Aneta Dragushanu – The Perusal of the Myth of the Eternal Returning

2021 ◽  
Vol 5 (3) ◽  
Author(s):  
Bissere Evlogiev ◽  
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The article presents a personal, chamber reading of fragments of interviews, stories, paintings, memories of the artist Aneta Dragushanu and her attitude towards man and art. A personal touch to familiar theories related to the eternal gaze, search and returning and their manifestation in the works of the author. There is no doubt that every work of Dragushanu, sketch, drawing, and canvas is its way to share with us, a way to seek the human in of the day. We find this pursuit and search for truth in the attitude towards models as well. The search is not for the ideal, perfect image, but for the living person. The one she knows, without posture and intent, the one she has met, talked to, realized. This insight into seemingly insignificant things, into the small details of everyday life, of the purity of human communication is its pursuit of the impermanent, the eternal.

October ◽  
2013 ◽  
Vol 145 ◽  
pp. 38-66
Author(s):  
Kristin Romberg

Of Russian Constructivism's manifold demonstration pieces, the model workers' club that Aleksandr Rodchenko exhibited in Paris in 1925 is one of the best. It s economy of mater ials and transparent structural logic exemplify Constructivism's rationalist bid for a socialist aesthetics, while its function as a club models the ideal of enlightened recreation as the partner to unalienated labor. Visible in the well-known photograph of the club are posters for the two films that are the subject of this essay. Both were conceived as demonstration pieces in their own right. The poster in the center, also designed by Rodchenko, is for Dziga Vertov's first feature-length film, Kino-Eye. The one to the right, with the pared-down typographic layout, advertises Aleksei Gan's Island of the Young Pioneers. Both films were made in 1924 and featured the Young Pioneers, the Soviet youth organization for children ages ten to fifteen founded in 1922 on the model of the Boy Scouts. Both were produced as examples of a new approach to filmmaking called “the demonstration of everyday life.” But while Kino-Eye has gone on to be celebrated as the closest thing to Constructivism in cinema, Island has only been mentioned in passing, and even then as a complete disaster.


Author(s):  
Евгения Андреевна Долгова

В статье анализируется трансформация сюжета шпиономании в советских игровых кинокартинах о быте советских учёных конца 1940-х - начала 1950-х гг. Кинематограф этого времени внимателен к фигуре ученого: картины, посвященные героическим биографиям или научной повседневности, отражали статус науки в обществе, повседневность научных работников. Автор анализирует мифологию современного кинолентам общества, реконструирует представления власти об идеальном типе взаимоотношений ученого и государства. Делается вывод о том, что роль учёного в кинематографе тех лет специфична - с одной стороны, его образ часто приобретал черты нравственной максимы, с другой - оказывался в фокусе шпиономании. Мотив шпиономании, отрицание «низкопоклонства перед Западом» и космополитизма - специфичные черты кинематографа тех лет, нашедшие отражение и в конкретных исторических событиях - например, предвоенной дескридитирующей компании против Н. Н. Лузина, послевоенном деле «КР». В основу работы с аудиовизуальными источниками положен метод поэтапного структурированного наблюдения. The article aims to study the plot of espionage in Soviet films about the life of Soviet scientists in the late 1940s-early 1950s. The Cinema of this time is attentive to the figure of a scientist: the films are dedicated to heroic biographies or scientific everyday life, they reflected the status of science in society. The author analyzes the mythology of films, reconstructs the authorities ' ideas about the ideal type of relationship between the scientist and the state. It is concluded that the role of the scientist in the cinema of those years is specific - on the one hand, his image often acquired the features of a moral maxim, on the other-was in the focus of espionage. The close intertwining of the spy motif, the negation of «admiration for the West» and cosmopolitanism - specific feature of the cinema of those years, as reflected in specific historical events - for example, the defamatory company against Nikolay N. Luzin, post-war case «КR». The audio-visual sources were analyzed with the method of step-by-step structured observation.


2018 ◽  
Vol 18 (2) ◽  
pp. 127-148 ◽  
Author(s):  
Alexandru Brad

This article is about the practice of territorial governance emerging at the junction of European Union-sanctioned ideals and Romanian development-planning traditions. On the one hand, the European agenda emphasises a smart, inclusive, sustainable model of economic growth. However, the persisting centralised workings of the Romanian state significantly alters the scope of regional interventions. As such, while core cities grew their economies swiftly, peripheral places were left in an unrelenting stagnation. My first aim is to provide a theoretical ground for a practicecentred approach to understanding territorial governance. Second, by drawing on Romania’s regional policy context as an example, I give an insight into how practices of partnership and competition fare in a context of ongoing territorial polarisation. I conclude by emphasising the need for a regional redistributive policy mechanism, one which should enable and assist non-core areas to access capacities for defining and implementing development projects.


2020 ◽  
Vol 151 (1) ◽  
pp. 96-126
Author(s):  
Kathryn Crim
Keyword(s):  
The One ◽  

Karl Marx’s comments on silk manufacture in “The Working Day” chapter of Capital, volume 1, demonstrate how “quality”—usually associated with “use value”—has been mobilized by capital to naturalize industrialized labor. Putting his insight into conversation with a recent multimedia poetic project, Jen Bervin’s Silk Poems (2016–17), this essay examines the homology between, on the one hand, poetry’s avowed task of fitting form to content and, on the other, the ideology of labor that fits specific bodies to certain materials and tasks.


2018 ◽  
Vol 6 (1) ◽  
pp. 20-37
Author(s):  
Liis Jõhvik

Abstract Initially produced in 1968 as a three-part TV miniseries, and restored and re-edited in 2008 as a feature-length film, Dark Windows (Pimedad aknad, Tõnis Kask, Estonia) explores interpersonal relations and everyday life in September 1944, during the last days of Estonia’s occupation by Nazi Germany. The story focuses on two young women and the struggles they face in making moral choices and falling in love with righteous men. The one who slips up and falls in love with a Nazi is condemned and made to feel responsible for the national decay. This article explores how the category of gender becomes a marker in the way the film reconstructs and reconstitutes the images of ‘us’ and ‘them’. The article also discusses the re-appropriation process and analyses how re-editing relates to remembering of not only the filmmaking process and the wartime occupation, but also the Estonian women and how the ones who ‘slipped up’ are later reintegrated into the national narrative. Ultimately, the article seeks to understand how this film from the Soviet era is remembered as it becomes a part of Estonian national filmography.


Author(s):  
Michael P. Lynch

This chapter argues that academic freedom is justified because it is an inherently epistemic practice that serves the ideals of democracy. With Dewey, it is argued that “The one thing that is inherent and essential [to the idea of a university] is the ideal of truth.” But far from being apolitical, the value of pursuing truth and knowledge—the value that justifies academic freedom, both within and without the public mind—is a fundamental democratic value, and for three reasons: the practices of academic inquiry exemplify rational inquiry of the kind needed for democratic deliberation; those practices serve to train students to pursue that kind of inquiry; and those practices are important engines of democratic dissent.


2021 ◽  
Vol 37 (01) ◽  
pp. 045-052
Author(s):  
Mario Bazanelli Junqueira Ferraz ◽  
Guilherme Constante Preis Sella

AbstractNasal dorsal preservation surgery was described more than 100 years ago, but recently has gained prominence. Our objective is to show the surgical technique, the main indications and counterindications, and the complications. It is a technique that does not cause the detachment of the upper lateral cartilage (ULC) from the nasal septum, and has the main following sequence: preparation of the septum and its resection can be at different levels (high or low, i.e., SPAR [septum pyramidal adjustment and repositioning] A or B); preparation of the pyramid; transversal osteotomy; lateral osteotomy(s); and septopyramidal adjustment. The result is a nose with a lower radix than the original, a deprojection of the nasal dorsum tending to maintain its original shape; an increase in the interalar distance (IAD) and enlargement of the nasal middle ⅓; and loss of projection of the nasal tip and roundness of the nostrils. Thus, the ideal candidate is the one who benefits from such side effects, that is: tension nose, that is, high radix with projected dorsum, projected anterior nasal septal angle (ANSA), narrow middle ⅓, narrow IAD, thin nostrils and straight perpendicular plate of the ethmoid (PPE), and, depending on the characteristics, the deviated nose. The counterindications are low radix, irregularities in the nasal dorsum, ANSA lower than rhinion, and a wide middle ⅓. And the main stigmas are: a nose with a very low radix, middle ⅓ enlarged, residual hump, and saddling of the supratip area. Other issues of this technique are: the shape of the radix; the need or not to remove PPE; wide dorsum; irregular dorsum; ANSA lower than rhinion; weak cartilages; long nasal bone; deviated PPE; and obsessive patient. We conclude that this is a great technique for noses with characteristics suitable to it; care must be taken with the stigmas it can cause.


2008 ◽  
Vol 10 (1) ◽  
pp. 22-27 ◽  
Author(s):  
Roch Plewik ◽  
Piotr Synowiec ◽  
Janusz Wójcik

Two-phase CFD simulation of the monodyspersed suspension hydraulic behaviour in the tank apparatus from a circulatory pipe The hydrodynamics in fluidized-bed crystallizers is studied by CFD method. The simulations were performed by a commercial packet of computational fluid dynamics Fluent 6.x. For the one-phase modelling (15), a standard k-ε model was applied. In the case of the two-phase flows the Eulerian multi-phase model with a standard k-ε method, aided by the k-ε dispersed model for viscosity, has been used respectively. The collected data put a new light on the suspension flow behaviour in the annular zone of the fluidised bed crystallizer. From the presented here CFD simulations, it clearly issues that the real hydraulic conditions in the fluidised bed crystallizers are far from the ideal ones.


1991 ◽  
Vol 15 (2) ◽  
pp. 123-138
Author(s):  
Joachim Biskup ◽  
Bernhard Convent

In this paper the relationship between dependency theory and first-order logic is explored in order to show how relational chase procedures (i.e., algorithms to decide inference problems for dependencies) can be interpreted as clever implementations of well known refutation procedures of first-order logic with resolution and paramodulation. On the one hand this alternative interpretation provides a deeper insight into the theoretical foundations of chase procedures, whereas on the other hand it makes available an already well established theory with a great amount of known results and techniques to be used for further investigations of the inference problem for dependencies. Our presentation is a detailed and careful elaboration of an idea formerly outlined by Grant and Jacobs which up to now seems to be disregarded by the database community although it definitely deserves more attention.


2021 ◽  
pp. 030573562110089
Author(s):  
Melissa L Kirby ◽  
Karen Burland

Current research investigating the functions of music in everyday life has identified cognitive, emotional, and social functions of music. However, previous research focuses almost exclusively on neurotypical people and rarely considers the musical experiences of autistic people. In addition, there is limited research which focuses explicitly on the musical experiences of young people on the autism spectrum. Current research exploring the functions of music may therefore not accurately represent the experiences of the autistic community. This article aims to explore the function of music in the lives of young people on the autism spectrum through a series of interviews. Eleven young people on the autism spectrum age 12 to 25 ( M = 19.4) were interviewed about the function of music in their lives. An adaptive interview technique, utilizing multiple methods of communication, was employed to account for the participants’ broad communicative and personal needs. Interpretative phenomenological analysis revealed four key functions of music in the participants’ lives: Cognitive, Emotional, Social, and Identity. Collectively, these results provide a unique insight into the musical experiences of young people on the autism spectrum.


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