scholarly journals The Role and Stance of Francis Bacon in Initiating Environmental Crisis Occurrences

2014 ◽  
Vol 6 (4) ◽  
Author(s):  
Mohammad Bidhendi ◽  
Rezida Nigomatullina ◽  
Mohsen Shiravand
2021 ◽  
Vol 58 (3) ◽  
pp. 149-170
Author(s):  
Pietro Daniel Omodeo ◽  

The current predicament, marked by an unprecedented environmental crisis and novel debates on the anthropic-technological transformation of the earth-system, calls for a reassessment of the historical-epistemological question of the entanglement between power, knowledge, and nature. Francis Bacon is the classical reference point for this thematic cluster – a focal point for both historical reconstructions and epistemological reflections, for both those who extol the merits of scientific progress and those who criticize the risks posed by its abuse. I begin this essay by considering Merchant’s eco-feminist interpretation of Bacon. Additionally, I briefly recount how Bacon is envisaged as a symbol of science as domination within the critique of capitalism provided in another classic, Adorno and Horkheimer’s Dialectic of Enlightenment. I also consider the flipside of the reception of Bacon in assessments of our modern scientific world, namely the empowerment-and-emancipation discourse on technology, typical of much of Marxism. In this respect, I deem it expedient to mention the knowledge-power problem in relation to the Anthropocene debate, and in particular in relation to the theme of the transformation of the world in praxeological terms. These considerations, which deal with various assessments of techno-scientific capitalist modernity, are at the basis of my final remarks on the most urgent Anthropocene dilemma, namely, whether we need more or less technoscience. This concerns the historico-political question of whether the ecological limits of growth are an intrinsic limit of capitalism.


2009 ◽  
Vol 3 (2) ◽  
pp. 259-273 ◽  
Author(s):  
D. C. Ambrose

This paper develops a detailed reading of Deleuze's philosophical study of Bacon's triptychs in Francis Bacon: The Logic of Sensation. It examines his claims regarding their apparent non-narrative status, and explores the capacity of the triptychs to embody and express a spiritual sensation of the eternity of time.


Author(s):  
Ian Sabroe ◽  
Phil Withington

Francis Bacon is famous today as one of the founding fathers of the so-called ‘scientific revolution’ of the seventeenth century. Although not an especially successful scientist himself, he was nevertheless the most eloquent and influential spokesperson for an approach to knowledge that promised to transform human understanding of both humanity and its relationship with the natural and social worlds. The central features of this approach, as they emerged in Bacon’s own writings and the work of his protégés and associates after 1605, are equally well known. They include the importance of experiment, observation, and a sceptical attitude towards inherited wisdom (from the ‘ancients’ in general and Aristotle in particular).


2020 ◽  
Vol 50 (2) ◽  
pp. 319-336
Author(s):  
Zosia Kuczyńska

The Brian Friel Papers at the NLI reveal a long and relatively unexplored history of major and minor influences on Friel's plays. As the archive attests, these influences manifest themselves in ways that range from the superficial to the deeply structural. In this article, I draw on original archival research into the composition process of Friel's genre-defining play Faith Healer (1979) to bring to light a model of influence that operates at the level of artistic practice. Specifically, I examine the extent to which Friel's officially unacknowledged encounter with a book of interviews with painter Francis Bacon influenced the play in terms of character, language, and form. I suggest that Bacon's creative process – incorporating his ideas on the role of the artist, the workings of chance, and the extent to which art does violence to fact – may have had a major influence on both the play's development and on Friel's development as an artist.


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