scholarly journals An Analysis of John Steinbeck’s Humanistic Concern in Of Mice and Men

2018 ◽  
Vol 8 (3) ◽  
pp. 39
Author(s):  
Fanbin Meng ◽  
Fengjuan Liu
Keyword(s):  
John Steinbeck ◽  
Human Relations ◽  
Native Land ◽  
The Sublime ◽  
The World ◽  
Of Mice And Men ◽  
High Prestige ◽  
Humanistic Concern

Mostly read and admired as a Depression writer, John Steinbeck enjoyed a high prestige in the world for his grand theme of humanity and ingenious craftsmanship. Different from other Depression writers, Steinbeck succeeds in making people keep a refreshing faith in humanity through devastation and desolation. This paper aims at analyzing Steinbeck’s humanistic concern in Of Mice and Men, through two main aspects, the desire for land and the hunger for intimacy. In the conclusion part, it is pointed out that beyond the gloom and despair, the dream for the paradise future and the quest for genuine human relations is always the noble ideal to seek; equality, benevolence and fraternity is forever the sublime Christian spirit calling people to return, though they’re lost in their direction for the time being, to their holy native land.

THE ROLE OF CHILDREN'S ARTISTIC LITERATUR IN THE ASSIMILATION OF PHILOSOPHICAL CATEGORIES BY PRESCHOOL CHILDREN

2020 ◽  
Vol 22 (11) ◽  
pp. 20-24
Author(s):  
Ponomareva L.I. ◽  
Gan N.Yu. ◽  
Obukhova K.A.
Keyword(s):  
Preschool Children ◽  
Educational System ◽  
Role Models ◽  
Educational Process ◽  
Human Relations ◽  
The World ◽  
Culture And Health ◽  
Nature And Society ◽  
Good And Evil

In the presented study, the authors raise the question of the need to include in the educational process of a preschool institution to familiarize children with some philosophical categories. The educational system in which the child is included, starting from preschool childhood, provides him with the opportunity to gradually and continuously enter the knowledge of the world around him. It is in preschool childhood that the child is exposed to various relationships, values of culture and health, diverse patterns in the field of different knowledge. This contributes to a broader interaction of the preschooler with the world around him, which, in turn, ensures the assimilation not of disparate ideas about objects and phenomena, but their natural integration and interpenetration, which means understanding the integrity of the picture of the world. The authors prove the idea that the assimilation of philosophical categories by children contributes to the understanding of the structure of the surrounding world. The analysis of research is presented, proving that children's fiction in an understandable and accessible language, life examples and vivid images is able to explain to children the laws of the functioning of nature and society, as well as to reveal the world of human relations and feelings. Fiction surrounds the child from the first years of his life. It is she who contributes to the development of thinking and imagination, enriches the sensory world, provides role models and teaches you to find a way out in different situations. Philosophical categories such as "love and friendship", "beautiful and ugly", "good and evil" are represented in children's literature very widely, and the efficiency of mastering philosophical categories depends on the skill of an adult in conveying the content of a work, on correctly placed accents.

Ч. АЙТМАТОВДУН «ТООЛОР КУЛАГАНДА» РОМАНЫНДАГЫ ПЕЙЗАЖДЫК СҮРӨТТӨӨЛӨР

2020 ◽  
pp. 92-94
Author(s):  
Н. Алтыкеева ◽  
Б. Ниясалиева
Keyword(s):  
Full Moon ◽  
The Novel ◽  
Additional Tool ◽  
The Sublime ◽  
The World ◽  
State Of Mind ◽  
Inner World ◽  
Aesthetic Values

Аннотация. Макалада романдын мазмунунан орун алган пейзаждык сүрөттөөлөр талкууланат. Пейзаждык сүрөттөөлөр чыгарманын көркөмдүүлүгүн, эстетикалык баалуулугун арттыруу менен катар эле каармандардын образын тереңден ачып берүүдө, окуялардын өнүгүп-өсүшү жана алдыда боло турган окуялар тууралуу окурманга маалымат берүүдө кошумча каражат катары колдонулат. Жазуучу романда пейзаждык сүрөттөөлөрдү өтө кылдат колдонгону байкалат. Алсак, тоо адамдагы улуулук жана бийиктикти айгинелейт, толукшуган ай жан- дүйнөнүн бөксөрбөй толуп турушун көрсөтөт, ачык асмандын алай-дүлөй түшкөн көрүнүшкө айланышы - каармандын ички сезими, уйгу-туйгу ойлонуусу, жан дүйнөсүнүн бурганак болушун ачып көрсөтүүдө маанилүү болсо, чабалекейлердин тынымсыз учуп чабалакташы, жан алакетке түшүп чыйпылдашы – алдыда боло турган кырсыктуу окуя тууралуу кабар берсе, согуштун апааты жашыл шибердин, бак-дарактардын күлгө айланышы, чымчык-куштардын күздү күтпөй кайдадыр учуп кетип жатышы менен түшүндүрүлөт. Tүйүндүү сөздөр: пейзаж. роман, идея, легенда, эпилог, каарман, негизги окуялар. Аннотация. В статье дается пейзажное описание. Пейзажное описание используется в произведении как дополнительное средство эстетических ценностей и помогает раскрыть образы героев, и действия произведения. Писатель в романе тонко использует пейзажное описание. Например горы возвышенное и самое ценное в человеке, а полная луна – счастливое душевное состояние человека, а превращение безоблачного неба в бущующий вид – указывает, как неспокойно в душе главного героя, его беспокойные мысли, как бушует его внутренний мир, а ласточки неспокойно летающие, предвещают несчастье, птицы улетающие раньше времени, превращение зелёной травы, деревьев в пепел предвещают ужасы войны. Ключевые слова: пейзаж. роман, идея, легенда, эпилог, герой, главное событие Annotation. The article discusses the landscape description. The landscape description is used in the work as an additional tool for aesthetic values and helps to reveal the images of heroes, and in the development of the action of the work/ The writer in the novel subtly uses the landscape description. The mountains are the sublime and the most valuable in a person, and the full moon is a happy state of mind of a person, and the transformation of a cloudless sky into a raging view indicates how restless the soul of the protagonist is, his restless thoughts. How his inner world is raging, and the swallows are restlessly flying, foreshadow the misfortune, the birds flying away ahead of time, the transformation of green grass, trees in the forehead the horrors of war. This article describes the idea of the story "Do not kill" which is given instead of the epilogue in the novel "When the mountains fall" which was written by Ch.Aitmatov. It considers the role of a story that calls to live in peace and to end wars that are occurring in the world. Keywords: Landscapе, novel, idea, legend, epilogue, hero, main event.

Schopenhauer and the Paradox of the Sublime

2020 ◽  
pp. 237-255
Author(s):  
Bart Vandenabeele
Keyword(s):  
Aesthetic Experience ◽  
Human Being ◽  
Aesthetic Object ◽  
Human Reason ◽  
The Sublime ◽  
The World ◽  
The Aesthetic

Schopenhauer explores the paradoxical nature of the aesthetic experience of the sublime in a richer way than his predecessors did by rightfully emphasizing the prominent role of the aesthetic object and the ultimately affirmative character of the pleasurable experience it offers. Unlike Kant, Schopenhauer’s doctrine of the sublime does not appeal to the superiority of human reason over nature but affirms the ultimately “superhuman” unity of the world, of which the human being is merely a puny fragment. The author focuses on Schopenhauer’s treatment of the experience of the sublime in nature and argues that Schopenhauer makes two distinct attempts to resolve the paradox of the sublime and that Schopenhauer’s second attempt, which has been neglected in the literature, establishes the sublime as a viable aesthetic concept with profound significance.

Across the Western Sea (1783-1845)

1962 ◽  
Vol 1 (2) ◽  
pp. 91-114 ◽  
Author(s):  
Michael Kraus
Keyword(s):  
Eighteenth Century ◽  
Western Europe ◽  
Oscar Wilde ◽  
Ancient Greece ◽  
Natural Rights ◽  
Human Freedom ◽  
Native Land ◽  
Freedom Of Movement ◽  
The World ◽  
The One

In ancient Greece the priests of Apollo asserted that freedom of movement was one of the essentials of human freedom. Many hundreds of years later, toward the end of the eighteenth century, people in the Atlantic world again talked of emigration as one of man's natural rights. It was in northern and western Europe that easier mobility was first achieved within the various states. The next step was to use that mobility to leap local boundaries to reach the lands across the western sea. From the “unsettlement of Europe” (Lewis Mumford's phrase) came the settlement of America.Americans and those who wished to become Americans felt at home in the geographical realm conceived by Oscar Wilde. “A map of the world that does not include Utopia,” he said, “is not even worth glancing at, for it leaves out the one country at which Humanity is always landing. Progress is the realization of Utopias.” It was the belief that Utopias were being realized in America that caused millions to leave Europe for homes overseas.IA Scottish observer, Alexander Irvine, inquiring into the causes and effects of emigration from his native land (1802), remarked that there were “few emigrations from despotic countries,” as “their inhabitants bore their chains in tranquility”; “despotism has made them afraid to think.” Nevertheless, though proud of the freedom his countrymen enjoyed, Irvine was critical of their irrational expectations in setting forth to America. There were few individuals or none in the Highlands, he said, “who have not some expectation of being some time great or affluent.

"Without a Cross": The Cultural Significance of the Sublime and Beautiful in Cooper's The Last of the Mohicans

1997 ◽  
Vol 52 (1) ◽  
pp. 27-57 ◽  
Author(s):  
Steven Blakemore
Keyword(s):  
James Fenimore Cooper ◽  
Racial Ideology ◽  
The Novel ◽  
Cultural Significance ◽  
Men And Women ◽  
The Sublime ◽  
The World ◽  
Indian Tribes ◽  
Last Of The Mohicans ◽  
Historical Moment

This essay demonstrates that James Fenimore Cooper was incorporating the language and values of Edmund Burke's A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757) into the "world" of The Last of the Mohicans (1826). In the Enquiry Burke's distinction between the sublime and beautiful centers on traditional distinctions between men and women-an "eternal distinction" that Burke continually underscores. In Mohicans Cooper initially incorporates the beautiful into the sublime, in an intentionally illusive "mix" that corresponds to the illusory mixing of the white and Indian races. He then reinscribes Burke's distinction between the sublime and beautiful as an eternal distinction between whites and Indians-writing "out" the problem of the "Other" (gendered "femininity" and alien, "red" beauty) in a meditation of the significance of culture and race in America. In retrospect, Mohicans is a novel of ambiguous "crosses" and complicitous combinations-a novel of fatal and fruitful mixes comprising a series of covert traces telling a secret story contradicting Cooper's overt, racial ideology. Yet it is this "pristine" ideology that finally overpowers and double-crosses the novel's "other" message. Written in 1826, at a specific historical moment when the Indian tribes were being removed or destroyed, the novel reaffirms a racial ideology tortured with its own historical ambiguities.

scholarly journals On Time and Other Things: Some Cartesian Dichotomies in Antarctica

2021 ◽  
pp. 1-15
Author(s):  
Sarah de Barros Viana Hissa
Keyword(s):  
Nineteenth Century ◽  
Human Relations ◽  
Personal Lives ◽  
Internal Time ◽  
Time Consciousness ◽  
Nature And Culture ◽  
The World ◽  
The Way ◽  
Global Relations

Antarctica differs from all other regions in the world, not only from its unique geography, but also in the way humans understand it and have incorporated it into global relations. Considering Antarctica's distinctive landscapes and human relations, this paper discusses aspects of how time is humanly perceived in Antarctica. Basing on elements from different human occupations, nineteenth-century sailor-hunters and current incursions, this discussion approximates different historical groups in their experiences of Antarctica, connecting their personal lives, past and present. Meanwhile, also put into issue are the dualities that separate nature and culture, physical and relative time, and past and present, as well as the related notions of time in itself, perceived time speed and internal time consciousness.

scholarly journals Cartographic Sublime

2019 ◽  
Author(s):  
Frances Hsu ◽  
Keyword(s):  
Natural World ◽  
Edmund Burke ◽  
Early 19Th Century ◽  
Philosophical Inquiry ◽  
The Sublime ◽  
The World ◽  
Cognitive Faculties ◽  
The Face ◽  
Political Philosopher ◽  
Rational Side

Kant distinguishes two notions of the sublime: the mathematically sublime and the dynamically sublime. In the case of both notions, the experience of the sublime consists in a feeling of the superiority of our own power of reason, as a super sensible faculty, over nature. (Stanford Encyclopedia of Philosophy) The concept of the sublime was associated with nature in late 18th and early 19th century aesthetics. Political philosopher and states-man Edmund Burke evoked human mortality in A Philosophical Inquiry into the Origin of our Ideas of the Sublime and the Beautiful, defining the sublime as experience of the overwhelming magnitude of phenomena in the natural world which causes “a sort of delightful horror, a sort of tranquility tinged with terror; which, as it belongs to self-preservation, is one of the strongest of all the passions.” Kant, in contrast to Burke, defines rationality is an important component of the experience of the sublime: “The sublime is to be found in an object even devoid of form, so far as it immediately involves, or else by its presence provokes a representation of limitlessness, yet with a super-added thought of its totality.” That is, reason--super-added thought--allows us to comprehend and challenge the entirety of that which is beyond comprehension. He writes that “the feeling of the sublime in nature is respect for our own vocation . . . this feeling renders as it were intuitable the supremacy of our cognitive faculties on the rational side over the greatest faculty of sensibility.” For Kant, in other words, the experience of the sublime was the oscillation between sensation and rationality in the face of the overwhelming-ness of phenomena in the world.

scholarly journals The Logos between psychology, ontology, and Divinity: Fundamental aspects of the concept of Logos in the early thought of Slavoj Žižek

2014 ◽  
Vol 70 (1) ◽  
Author(s):  
Corneliu C. Simuț
Keyword(s):  
Special Interest ◽  
Natural World ◽  
Psychological Aspects ◽  
Human Being ◽  
Relationship With God ◽  
Fundamental Feature ◽  
Slavoj Žižek ◽  
The Sublime ◽  
The World ◽  
Modern Thought

Slavoj Žižek’s philosophy spans over more than three decades, which is confirmed by the numerous books he published since the late 1980s. Since his thinking about the idea of logos is no exception, this article focuses on what can be termed Žižek’s early philosophy, and especially that depicted in his The sublime object of ideology (1989) and The metastases of enjoyment (1994). Whilst the former underlines the psychological aspects of the logos, the latter focuses more on theories about being, as well as on theological considerations. This is why, three uses of the logos were identified in Žižek’s thought: psychological, ontological and theological, all three with a clear focus on the human being as conceived in modern thought, which for Žižek seems to be utterly opposed to traditional thinking about man and his relationship with God. It is clear from Žižek that whilst the notion of God does appear in this thought, it only refers to the human being which encapsulates the essence of Žižek’s philosophy to the point that the logos itself is a fundamental feature of the human being’s material existence in the natural world. Regardless of whether the logos points to psychology, ontology or divinity (theology), it always emerges as an idea which centres on the human being, with a special interest in how it exists as well as how it works in the world.

PSYCHOLOGICAL ANALYSIS OF REPRESENTATION OF FATHER AND MOTHER AS THE BASIS FOR OVERCOMING LIFE DIFFICULTIES

2020 ◽  
Vol 65 (4) ◽  
pp. 122-128
Author(s):  
F.S. Tashimova ◽  
◽  
A.R. Rizulla ◽  
A.R. Soltanbekova ◽  
◽  
...  
Keyword(s):  
Role Identity ◽  
Psychosexual Development ◽  
Gender Role Identity ◽  
Human Relations ◽  
Special Significance ◽  
Coping Methods ◽  
Psychological Analysis ◽  
The World ◽  
Positive Representation ◽  
Significant Factors

The problem of overcoming life's difficulties is one of the most actual problems of psychology. In this regard, one of the significant factors that determine success is the peculiarities of the representation of the father and mother as the first human communities, whose values and strategies permeate almost the entire system of human relations with the world. A great contribution to the analysis of this problem was made by the psychoanalytic direction, which considers parents as a "window to the world", providing a painless overcoming of problems at different stages of psychosexual development, the development of a" grandiose Self " that believes in its own potential for perfection and overcoming. Special significance, along with the mother in the early stages, is given to the father, the measure of identification with which affects both the development of a sublimating, overcoming personality, and co-dependent, with violations of gender-role identity (homosexuality) of a person. Positive representation of the father and mother is the basis for productive coping methods. Negative representation of parents is self-doubt, increased anxiety, unproductive coping strategies, reaching its extreme expressions-parricide.

What is the American Sublime? Ruminations on Peircian Phenomenology and the Paintings of Barnett Newman

2019 ◽  
Vol 16 (1) ◽  
pp. 30-39
Author(s):  
Mary Magada-Ward
Keyword(s):  
Abstract Expressionist ◽  
The Sublime ◽  
The World

I argue that a fruitful approach to exploring the significance of the abstract expressionist Barnett Newman’s body of work, understood as as an attempt to “paint the sublime,” is by appeal to Peircian phenomenology and the conception of “originativity” that it entails. By attending, in particular, to Peirce’s conception of “the firstness of thirdness,” I show how this “reasonable feeling” both signifies our “affinity” with the world with which we transact and, with specific respect to what happens when looking at Newman’s paintings, explains why we are spurred to reflect upon the meaning of these experiences. In this way, “the firstness of thirdness” accounts for our recognition of a form of reasonableness that exceeds that exhibited in ordinary conceptualization.

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