison
Keyword(s):  
Food Preparation ◽  
The South ◽  
The West ◽  
The North ◽  
Small Glass ◽  
Volcanic Deposit ◽  
Ceramic Vessel ◽  
South Wall ◽  
Glass Bottles ◽  
Northeast Corner

The pavement of this unit was of cocciopesto and the walls were covered with a high cocciopesto socle with upper parts in coarse plaster. A wooden stairway ascended from the south-west corner, along the west wall, and an L-shaped, red-painted masonry bench (h.: 760 mm; l.: 3.3 m; w.: 60 mm), inset with two small dolia, projected into the centre of the room from the south-east corner. In the west end of this bench Elia recorded a masonry fornello. Remains of the closing system, included an iron door key, were found in the east entrance. The presence of the key suggests that this establishment was abandoned in haste. On the pavement near the north jamb, an inscribed amphora was found. In the northeast corner, a small ceramic vase was found. Against the south wall stood a tripod on which were found the remains of another ceramic vessel. On the bench were found: a bronze funnel; four more ceramic vases; the base of a terra sigillata dish, possibly reused; a large glass storage jar; two small glass bottles; a bronze tube; a clay lamp; and two bronze coins, one Republican and one an as of Tiberius. These finds point to this area having been used for food preparation although this is less evident for the two small glass bottles. A bronze ring, possibly a finger-ring, and four more coins (Republican and Julio-Claudian) were found a few centimetres above the pavement. At 2.5 m above the pavement were found a bronze cooking pot, a bronze bucket, and a terra sigillata dish. These objects were conceivably from the upper storey, implying that cooking and eating may also have been taking place there, although these could have been disturbed from the ground floor. Elia identified this as a ‘taberna’ and Packer referred to it as ‘Caupona Poppaeorum’. The finds indicate that food was being prepared here. Packer believed that the owner had a small apartment above. If the finds from the upper levels of the volcanic deposit were from the upper floor, this would suggest that cooking activities were also being carried out there. However, this seems an unlikely activity in the residence of someone who ran a food outlet.

scholarly journals Determining Position of the Evaporator in a Smart Classroom Concept Using CFD Method

2021 ◽  
Vol 4 (3) ◽  
pp. 179-184
Author(s):  
Rosyida Permatasari ◽  
Muhammad Alwan Ridhoarto ◽  
Sally Cahyati ◽  
Martinus Bambang Susetyarto
Keyword(s):  
Cfd Simulation ◽  
Temperature Limit ◽  
The South ◽  
Airflow Velocity ◽  
Ansys Fluent ◽  
The North ◽  
South Wall ◽  
Fluent Software ◽  
Cfd Method ◽  
North Wall

Various, different evaporator placements in a room have produced different airflow patterns, temperature distribution, and airflow velocities. In this study, the average room temperature and airflow velocity measured at 27 points of the CFD simulation for 4 positions of the planned evaporator placements were compared to determine the most ideal position based on the comfortable temperature and the maximum airflow velocity pursuant to the SNI 03-6572-2001 recommendation. On Position 1, two evaporators were given to the west wall. Position 2, two evaporators were placed on the south wall. On Position 3, two evaporators were given to the north wall. Moreover, on Position 4, two evaporators were placed opposite to each other where an evaporator was placed on the south wall, and the other evaporator was placed on the north wall. An ANSYS Fluent software was employed to make the CFD simulation. Based on the results of the study, it was found out that Position 2 was the most ideal evaporator placement position since it met the comfortable temperature limit and has the highest number of airflow velocity points meeting the recommended maximum airflow velocity pursuant to the SNI 03-6572-2001 recommendation.

scholarly journals Wall painting of Late Antique tombs in Sirmium and its Vicinity

Starinar ◽  
2011 ◽  
pp. 223-249
Author(s):  
Ivana Popovic
Keyword(s):  
Wall Painting ◽  
Late Antique ◽  
The West ◽  
North West ◽  
West Wall ◽  
The North ◽  
North Wall ◽  
The Village

In the east and northwest necropoles of Sirmium were discovered painted tombs which were not published until now. Painting in them is from the 4th century. The grave next to the north-west wall of basilica of St. Iraeneus (east necropolis) was painted with tied garlands and stem, and partly saved frescoes from the tomb around the basilica of St. Sineros (north-west necropolis) point to the conclusion that this is a funeral procession, the scene which is represented in its entirety in the tomb in neighboring Beska. These three tombs belong to the pagan population of Sirmium and its vicinity. On the west wall of the tomb in Mike Antica Street (periphery of the east necropolis) is represented the motif of scales with fillings, while on its south and north wall are represented the episodes from Jonah?s cycle. Painting in the tomb shows that the buried person was a Christian. Of Christian character is also the burial in the tomb from the village Calma, not far from Sirmium. On its longitudinal walls is schematically represented the railing, made of parts between which there were the columns carrying the herms, and which has the symbolical meaning of the ?railing of Paradise?.

Medieval Paintings from Castle Acre Priory

1937 ◽  
Vol 17 (2) ◽  
pp. 115-121
Author(s):  
Tancred Borenius
Keyword(s):  
Fourteenth Century ◽  
Twelfth Century ◽  
The West ◽  
West Wall ◽  
The North ◽  
Dwelling House ◽  
Formed Part ◽  
North Wall ◽  
Do So

There is no need for me here to stress the extraordinary scarcity of surviving panel pictures of undoubted English origin dating from the fourteenth century, in spite of the fact that at the time they must have been produced in enormous quantities. All the greater is, in consequence, the importance which attaches to the notable examples which I have the honour of exhibiting and commenting upon to-night; and that I am able to do so is due, in the first instance, to the privilege extended to me by the owner of the panels, the Earl of Leicester, G.C.V.O., C.M.G., and H.M. Office of Works; while I owe a further and special debt of gratitude to Mr. F. J. E. Raby, C.B., F.S.A., through whose initiative my attention was first drawn to these panels.The pictures in question (pl. xxix) have come down to us in very fragmentary condition, and are painted on thick boards, three in number, two of which join up satisfactorily enough for us to deduce that they originally formed part of one and the same composition, while the remaining panel, though evidently a unit belonging to the identical scheme, does not link up with the others. All three boards come from Castle Acre Priory, and were discovered there in recent years, though not all at the same time: the panel on the left of the two belonging together on 19th November 1930, and the two other boards on 25th August 1932. The room in which they were found was the outer parlour, underneath the prior's chapel, in the western range of the buildings: they were used as part of the panelling of the wall when this portion of the buildings was occupied as a dwelling-house. The painted side, in each case, was uppermost, clearly indicating that they had been discarded as decorative panels and re-used for structural purposes. The panel found in 1930 was built into the twelfth-century door in the west wall, and the two other boards into the window-head in the north wall.

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